artists newsletter
 
 
February 06, 2008
No.90

COMPETITION
Bloomberg New Contemporaries 08, UK

CURATORS
de Appel Curatorial Programme 2008/2009, Amsterdam

FELLOWSHIP
Arts Council England Helen Chadwick Fellowship

FESTIVAL
Version>08 DARK MATTER, Chicago, USA

MAGAZINE
Proximity Magazine, Chicago, USA

POSITIONS
Administrative Coordinator : La Centrale Galerie Powerhouse, Montréal

PROPOSALS
TransCultural Exchange : Here, There and Everywhere: Anticipating the Art of the Future

RESIDENCY
Lower Manhattan Cultural Council (LMCC): NYC Artist: 6 Month Paris Residency
Cove Park, Scotland
Stipends: Edith Russ Site for Media Art, Oldenburg, Germany.














COMPETITION
Bloomberg New Contemporaries 08, UK
Deadline: 28 February 2008


Bloomberg New Contemporaries 08, UK. open to all final year undergraduates and current postgraduates of fine art at colleges in the UK and artists who graduated in 2007

The 2008 exhibition will be selected by Richard Billingham, Ceal Floyer and Goshka Macuga

More information, guidelines and application













CURATORS
de Appel Curatorial Programme 2008/2009, Amsterdam
'Curating in the expanded field'

Application deadline: 7th of March 2008


Initiated in 1994 by Saskia Bos, the Curatorial Programme of de Appel arts centre wishes to offer young curators a condensed package of experiences and skills that can be used as tools and instruments during the further development of their professional career. De Appel is an internationally oriented arts centre located in Amsterdam that functions as a site for the production of performances, research and presentation of contemporary visual arts through a series of exhibitions, publications and discursive events.

In September 2006, a remodelled version of the eight- month long Curatorial Programme was launched with a renewed curriculum and an extended tutorial team. It encompasses a dense array of theoretical seminars, thematic workshops, field trips in Europe and Asia, practice-related assignments and encounters with artists and art professionals. Throughout the programme attention is paid to the history of exhibition- making, diverse curatorial practices, collection and institution building and project management. The unique and special thematic focus is on the polarity between 'free-lance' and 'institutional' curating and on the examination of 'context-responsive' curating. The formats and methodologies that curators deal with in the presentation of art in the 'expanded field', outside of the white cube, are explored in the programme.

This focus culminates in a 'site-specific' curatorial assignment: the participants of the course are invited to investigate a specific area (in 2006/2007 this was the Amsterdam suburb de Bijlmermeer and in 2007/2008 the satellite city Leidsche Rijn near Utrecht) and realise a project that relates to this site in a direct or indirect way. Through inviting the participants to work 'off-site' de Appel challenges the curators to reflect upon the current status and issues of art in (sub)urban public space and to reflect upon the different ways in which art functions in processes of urban renewal/generation. Throughout the process the relationship with the 'mother institution' is maintained while at the same time being interrogated.

The following parts of the programme are considered to be of vital importance:

- the opportunity to research theoretical issues and developments in regular sessions with a tutorial team consisting e.g. of de Appel director Ann Demeester (BE/NL), curator Annie Fletcher (IR/NL), visual artist Steve Mc Queen (GB/NL), writer and curator Elena Filipovic (US/BE), curator Dieter Roelstraete (BE), independent researcher/curator Lisette Smits (NL) and philosopher/curator Henk Slager (NL).

- the opportunity to meet a large number of artists, curators, critics and other professionals from the Netherlands and abroad in a very condensed period of time, and having the chance to exchange ideas with them, either during thematic seminars or during informal encounters. Guest teachers in 2007 were e.g. Carlos Basualdo (US), Gerardo Mosquera (CU/US), Paul O'Neill (GB), Jacques Rancière (FR), Simon Sheikh (SE) and Pier Luigi Tazzi (IT).

- the opportunity to get acquainted with de Appel from 'the inside', and get a better insight into the mechanisms and governing principles of a contemporary institution for visual arts.

- the possibility to make a long trip outside of Western Europe and a minimum of 7 excursions within Europe.

APPLICATIONS REQUIREMENTS

  • A letter of motivation in which your personal drive is stated and what you expect from the programme.
  • A proposal for a show (5-15 pages), including: concept and location of the show (main focus), the participating artists (including some image material), a budget of the show, a publicity plan (not obliged).
  • A résumé, including an extensive description of one's relevant working experience.
  • Two written references of (former) tutors, professors or employers, in English.
On the basis of the submitted documents a pre- selection is made. Approximately ten candidates will be short-listed; they are invited to come to Amsterdam in the last week of March for an interview.

Send completed applications (in two-fold) to:

de Appel
Att: Esther Vossen
Nieuwe Spiegelstraat 10
1017 DE Amsterdam
The Netherlands

For further information please visit our website
http://www.deappel.nl

Contact: evossen@deappel.nl
t. + 31 (0) 20 6255215













FELLOWSHIP
Arts Council England Helen Chadwick Fellowship
Deadline for applications: 7 March 2008


The British School at Rome and the Ruskin School of Drawing & Fine Art invite applications for a Senior Research Fellowship. This Fellowship commemorates the life and work of the artist Helen Chadwick.

