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Foxy Production: HANY ARMANIOUS - BIRTH OF VENUS - 7 May 2010 to 26 June 2010

Current Exhibition


7 May 2010 to 26 June 2010
Hours: Tuesday to Saturday
11-6PM
Foxy Production
623 WEST 27 ST
NY 10001
New York, NY
New York
North America
p: +1 212 239 2758
m:
f: +1 212 239 2759
w: www.foxyproduction.com











HANY ARMANIOUS, EFFIGY OF AN EFFIGY WITH MIRAGE, 2010
Cast polyurethane resin, fiberglass and pewter with pigment
52 x 41 1/4 x 33 in. (132 x 104.8 x 83.8 cm.)
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Artists in this exhibition: HANY ARMANIOUS


HANY ARMANIOUS
BIRTH OF VENUS


Exhibition: May 7 - June 26, 2010
Reception for the artist: Saturday, May 8, 6-8PM

NEW YORK GALLERY WEEK EXTENDED HOURS: Friday 11-6, Saturday 10-8, Sunday and Monday 11-6, May 7-10, 2010

Hany Armanious' second New York solo exhibition at Foxy Production, Birth of Venus, further expands his lexicon of object-making. On entering the gallery the viewer is confronted with a number of arrangements of seemingly disparate elements, with each grouping carefully placed in relation to the others. A sparseness pervading the overall scene is disrupted by a number of small individual objects, and pockets of color � reds, greens, and subtle mauves � stand in relief to the monochrome of many of the surfaces in the space.

With an uncanny verisimilitude, Armanious has obsessively cast sculptures in resin, fiberglass, and pewter from molds of randomly found items, including a squeezed lump of putty; a ceramic 1970s ashtray; a polystyrene sphere; makeshift tabletops and bases; a haphazardly-mended plinth sitting alone, its sculpture long gone; and a large carved head, based on a sculpture by Picasso, that gazes at a vase taped to a workbench. Accompanying these elements is a series of Sneeze Paintings, flat-works inspired by the involuntary act of sneezing; in lilac tones with mesmerizing patterning, they sit propped against a wall of the gallery.

Botticelli�s The Birth of Venus depicts the nude goddess of love entering the world as a fully formed adult, blown to shore on a large scallop shell. Not unlike Venus herself, Armanious� sculptural works emerge fully formed from their molds, resembling in every detail � except their materials - the original objects that they were cast from. Venus�s birth, the origin of desire and beauty, represents to the artist the act of casting, where he magically transforms the mass-produced, the provisional, the degraded and the cast-off into resonant and beautiful objects.

With a compulsive drive, Armanious delves deeply into the production and reception of sculpture: into the actions on materials that produce articulated forms; and into how a sense of beauty can be manufactured, defined and understood. He explores the ways an artwork can command a presence or its own aura within the exhibition space, and he complicates the relationship between sculpture and support by muddying their definitions and boundaries: his objects can be both sculptures and bases. The connections amongst elements in the arrangements and scenes he creates recall Robert Gober�s lyricism, yet the links that Armanious makes are less narrative in nature. There is a poeticism in his work that scrambles the semantics around the relationship of the original to the copy: he focuses primarily on the joy in the beholding of the exquisitely finished object.

HANY ARMANIOUS (Ismalia, Egypt, 1962) lives and works in Sydney, Australia. He holds a Bachelor of Arts from the City Art Institute, Sydney. Selected exhibitions include: Adelaide Biennial (2010); The Modern Institute, Glasgow; Galleria Raucci/Santamaria, Naples (solo); Roslyn Oxley9 Gallery, Sydney (solo)(all 2009); Contemporary Art Museum St. Louis, Missouri (solo); Zero..., Milan; Elizabeth Dee, New York (all 2008); Foxy Production, New York (solo); City Gallery, Wellington (solo); Michael Lett Gallery, Auckland (solo)(all 2007); Institute of Modern Art, Brisbane (solo); Monash University Museum of Art, Melbourne; Busan Biennale, South Korea (all 2006); National Gallery of Australia, Canberra (2005); Auckland Art Gallery, Auckland (solo)(2004); Ian Potter Museum, Melbourne (solo)(2002); and UCLA Hammer Museum, Los Angeles (solo)(2001).

Armanious has been selected to represent Australia at the Venice Biennale in 2011.

For further information or high resolution images contact the gallery: +1 212 239 2758.

FOXY PRODUCTION
623 W 27 ST
NYC 10001
USA
+1 212 239 2758



NEW YORK GALLERY WEEK
http://www.newyorkgalleryweek.com/#/Home






For further information or high resolution images contact the gallery: +1 212 239 2758.

FOXY PRODUCTION
623 W 27 ST
NYC 10001
USA
+1 212 239 2758

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