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Isidro Blasco Page 1 | Biography |
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BLASCO combines architecture, photography and installation to explore themes of vision and perception in relation to physical experience. His work often references the realm of private or domestic space. BLASCO normally begins by selecting one angle in a room or outdoors and then constructs a new space from the perspective of that vantage point.
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1: Side Building, 2006
c-prints, museum board, wood, hardware 107 x 120 x 72″ 2:Main Facade, 2006 c-prints, museum board, wood, hardware 65 x 72 x 16″ 3:Side Building with Hydrant, 2006 c-prints, museum board, wood, hardware 61 x 58 x 22″ 4:Car Bomb, 2006 c-prints, museum board, wood, hardware 40 x 61 x 15” 5:Subway with Explosion, 2006 c-prints, museum board, wood, hardware 38 x 56 x 18″ 6:Red Awning with Subway, 2006 c-prints, museum board, wood, hardware 25 x 28 x 7″ |
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Though the distortions and emphases that BLASCO orchestrates risk comparison with the actual streetscapes or rooms he’s re-creating, the resulting effect is a fragmentation of a single line of sight that is reminiscent of Cubist collages. BLASCO’s three dimensional sculptures result in an elliptical succession of multiple angles, producing a space that is at once recognizable and entirely new.
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BLASCO’s three dimensional sculptures result in an elliptical succession of multiple angles, producing a space that is at once recognizable and entirely new.
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International contemporary art
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