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Gladstone Gallery: ANDRO WEKUA - BLUE MIRROR - 1 Mar 2008 to 29 Mar 2008

Current Exhibition


1 Mar 2008 to 29 Mar 2008
Gallery Hours: Tuesday � Saturday, 10am-6pm
Barbara Gladstone Gallery
515 West 24th Street
NY 10011
New York, NY
New York
North America
p: +1 212 206 9300
m:
f: +1 212 206 9301
w: www.gladstonegallery.com











ANDRO WEKUA - BLUE MIRROR
Installation View Gladstone Gallery, March 2008
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Artists in this exhibition: ANDRO WEKUA


Gladstone Gallery is pleased to announce an exhibition of new work by Andro Wekua. Viewing the past as a spiral of infinite reoccurrence, he creates enigmatic tableaux questioning the intersections of history, memory, and fantasy. In the new sculpture, paintings, collages, and film included in this exhibition, Wekua explores history as a chain of repeating events and emotions, that both heightens a sense of disassociation even as it sustains one�s inner-life.

Many elements of Wekua�s formal language reappear throughout the various media he employs. Images that could be family snapshots or advertisements haunt the base layers of his collages as the artist�s hand drowns them in color, traces attenuated facial features, and obliterates the composition with interlocking geometric shapes. The question lingers whether what is buried is lost, or purposefully hidden. Out of these collages emerge not just recurring images but also the basic formal grammar of Wekua�s visual world. The young boys and girls ripped from the photo albums or magazines, scarred or decorated in the collages, become the sculptures isolated in colored vitrines, or hiding on tabletops.

While sometimes a very literal boundary separates these children from the outside world, in many cases these figures are secluded by unknown forces, whether self-imposed or the product of past experience. This estrangement creates an uncanny sensation as twinned figures seemingly stand-in for the possibilities of autobiography or for the ramifications of earlier events. Through these doppelgangers, he explores an infinite division of self as the prerequisite for the desires that structure self-image. Wekua betrays the exuberant colors and fantastic vignettes as tinseled disguises for melancholy nostalgia. While his engagement with the past elicits a sense of lonely isolation, there seems to be a palpable desire for a shared understanding of one�s inner life that unites the various enigmatic mis-en-scene through doubling. In his new film, Wekua tracks these reoccurrences, drawing a connection between the stasis of immobility and existential repetition.

Andro Wekua was born in 1977 in Georgia, and studied visual arts there and in Basel, Switzerland. He has been the subject of solo exhibitions at numerous museums, including Neue Kunst Halle, St. Gallen, Switzerland; The Rubell Family Collection, Miami; Kunstmuseum Winterthur, Switzerland; Museum Boijmans van Beuningen, Rotterdam; and Hydra Workshops, Greece; and he has participated in various group shows including the 4th Berlin Biennial in 2006. He will have upcoming exhibitions at the Camden Arts Center, London; the Frans Hals Museum, Haarlem; and Le Magasin, Grenoble. A fully illustrated artist�s book will accompany this exhibition.




Advance Media Notice

Dieter Roth
�Drawings�
April 5 through May 3, 2008

Gladstone Gallery is pleased to present an exhibition of drawings by artist Dieter Roth. Drawn between 1977 and 1990, the bundled groups shown here represent a central part of his oeuvre, rarely exhibited during his life. These pieces represent a visual diary of sorts, charting both his morale and artistic production. While appearing in the Kopiebucher that he created in small editions, this exhibition marks the US debut of some of these most telling and essential works from this fascinating artist.


Anish Kapoor
Opens May 12, 2008

Known for sculptures in which the union between organic forms and sensual materials verges on the sublime, Anish Kapoor continues to map a spiritual terrain demarcated by a plastic vocabulary of voids, vessels, circles, and squares. In this exhibition of new works, Kapoor simultaneously explores both purity and earthiness in materials as divergent as polished stainless steel and dyed wax and works in scale from the monumental to the intimate. Kapoor�s forms become, as Homi Bhabha wrote, a �living tissue, a contingent and relational medium,� that seek to unite the act of viewing with a near spiritual awakening.





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