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Rosanna Greaves
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'The Observer' installation view, 2005.
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Much of Rosanna Guy Greaves� practice involves seeking out places of interest to develop the work from, researching the history of a place, its previous and present uses, and picking up on past narratives or matters of interest that are imbedded within the character of the building but often overlooked when used as a day-to-day facility. This research method of practice results in site responsive or interactive sound pieces, installations and digital video works. Greaves has created works for a variety of venues including an 19th Century Observatory, an old glass and lead manufacturers in Clerkenwell and the arches under London Bridge, often making complex connections between places and contexts.
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'the Observer' Invitation image, 2005
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'Your Shaddow at My Back' stereo headphones, 2006.
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'lovelace & Knight' Installation detail, 2004.
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'Pitch Dark' 2005.
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This research-based method of art production has often resulted in her employing the knowledge of an expert in a particular field, or building working relationships with one or more people who have regular contact or engagement with that particular place. In site-specific installations Greaves has often used sound as a way of tying together the objects in the space, as something, which can be experienced simultaneously with visual elements In some instances the sound is used to penetrate a space creating a tension between the viewer, the space and the work; at others it is used to sculpt spatial qualities complimenting the architecture. Having a strong interest in the deconstruction of musical structures, greaves also creates entirely aural pieces to be played though headphones or separate surround speakers.
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'Lovelace & Knight' installation view, 2004.
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Rosanna Greaves
Flat 10 Befford Court
165 Green Lanes
N16 9DD
London
London
United Kingdom
Europe
t:
m: +44 07799754894
f:
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Web Links
Schwartz Gallery
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