ana cardoso: 12:16:58
it isn't because there are choices like the signifier of each image
ana cardoso: 12:17:08
motor-desire
RC: 12:17:50
what is the impulse of your rhizome? only desire?
ana cardoso: 12:19:28
only?!!
ana cardoso: 12:22:39
it is to edit images that relate, in an utopian timeline

RC: 12:22:44
motor = impulse = desire, i.e. , I'm assuming that when you say desire you are/we are talking about the same thing as motor, but of what, desire of what?
ana cardoso: 12:24:42
desire of maintaining those images in a limb
ana cardoso: 12:25:14
images in coma
RC: 12:25:18
without falling in an unnecessary narrative, right?
ana cardoso: 12:25:37
avoiding a classical narrative
RC: 12:26:00
altering time and space rules
RC: 12:26:20
what makes sense today
RC: 12:26:42
more than ever
ana cardoso: 12:27:05
painting is flat time
ana cardoso: 12:27:40
but that is the ideal of romance, of writing, of narrative

RC: 12:28:31
but your paintings seem to belong all to different time periods
RC: 12:28:34
…
RC: 12:28:53
from the futuristic
RC: 12:29:06
to
RC: 12:29:08
I don't know
RC: 12:29:55
and timeline

ana cardoso: 12:30:09
yes because they relate to and quote history
RC: 12:30:10
really isn't a timeless term
ana cardoso: 12:31:32
can you explain?