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SHOSHANA WAYNE GALLERY presents FRANCES TROMBLY - "Material and its Making" | PETER HUTTON - Film Stills

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27 Feb 2016 to 7 Apr 2016
Tues - Fri 10am - 6 pm - Sat 11am - 5:30 pm
Shoshana Wayne Gallery
Bergamot Station, 2525 Michigan Avenue B1
Santa Monica
Los Angeles, CA
CA 90404
California
North America
T: 1 310.453.7535
F: 1 310.453.1595
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W: www.shoshanawayne.com











FRANCES TROMBLY
"Material and its Making"
February 27 � April 7, 2016
12


Artists in this exhibition: Frances Trombly, Peter Hutton


FRANCES TROMBLY 
"Material and its Making" 

February 27 – April 7, 2016
Opening Saturday February 27, 2016 5 - 7 PM

Shoshana Wayne Gallery is pleased to present Material and its Making a new exhibition by Frances Trombly.  This is the artist’s second show with the gallery.  In her work, Trombly has focused on making textiles by hand to represent often ephemeral and disposable industrial objects.  She began to pare down the role of detail and color in her 2010-2011 series of handwoven canvas paintings, a shift that emphasized the sculptural and conceptual field of her work.  The minimalism also allowed space to consider the importance of the breaks and shifts in the textiles.

In her latest work these variables within the fiber open up the conversation about the fabrication process: irregularity, asymmetry, glitches, pulls, and tears reveal the manual labor of weaving, standing in contrast to the industrial perfection of commercial cloth and emphasizing the artists intimacy with the material.

With no work wider than the width of her loom, there is a re-introduction of color and a new acceptance of the cloth as the work itself.  Considering this focus on the material and its making, the works contain a timeline of their own construction, a transcription of the gestures of working and constructing a structure in space.  As Trombly works, mistakes are left and patterns are switched as errors dictate, allowing a composition to build through unforeseen events in the process.  The color is also woven in the process, but the fiber used is dyed far in advance and usually produces irregularly colored material.  As she works, those irregularities reveal themselves and produce organic striations in the woven color fields.

These purely textile forms, rest, drape, and stretch on a series of industrial structures as a way to amplify the sculptural quality of the fabric.  Scaffolding, wooden stretchers, and plywood pedestals subtley act as a departing reference to the textile as stretched canvas for painting.  Here Trombly pushes the textile beyond just another material to sustain the art and into the "canvas" taking its overdue role as the work on its own.

Frances Trombly has exhibited at Pérez Art Museum Miami, Miami, FL; The Aldrich Contemporary Art Museum, Ridgefield, CT; Bass Museum of Art, Miami Beach, FL; Prosjektrom Normanns, Stavanger, Norway; Moore College of Art and Design, Philadelphia, PA; and Socrates Sculpture Park, New York, NY. Her work can be found in the Pérez Art Museum Miami, The Patricia & Phillip Frost Art Museum, Miami, FL, and the University of Maine, Museum of Art, Bangor, ME. She is a co-founder and co-director of Dimensions Variable, an artist-run exhibition space in Miami

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PETER HUTTON
Film Stills

February 27-April 07, 2016
Opening Reception February 27th 5-7pm

Shoshana Wayne Gallery is pleased to present Film Stills a new exhibition by Peter Hutton in the west gallery. This is the artist’s second show with the gallery.

In the artist’s words: “Film is like amber. It's organic, made from animal bones, and a bit like human skin. As we age it wrinkles and shrinks. Our bodies are maps of our lives and visual evidence of lives lived. Like amber, the traditional material of film --celluloid --is a record of time. Linear and relentless, it captures our dreams and continues to live as a record of our evolving visual culture.  Electronic media has devoured film and transformed time into a complex prism of non-linear wonder.”

Filmmaker Peter Hutton presents a selection of photographs that are digital blow-ups of 16 millimeter film frames from a selection of images made over the past 40 years. Digital printing has enabled Hutton to freeze time and provide the viewer with a sustained moment of reflection. Through these images, one can contemplate a new iteration of cinematic time. They offer a visual archeology of the landscapes and cityscapes of the world.

Peter Hutton received his B.F.A. and M.F.A. from the San Francisco Art Institute where he studied painting, sculpture, and filmmaking under Robert Nelson, Bruce Nauman, and Bruce Conner.  Hutton is a professor in the department of Film and Electronic Arts at Bard College.  His films have garnered national and international attention and he has shown in major museums and film festivals, including the Whitney Biennial (1985, 1991, 1995, 2004); a retrospective at MoMA, NY (2008); Les Rencontres d’Arles, Paris (2010); and the Toronto International Film Festival (2013) to name just a few.  Hutton is the recipient of grants from, the National Endowment of the Arts, DAAD Berlin, Rockefeller Foundation, Dutch Film Critics Prize, and John Simon Guggenheim Memorial Foundation amongst others.  The artist lives and works in Tivoli, NY.

 
For more information contact Alana Parpal [email protected]


Shoshana Wayne Gallery






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