|
Rebecca Wasserman Page 1 |
|||||||||
|
|||||||||
2.
|
immense promise. I took such inspiration and motivation from the feelings I was having when looking at my initial �Crocker� scan I have taken on the project scanning all the stuffed animals in my childhood collection. Each scan is unique in its distortion and color, depending on two variables: the way the natural light hits the scanner and the degree in which the scanner lid is open. Once the stuffed animal is
|
|
|||||||
|
scanned into my computer I am able to scale its physical size to any measurements, large or small. I experiment with the issue of scale to bring up ideas of preciousness or comfort versus monumentality or the unknown. Bubble Test. This series of prints involves further experiments with my scanner. I deal with color, form, light and shadow. These experiments also concern the number of gumballs placed on the scanner. Allowing for a more dynamic composition, the least controlled aspect of Bubble Test is the placement of the gumballs. I enjoy the interchange of ideas between Bubble Test and Stuffed Animal Family Album.
|
|||||||||
3.
|
IMAGE DESCRIPTION; 1 - 2 and 4 from Stuffed Animal Family Album Series, 2002- Present3 - 5, and 6 from Bubble Test Series, 2003- Present. 1. Monkey, Digital image on paper. 2. Lion, Digital image on paper, 3. Green Planets, Digital image on paper. 4. Snoopy, Digital image on paper. 5. Blue, Digital image on paper. 6. Green, Digital image on paper.
|
||||||||
|
|||||||||





