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Exhibitions below have been featured in a recent Feature Newsletter or Special Announcement and sent to our global audience of contemporary art enthusiasts and professionals
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GALERIE JAEGER BUCHER, Paris presents HANNS SCHIMANSKY Hanns Schimansky, Untitled, 20134
20 September - 15 November, 2014

With abstract and complex drawings, Hanns Schimansky explores the world in a very personal way. When he draws, the artist observes, touches, feels, deepens, breathes, liberates He explores the aesthetical potential of drawing in all its forms of expression. The drawings seek to explore the conditions of our perception and reflect our existence. Contrary to video or photography, drawing demands a stronger visual focus - in total opposition to our world filled with technology.

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BLACKSTON, New York presents AMY FELDMAN Amy Feldman, Spirit Merit, 2014
12 September - 26 October, 2014

Amy Feldman’s paintings are known for their powerful display of form, deceptively simple yet impactful language and their juxtaposition of immediacy and resonance. Feldman makes pictures that are fully aware of the history of painting, but break free into uncharted territory: they undermine the logic of their monumentality. In her distinct approach, Feldman shows her full command of how images and forms are perceived and distilled.

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Aeroplastics, Brussels presents Prendre le temps d’un morceau d’odalisque Katia Bourdarel, Odalisque, 2014
12 September - 25 October, 2014

Through a keyhole, a stolen glance at the painter’s desire. The much-coveted odalisque, surprised in her satins. She barely turns, in a somewhat awkward twist. But that one-eyed look of hers, is it a final regard before disdain and oblivion? Or rather is it the first... an invitation to shared desire?

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Galerie Stefan Röpke, Cologne presents CLAIRE KERR Claire Kerr, Eclipse, 2014
5 September - 11 October, 2014

It is not difficult to be immediately awed by Claire Kerr’s paintings at first glance. The incredible precision in their diminutive scale is evidence of her virtuosic abilities as a technical artist. With the detail of every crease, crack and shadow and their pristine porcelain-like surfaces, the paintings are sensitive and poetic beyond what one would classify as photo-realistic painting.

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Archisle: International Photographer in Residence Programme 2015 Archisle: International Photographer in Residence Programme 2015 Deadline: 15 October, 2014

Archisle is currently inviting applications for the position of Photographer in Residence 2015. This is an exciting post in its third year commencing in April running for six months through to September 2015.

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Galerie Christian Lethert, Cologne presents
JILL BAROFF Jill Baroff, Double Cross, 2014 5 September - 15 October, 2014

A light shadow falls at the intersection of the wall and floor and creates a bright, divided, trapezoid of clay and tatami. Nearly 20 years later, this image from Japan remains intensely evocative for me: the hinged shape somehow emblematic of a corner turned....

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James Cohan Gallery, Shanghai presents
SUE WILLIAMS Kathleen White, (A) Rake’s Progress, pastels on paper 12 September - 26 October, 2014

Sue Williams (b. 1954) has long been known for her works which combine themes of gender politics and the body. Her early works of highly provocative narrative paintings brought her to the attention of a larger audience beginning in the mid-1980s and early 1990s.

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Contemporary Art Gallery Vancouver presents
JÜRGEN PARTENHEIMER Jürgen Partenheimer, The Raven Diaries #28 (adumbration), 2014. 12 September - 9 November, 2014

Partenheimer’s work is essentially abstract; his drawings and paintings, caught seemingly on the verge of dissolution, are remarkable for their fragile beauty, whilst sculpture and ceramic work, suggesting some usefulness, remain elusive with respect to any specific function.

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Galerie Urs Meile Lucerne presents
LI GANG Li Gang Beads No. 3, 20134 21 August - 1 November, 2014

Li Gang studied painting, but went on to experiment with a wide range of media and materials. He wants his art to stay fresh and committing to only one medium would limit him too much. With Li Gang you never know which form his next group of works will take on. His art has no recognizable style, the common ground lies deeper: in Li Gang’s interest in transformation.

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