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studio 1.1: Men and Motors : DEBORAH GOUGH & JO WILMOT - 4 July 2008 to 27 July 2008

Current Exhibition


4 July 2008 to 27 July 2008
Open Thursday - Sunday 12 - 6 pm
private view Thursday 3rd July 6 - 9pm
studio 1.1
57a Redchurch Street
Nearest tubes Liverpool/Old Street
E2 7DJ
London
United Kingdom
Europe
p: + 44 (0) 7952 986 696
m:
f:
w: www.studio1-1.co.uk











DEBORAH GOUGH
Web Links


studio 1.1

Artist Links


John Summers
David Ben White
Joy Episalla
Keran James
Cees Krijnen - Women in Divorce Battle



Artists in this exhibition: DEBORAH GOUGH, JO WILMOT


DEBORAH GOUGH
and
JO WILMOT
'Men and Motors'
4 - 27 July 2008

private view Thursday 3rd July 6 - 9pm


studio1.1 is delighted to present "Men and Motor", a sardonic look at masculinity from two young women painters, Deborah Gough and Jo Wilmot.

Gough paints large narrative canvases, setting out disquieting scenarios which simultaneously attract and disturb the viewer. Something makes us slightly queasy staring at this semi-naked young man staring back at us from his bedsit mattress - he�s not quite Manet�s Olympia (the pose is reversed although the attitude is similar), and are those two girls in the room or in his head? They
touch each other for his/our gratification more than their own, smiling for our approval. And is that the artist peering through the window? Where literally does she fit in? "The Inadequacy of Being Fat and Ugly" turns Wilde's play title on its head with an irony that can only
unsettle.

Jo Wilmot gives us another lust object - cars, sensually painted, gleam in luxurious showrooms, their headlights winking at us. The money we might not have does not stop us wanting the latest model. Waiting to be taken for a drive, sex and fast cars supply what we are told is the ultimate male wish-fulfillment. Is it (not?) a pretty sight? The lovingly polished bodywork is displayed for our delectation. Wilmot is also an outsider in this world of conspicuous consumption. Showrooms; showgirls. The spaces of fantasy are continuous; the arenas for product display are the same.

Whatever progress there has been since Emily Davison threw herself under the King�s horse, all the king�s men have signally failed to construct a society in which women are valued equally, and therefore we are actively reminded by both artists that despite years of "Eliberation" and supposed equality, it remains a man's world: the way men view women to a large part still determines how women view themselves.




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