Clinton Hayden
Page 1 | Biography
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'Assemblage #6' (2014), polaroid, gold leaf, tape on plywood support
- 'Assemblage #6' (2014), polaroid, gold leaf, tape on plywood support
- “>'Assemblage #9' (Ryan), 2014, polaroid, gold leaf, tape on plywood support
- “>'Tom's Back' (2013), inkjet print on Hahnemuhle, 24x16cm, Edition of 5
- “>'Three Measures of Time' (2014), polaroid, feather, found ceramic chip on plywood, 25x30cm
- “>'Moon' (2013), inkjet print on Hahnemuhle, 30x25cm, Edition of 5
- “>'Performance' (Roses II), 2013, inkjet print on Hahnemuhle, 60x45cm, Edition of 5
- “>'The River' (Roses) 2013, inkjet print on Hahnemuhle, 60x45cm, Edition of 5
- “>'Autumne' (Redux), 2011, inkjet on Hahnemuhle, 80x60cm, Edition of 5
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Clinton Hayden's studio-based multidisciplinary practice investigates ideas of desire, intimacy and longing. Hayden works with the understanding of the photograph both as image and object – 'a pseudo presence and token of absence' (Sontag) – Through the poetic combination of photography, artist-made objects and installations, his work builds immersive and haptic sites for the exploration of love and longing, subject/object, lover/other, knowing that these states are tied to notions of melancholy and mortality.
Clinton HAYDEN (b. 1978, Orange, AUS) obtained a MFA with Distinction from the Royal Melbourne Institute of Technology School of Art in 2011, and a BFA from the Australian National University School of Art in 2002. Hayden exhibits work frequently and has shown in London, Melbourne, New York and Reykjavik. Notable group shows include 'The Gravity of Form' at Beers Contemporary in 2013 and 'Mistaken Identities' at Modern Art Oxford in 2012. His published work includes the series ‘Hunting’ for Excerpt Magazine #4 2012, and the self published artist book ‘fugue’ in 2013. Hayden is held in private collections in Melbourne, London and New York.
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Web Links
Beers Contemporary
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