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Fruitmarket Gallery: Close-Up : Proximity and defamiliarisation in photography, film and art - 24 Oct 2008 to 11 Jan 2009 Current Exhibition |
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Simon Starling
Inventar-Nr. 8573 (Man Ray) 4m-400nm, 2006 |
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Close-Up : Proximity and defamiliarisation in photography, film and art Curated by Dawn Ades and Simon Baker Exhibition 24 October 2008 � 11 January 2009 Artists Laure Albin-Guillot, Aenne Biermann, Karl Blossfeldt, Mel Bochner, Jacques-Andre Boiffard, Stan Brakhage, Brassa�, Luis Bu�uel, Kate Craig, Salvador Dal�, Wim Delvoye, Mona Hatoum, John Hilliard, Mike Kelley, Dora Maar, L�szl� Moholy-Nagy, Jean Painlev� and Eli Lotar, Alfred Renger-Patzsch, Giuseppe Penone, Man Ray, Carolee Schneemann, Simon Starling Scientists W.H. Olley, John Redmayne, Underhill, Lt. Col. J.J. Woodward, Ellen Willmott. The latest in The Fruitmarket Gallery�s series of group exhibitions curated by eminent scholars, writers and rtists, Close-Up explores the defamiliarising effects of bringing a camera lens very close to its subject. Trans-historical and cross-generational, the exhibition brings together selected experiments in close-up film and photography from mid-nineteenth century microscopy; avant-garde film and photography from the 1920s and 1930s; post-war conceptual art; and contemporary art from the 1990s and 2000s. Salvador Dal�, whose film Un Chien Andalou, made with Luis Bu�uel in 1929, includes unnerving close-ups of a death�s head hawk moth as well as the most famous sequence of the slitting of a woman�s eye that opens the film, characterised the revelatory aspect of close-up photography as �the registering of an unknown reality�. This exhibition presents a succession of unknown realities, from nineteenth century lantern slides showing hugely magnified micro-organisms, to Simon Starling�s double slide work Inventar-Nr. 8573 (Man Ray) 4m�400nm from 2006, a journey right into the silver gelatine surface of a vintage Man Ray photograph. Other highlights include a series of images by Man Ray, Brassa�, Jacques-Andr� Boiffard, Karl Blossfeldt, and their lesser-known contemporary Aenne Biermann, which show objects from the natural and unnatural worlds as they had never been seen before � flowers morphing into faces; twigs taking on the monumentality of African totems; dust breeding an entire world on the surface of Marcel Duchamp�s Large Glass. Man Ray�s dust finds a surprisingly beautiful contemporary echo in Mike Kelley�s series Untitled (Dust) from 1994, while his experimental film Retour � la Raison (1923), which includes a sequence made by sprinkling tin tacks directly on to the surface of the film, resonates with Stan Brakhage�s 1963 film Mothlight, a collage of real moth wings, twigs and blades of grass run through a 16mm projector. Other work in the exhibition focuses on the human body, with Kate Craig, Giuseppe Penone, Wim Delvoye, Mona Hatoum and Carolee Schneemann subjecting their own and others� bodies to intense scrutiny. Uncanny, disorientating and unsettling; strangely beautiful and oddly compelling, the close-up renders objects less recognisable while revealing something unexpected about them. This exhibition, selected by two renowned scholars, highlights the closeup�s extraordinary visual and conceptual power, its ability to transform photography into, again in the words of Salvador Dal�, �pure creation of the mind�. Notes for editors 1. Dawn Ades is an internationally respected authority on surrealism and Latin American art. She is the author of numerous books and the curator of several major exhibitions, including Dada and Surrealism Reviewed (Hayward Gallery, 1978); Art in Latin America: The Modern Era, 1820-1980 (Hayward Gallery 1989); Undercover Surrealism (Hayward Gallery, 2006), and an exhibition to celebrate the centenary of Salvador Dal� shown in Venice and Philadelphia in 2004. 2. Simon Baker is a lecturer in art history at the University of Nottingham, and writes on surrealism, photography and contemporary art. He co-curated the 2006 Hayward Gallery exhibition Undercover Surrealism (with Dawn Ades); published Surrealism, History and Revolution (Peter Lang, 2007); and has recently written essays on Jake & Dinos Chapman, George Condo and Paul McCarthy. 3. The Fruitmarket Gallery is a not-for-profit organisation and a Scottish Charity (registration number SC005576), programming national, international and touring exhibitions by leading artists and emerging talent. The Gallery is �Foundation Funded� by the Scottish Arts Council for up to 70% of its running costs and must fundraise to support its world-class exhibitions, education and publishing programmes. |
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