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Artists Space: Duncan Campbell: 'Make It New John' - 9 Mar 2010 to 1 May 2010 Current Exhibition |
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Make It New John Duncan Campbell March 9 - May 1, 2010 Opening Reception: Saturday, March 6, 6 - 8 pm �The DMC12 story intersects temptingly with the present in unquantifiable ways: the story of a collapsing car company chimes with the recent meltdown of the car industry in the US, for instance. These are avenues for speculative thought but they remain just that, seedbeds for argument. Indeed, seeing the past through the prism of the present might only warp it further. But in our moment, the past is never allowed to be just the past.� �Martin Herbert Make it new John (2009) tells the story of the legendary DeLorean car, its� creator John DeLorean and the workers of the Belfast-based car plant who built it. Campbell�s film deftly contrasts the DeLorean dream with its spectacular downfall during a critical period in Northern Ireland�s history, and the canonization of the car � the DMC12 � as a symbol of the American myth of mobility. The son of an immigrant Romanian foundry worker, John DeLorean possessed a talent for engineer ing that took him to the top of Chevrolet, General Motors. Following his resignation from GM in 1973, he persuaded the British Labor Government to back his new venture � building a factory in Dunmurry/Belfast to produce a new sports car. Almost immediately beset by financial difficulties and allegations of embezzlement, DeLorean�s attempts to keep the factory open became increasingly disparate, eventually leading to his arrest by the FBI. The factory�which employed 2500 workers� closed in 1982 under the Thatcher government, having produced just over 9000 cars. As with Campbell�s earlier works such as Bernadette (2008) and Falls Burns Malone Fiddles (2003), Make it new John (2009) fuses a documentary aesthetic with fictive moments, using existing archi val news and documentary footage from the 1980s as well as new passages of 16mm film shot by Campbell, imagining conversations between DeLorean factory workers. �I think that documentary relies on shorthand and parable as much as any work of fiction.� � Duncan Campbell Make It New John Duncan Campbell March 9 - May 1, 2010 Opening Reception: Saturday, March 6, 6 - 8 pm Make it new John (51 minutes) will be screened every hour on the hour. Duncan Campbell lives and works in Glasgow. In 2008 Campbell was the recipient of the Baloise Art Prize and a Paul Hamlyn Foundation Award. Recent solo exhibitions include Tramway, Glasgow (2010); Chisenhale, London; Kunstverein M�nchen; Museum Moderner Kunst, Vienna and The Scottish National Gallery of Modern Art (all 2009). His work has also been featured in Art Now, Tate Britain, London (2006) and Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004). Make it new John was commissioned by Film and Video Umbrella, Chisenhale Gallery, Tramway and The Model, Sligo. Programs: Friday, March 5, 7:00pm Screening at the Independent (548 West 22nd Street) Dust on the Bible (John T. Davis, 16mm, 1989, 50 mins) introduced by Duncan Campbell �The Davis film that had the greatest effect on me...was Dust on The Bible (1989), a documentary about street-corner preachers in Belfast. Dust on The Bible resonates with Davis� earlier encounter with evangelical Christianity in America�s �Bible Belt� as seen in his film Route 66 (1985). Given such a soft target it would have been easy for Davis to simply draw the viewers� attention to the parallels between the redneck mentality of America�s Deep South and attitudes of religious fundamentalists in Northern Ireland. He doesn�t eschew this point so much as render it ambient. The result is a bleak and tender portrait of the place, a journey through the cultural and economic void that was Northern Ireland at the time.�DC Part of an ongoing film series curated by Thomas Beard and Ed Halter Friday, March 12, 7:30 pm Book Launch and Conversation Duncan Campbell in conversation with Thomas Beard at the launch of a new publication on Campbell�s work, which features a text by Martin Herbert and a conversation between Campbell and Melissa Gronlund. Published by Film and Video Umbrella and Tramway, in association with The Model, Sligo. Saturday, April 3, 7:30pm Screening Shellshock Rock (John T. Davis, 16mm, 1979, 44 mins) A look at the burgeoning punk scene in Northern Ireland featuring early footage of bands such as Stiff Little Fingers, The Undertones, Protex, The Outcasts, Resus Negative among others. Part of an ongoing film series curated by Thomas Beard and Ed Halter Mid April 2010* Discussion with Luc Boltanski Juicing the Equilibrium: Critique, Value, Markets, Prices Organized by Howie Chen and Jason Kakoyiannis in conjunction with Columbia University�s Center on Organizational Innovation. For more information visit www.jequ.org *(Date and time to be announced; please visit www.artistsspace.org for details.) |
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