It is expected that the position will attract visual artists who have identified a project that could be made possible or enhanced by spending periods of time both in Rome and Oxford. After visiting Italy for a one- month reconnaissance in September, the Fellow will devote two months to research-related activities in Oxford in October and November, prior to returning to The British School between January and March for three months of intensive studio-based production. Proposals are solicited for the 2008-2009 award. The award includes a substantially increased research grant, board and accommodation, a spacious studio in Rome, and travel and materials expenses. The award is open to British nationals and residents.

For further details see www.bsr.ac.uk or contact The Registrar, The British School at Rome at The British Academy, 10 Carlton House Terrace, London SW1Y 5AH
email bsr@britac.ac.uk.

Supported by Arts Council England and St Peter's College, Oxford













FESTIVAL
Version>08 DARK MATTER, Chicago, USA
April 17 - APRIL 27, 2008

Deadline for submissions: FEBRUARY 25, 2008

version site:: http://www.versionfest.com

DARK MATTER
In 2008, Dark Matter is all around us. Us artists, us activists, us outlaws. All of us, we are engaged in a culture war and economic struggle against establishments in all their guises. We form communities to counter the alienation of everyday life, and the commercial and institutional structures that stifle reality. We desire another world.

And we're not alone. As artist-activist Greg Sholette says, "a hidden social production has always found its own time and space apart from hegemonies of power and the objectifying routines of work. This dark matter resistance extends well beyond conventional conflicts between labor and capital to form a murky excrescence of affects, ideas, histories, sentiments, and technologies that shift in and out of visibility like some half-submerged reef."

In 2008, we think it's time for things to shift. It's time to re-ignite dormant forces within the murky worlds of radical culture. It's time to dive. In 2008, we think it's time for things to shift. It's time to re-ignite dormant forces within the murky worlds of radical culture. It's time to dive. In 2008, we think it's time for things to shift. It's time to re-ignite dormant forces within the murky worlds of radical culture. It's time to dive. And how? From April 17-27 (11 days), we are gathering to celebrate, identify, discuss and act on the workings of Dark Matter. Version>08: DARK MATTER will showcase emerging, progressive trends in art, politics, technology and music. We'll gather and see how our peers in the counterculture create work, spaces, tactics and strategies. We'll witness multiple possibilities for the future, and leave ready to act.

Please visit http://www.lumpen.com/V8/theme.html to see what we are looking for and submit your project.













MAGAZINE
Proximity Magazine, Chicago, USA

The producers of Version Festival would like to announce a call for proposals for our new project, Proximity magazine. We are seeking columnists, writers and critics to join us in producing the beta issue. Please check out our writer guidelines if you are interested. http://proximitymagazine.blogspot.com/ or email:: proximitymagazine@gmail.com

:: what is going on::

Proximity is a magazine dedicated to contemporary art and culture. Our mission is to amplify discourse on local and global art ecologies. We hope to serve as a map - of artists, collectives and alternative spaces to commercial galleries, museums and universities - as means of connecting and cultivating sustainable creative communities.

We want to see our practices in proximity to each other. We want to see comprehensive coverage of art practices in Chicago and beyond. Our hope is to promote healthy, diverse and participatory art worlds for all. We feel now is always the time to bring allied fronts in art and culture, criticism and production to a wider audience. We feel that a magazine which covers a wider range of art practice in the city and beyond can help fuel an increased awareness of art in the Chicago mediaverse.

:: specifics ::

Along side thematic essays and articles, Proximity will feature artist, gallery/space and collector profiles, exhibition reviews, critical essays on contemporary art practices, an Artist Portfolio displaying high quality reproductions of artist's work, columns and commentary on Chicago and regional art scenes, and an extensive Directory section giving coverage to cultural places and events. Maps, personal guides, and in-depth coverage of local cultural scenes will ensure that our magazine becomes a useful and critical guide to Chicago's art worlds. The magazine's online component will also host a guide to the best cultural offerings of the city, contain a database of gallery and space listings, up-to-date exhibition and artist reviews, discussions, commentary and access to editorial content of the magazine.













POSITION
Administrative Coordinator : La Centrale Galerie Powerhouse, Montréal
Deadline : February 29th, 5pm


La Centrale Galerie Powerhouse Is looking for a dynamic administrative coordinator who possesses an understanding of artist run centers and emerging artistic practices, as well as sensitivity towards the center's renewed mandate. The candidate must have at least two years of pertinent experience in administration, financial planning and accounting. The sought out person has working knowledge of non- profit organisations, grant writing, and fundraising strategies. He-she should also have an aptitude to work in teams and with the public, as well as evidence of initiative, organisation and flexibility. English and French oral and writing skills are necessary.

