Katsuhiro Saiki
Page 1 | Biography
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Study for Metropolis #8 2007, c-prints, plexiglas, acrylic, wood 7-3/4 x 25-1/2 x 9 inches
- Study for Metropolis #8
2007, c-prints, plexiglas, acrylic, wood 7-3/4 x 25-1/2 x 9 inches
- Artists Space, New York, 2003
">Place (installation view) Artists Space, New York, 2003
- 2008, c-print, plexiglas, plywood
64 x 82 x 70 inches ">Parallax #3 2008, c-print, plexiglas, plywood 64 x 82 x 70 inches
- 2002, c-prints, aluminum
50-3/8 x 3-1/8 x 3-1/8 inches ">Arrangements #22 2002, c-prints, aluminum 50-3/8 x 3-1/8 x 3-1/8 inches
- 2003, c-prints, plexiglas
48 x 71-5/8 inches ">Divide #1 2003, c-prints, plexiglas 48 x 71-5/8 inches
- 2002, polaroids, plexiglas, wood panel
29-1/2 x 80-1/8 inches ">Repetition #4 2002, polaroids, plexiglas, wood panel 29-1/2 x 80-1/8 inches
- 2009, C-print
24 x 48 inches ">Parallax #5 2009, C-print 24 x 48 inches
- 2006, 2 polaroids collaged on paper board
4-3/8 x 6-7/8 inches ">Segments #4 2006, 2 polaroids collaged on paper board 4-3/8 x 6-7/8 inches
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My work investigates the relationship between reality in physical space and representation in imagery. Working with photography, sculpture, and installation, I try to reveal physical nature of photograph and decompose and displace the visual frameworks both in everyday life and in the visual arts in order to prompt the viewers to rethink of how we perceive reality. My work also examine the relation between abstraction and photography. Abstractness is an important factor in my work because abstraction doesn’t have any reference in reality beside photography always represent something in reality.
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Katsuhiro Saiki
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