�Fiona MacDonald is known for her paintings and sculptures that situate the viewer between traditional notions of beauty, and hybrid visions of a fleshy uncertainty. Physical laws are renegotiated through her different material approaches: fissures created between representation and abstraction inviting enquiry into the way one expects things to behave in space, or makes sense of the intellectual gap between image and object. MacDonald's relational play between dimensions reinforces a clear interest in the slipperiness of reality as concept: and how a static object, the layers of an image or a combination of materials might articulate this sense of indeterminacy.� Rebecca Geldard 2010
