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Camilla Wilson

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These paintings embody both the desire for an interior space and the negotiation of a representational language adequate to this. The emphasis is upon the sense of inhabiting; inhabiting the space, and the image as a space. The sense that these interiors are not self-evident arises from the feeling that we might be looking at stage sets rather than actual interiors; there is an uncertainty as to establishing their reality. Sometimes, the paintings work to delay recognition on the part of a viewer. Sometimes, the places appear obsolete, unbound by function, defamiliarised, and free to take on a dreamlike quality. Like a dream space, eliding boundaries of real and unreal, the work suggests that inhabiting an interior is more a psychological than physiological state. Experience is collapsed into a moment, a moment is lived by an image, and the image extended through painting.
Camilla Wilson
London
United Kingdom
Europe

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