Management skills
Forward planning of artistic activities:
  • Estimate human, material and financial resources, and develop action plans for the execution of programming
Work organisation:
  • Assure internal communication to assure that the center's objectives are met.
  • Plan and coordinate staff tasks in function of current priorities.
  • Prepare, organize and animate Board, team and committee meetings.
Adminitstrative skills
Research of public and private financing:
  • Evaluate the center's financial and resource needs.
  • Prepare the applications for financial assistance necessary to accomplish the center's activities.
  • Develop new fundraising strategies
Financial control:
  • Elaborate and control operating budgets and consolidate them into a global budget.
  • Produce periodic reports of liquidities.
  • Execute precise budgetary analyses.
  • Execute the center's financial planning.
  • Produce the financial analysis reports necessary for the management of the center.
Accounting:
  • Supervise and/or execute the organisation's bookkeeping and financial operations.
  • Manage sales tax.
  • Prepare governments' financial reports.
  • Prepare, with the verifier, the annual financial statements.
  • Know and respect all the legal aspects linked to the administrative management of an organisation: insurance, security, equipment and other.
  • Respect and implement employment legislation: CSST, labour standards, etc
Salary management:
  • Implement salary policies.
  • Enter the data relative to salaries for each employee.
  • Prepare and distribute paycheques.
  • Hand in employee and employer contributions to the government.
Administration of contractual agreements:
  • Negotiate and manage all contractual agreements necessary for the basic functioning of the center (lease, phone, photocopier, exchanges of resources, ect).28 hours a week (Schedule and conditions can be discussed)


    Deadline for receipt of C.V. February 29th, 2008 , 5pm at: 4296 St-Laurent, Montréal (QC) H2W1Z3 or galerie@lacentrale.org













    PROPOSALS
    TransCultural Exchange : Here, There and Everywhere: Anticipating the Art of the Future
    Applications for inclusion in the project are due March 15, 2008.


    TransCultural Exchange is now accepting proposals for its Spring 2009 exhibition series Here, There and Everywhere: Anticipating the Art of the Future.

    Alert to the internet's dissolving of borders and the explosion of innovation through collaboration, TransCultural Exchange invites artists to work with individuals around the world to create new collaborative art works for a series of exhibitions and catalog entitled Here, There and Everywhere: Anticipating the Art of the Future. Individual artists, curators and gallerists are invited to submit proposals for collaborative art works and exhibitions to be shown anywhere in the world, in addition to being featured at TransCultural Exchange's 2009 Conference on International Opportunities in the Arts.

    Resultant collaborative projects will be included in TransCultural Exchange's catalog for Here, There and Everywhere: Anticipating the Art of the Future, on TransCultural Exchange's website and at TransCultural Exchange's 2009 Conference on International Opportunities in the Arts, which will take place in Boston April 3 - 5, 2009.

    Applications for inclusion in the project are due March 15, 2008.
    Accepted artists and venues will be notified by April 30, 2008.













    RESIDENCY
    Lower Manhattan Cultural Council (LMCC): NYC Artist: 6 Month Paris Residency
    Deadline for All Application Materials : Thursday, February 21, 2008 by 5pm


    Residency Dates (6 consecutive months): September 2008-February 2009 At the Cité Internationale Des Arts, Paris, France
    Sponsored by the Mairie de Paris/Mayor's Office of the City of Paris


    LMCC and the Mayor's Office of the City of Paris, in collaboration with the Cultural Services Department at the French Embassy in New York, are partnering once again to provide one New York City artist with the opportunity to live and work at the Cité Internationale des Arts in Paris, France. LMCC is currently inviting artists to submit applications for this special residency. One artist will be selected to be in residence for 6 consecutive months, from September 2008 - February 2009.

    This program is open to emerging and mid-career American artists who are U.S. citizens and New York City residents. Artists can apply in the following fields: Visual Arts, Photography, Film/Video, Multimedia.

    More information, guidelines and application













    Cove Park, Scotland
    Deadline: 22 February 2008


    Cove Park is an international centre based in Scotland for the arts and creative industries. Founded in 1999 by Eileen and Peter Jacobs, Cove Park runs an annual programme of residencies for artists working in all art forms. Cove Park supports and promotes the work of the artists on residency and creates opportunities for public participation through a related events programme.

    Three-month residency for a visual artist. Includes an artist's fee, materials allowance, self-catering accommodation and dedicated studio space.

    More information, guidelines and application













    Stipends: Edith Russ Site for Media Art, Oldenburg, Germany.
    Deadline 29 February, 2008


    Award of three six-months work stipends (10.000 Euro each) from July to December 2008, for artists working in New Media.

    The Edith Russ Site for Media Art will award three six- months work stipends (10.000 Euro each) from July to December 2008, for artists working in New Media. There are no age limitations. Submitted project proposals will be reviewed by an international Jury. A minimum residency of one month is required. The artists will be integrated into the institution's activities. The three stipends are made possible by the Stiftung Niedersachsen

    More information, guidelines and application

    Edith-Ruß-Haus für Medienkunst
    Edith Russ Site for Media Art
    Peterstraße 23
    D - 26121 Oldenburg
    Germany

    Phone: +49 (0) 441 / 235 - 32 08
    Telefax: +49 (0) 441 / 235 - 21 61
    info@edith-russ-haus.de













phone: +44 (0) 870 922 0438

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