Berlin 00:00:00 London 00:00:00 New York 00:00:00 Chicago 00:00:00 Los Angeles 00:00:00 Shanghai 00:00:00
members login here
Region
Country / State
City
Genre
Artist
Exhibition

Danielle Arnaud: Suky Best & Rory Hamilton: Rodeo - 11 Apr 2008 to 11 May 2008

Current Exhibition


11 Apr 2008 to 11 May 2008
Hours : Friday - Sunday 2 - 6 pm or by appointment
Private view: Friday 22 February 6 - 9pm
Danielle Arnaud
123 Kennington Road
SE11
London
United Kingdom
Europe
p: +44 (0) 207 735 8292
m:
f: +44 (0) 207 735 8292
w: www.daniellearnaud.com











Suky Best & Rory Hamilton
Blue Rodeo 2008
animation 1' 47"
Web Links


Danielle Arnaud

Artist Links


Ellie Harrison
Adele Prince
Annie Whiles



Artists in this exhibition: Suky Best, Rory Hamilton


Rodeo is a series of three animations and five silk prints, continuing Suky Best & Rory Hamilton's collaboration exploring cowboy films. In 2005 they presented Wild West, five animations based on generic scenes extracted from these films. Unlike this previous work, where the action is described by the black silhouettes of the protagonists against a white background, Rodeo features the rider and bull or horse in vibrant, primary colour: red, yellow and blue. The power and emotion of the struggle between man and beast is heightened by the strong bold visuals. Also, in keeping with the traditional depictions of the rodeo, the animation either takes place in powerful, elegant slow motion or frantic real time. Eight seconds is the amount of time a bull rider must stay on to achieve a score.

This sport has its roots in Ancient Greece, as found in frescos in Knossos, and is obviously related to Spanish bullfighting; in Spanish, the word 'rodeo' means 'round up' or 'surround' as in cattle driving. The Spanish conquistadors introduced horsemanship contests to the New World during the late 1700s and early 1800s when Spain owned a large amount of the land that is now the American West.

The Mexican rodeo persists in a smaller way than the American's in the charreada, a show of horsemanship which includes bull and horse riding.

The Greek origin, as in Knossos, brings to mind the Minotaur. In the animations, the silhouettes created often seem to merge the forms of the man and the beast.

These references are re-enforced by the style of the animations: when seen as individual frames much of the animation is very abstract in form, creating hybrids of man and animal; the action only making sense when in motion. The moment the rider is thrown off, the forms tend to resemble a pile of rags before they coalesce into the familiar cowboy form once again.

One of the interesting aspects about the rodeo is not only the very fast and intense competition between rider and animal but also the fact that the riders and the animals have their unique personalities. Bulls compete with their aspiring riders over and over in different venues, with bulls having names and individual characters. These characters can be seen as an extension of celebrity culture creating an equality between man and animal.

Suky Best is an artist working with print, animation and video. She has recently exhibited at Baltic, Gateshead and Art Now Lightbox at Tate Britain (a collaboration with Rory Hamilton). She had a solo show and publication , The Return of the Native, (commissioned by Film & Video Umbrella) at BCA, Bedford and the Pump House Gallery, London. In 2004 she completed a Wellcome Trust funded SCIART project making animations for hospital outpatient areas. She has just completed a moving image commission for The Great North Run (an annual half marathon in Newcastle); a permanent sculptural piece for the Devils Glen in Ireland and an animation for the main reception of University College Hospital, London. In recent years she has had commissions from English Heritage at Cleeve Abbey in Somerset; she made a 40 second film for Travellers' Tales, an Iniva commission, and a series of video to print works as part of Dartmoor Insight for AHA/Da2. She was a Fellow in Printmaking at the University of Wolverhampton (funded by the Henry Moore Foundation) 1998-2000.

Rory Hamilton has worked on digital screen based and installations projects for over ten years. In 2002 he completed Generic Sci-Fi Quarry with Jon Rogers as part of the TV Swangsongs project. For many years he was course leader in Interaction Design at the Royal College of Art. He is now head of Insight for the service design company Livework, as well as being the creator of EverythingIknow.co.uk , a site about the practice of art and design.



SIGN UP FOR NEWSLETTERS
Follow on Twitter

Click on the map to search the directory

USA and Canada Central America South America Western Europe Eastern Europe Asia Australasia Middle East Africa
SIGN UP for ARTIST MEMBERSHIP SIGN UP for GALLERY MEMBERSHIP