| 20 February 2007
No. 55
COMPETITION
21st Prix Ars Electronica 2007, Linz,
Austria
EXHIBTIONS
blütenweiss - Raum für Kunst, Berlin
: Anonymous Drawings 5
FESTIVAL
5th Curtas Vila do
Conde International Film Festival, Portugal
FILM &
VIDEO
War and Peace 2007 : Stroud Site
Festival/Arnolfini/Watershed, UK.
PROPOSALS
GRACE
Exhibition Space , Brooklyn : INTO ORBITING REVOLUTIONS
AXENfO7,
Gatineau (Quebec), Canada
Alternator Gallery for Contemporary Art
in Kelowna, BC, Canada
RESIDENCY
Center for Photography
at Woodstock, NY : WOODSTOCK A-I-R ,
Eyebeam Residency, New
York, Summer/Fall 2007
CovePark, Argyll and Bute, Scotland,
UK
POSITIONS
Electra : Press and Marketing
Co-ordinator, London, UK
Director, Gallery 101, Ottawa, ON,
Canada
WORKSHOP
Braziers International Artists
Workshop, 2007, UK
COMPETITION
21st Prix Ars Electronica 2007, Linz, Austria
Online
Submission Deadline: March 9, 2007
The 21st Prix Ars
Electronica 2007 - International Competition for Cyberarts has a few
new features.
The new Hybrid Art category, a new prize for
Media.Art.Research, and the integration of Net Vision into Digital
Communities are the most visible signs of the intensive work that is
being done on the definition of the competition's categories. As
always, the aim is to continually keep the Prix Ars Electronica
updated in line with leading-edge developments in the dynamic field
of cyberarts.
Prix Ars Electronica 2007
Computeranimation / Film / VFX, Digital Musics, Interactive Art,
Hybrid Art, Digital Communities, u19 - freestyle competition, [the
next idea] grant, Media.Art.Research Award
All
details about the categories and the online submission
Total prize money: 122.500 Euro
DIGITAL MUSICS
Contemporary digital sound productions from the broad spectrum
of "electronica" come in for consideration in the "Digital Musics"
category, as do works combining sound and media, computer
compositions ranging from electro-acoustic to experimental music, as
well as sound installations. Regardless of the media or style
utilized by the respective artist, utmost consideration is given to
the entry's musical qualities and sound artistry.
Contact:
Iris Mayr
Project Manager Prix Ars Electronica
AEC
Ars Electronica Center Linz
Museumsgesellschaft mbH
Hauptstraße 2
A-4040 Linz
Tel. ++43.732.7272-74
Fax
++43.732.7272-674
info@prixars.aec.at
EXHIBTIONS
blütenweiss - Raum für Kunst, Berlin : Anonymous Drawings
5
Deadline : March 5th 2007 (postmark)
Saturday, March
17th, 2007 7 pm
Additional opening time
Sunday, March 18th,
2007 1 - 8 pm
bluetenweiss, Raum fuer Kunst - a temporary
project space - opened in October 2006 with the one evening show
titled Anonymous Drawings 1. Due to the huge amount of international
submissions and the positive public response, the fifth edition
Anonymous Drawings 5, will take place at March 17th
2007.
Concept and Idea of Anonymous
Drawings
Drawings (size max. DIN A3 = 29,70 x 42,00 cm / 11"
x 17") by anonymous artists will be shown in the gallery on the
scheduled evening; the exhibiting artists will remain anonymous
until their work(s) are sold. Works will sell for a uniform price of
Euro 100. Buyers will be informed of the artist’s identity upon
purchase of his/her work.
Exhibited drawings will be the work of
both professional and non-professional artists. Because of this, we
ask that the viewer him/herself draw the line between Art and
Non-Art. The artists agree to stay their individual person in the
background in favour of their product. A priori for the evaluation
of the work on this evening is not the name and the biography of the
individual artist, but the work actually
shown.
Participation for Anonymous Drawings 5 At March
17th/ 18th, 2007
Please send in the following:
- 1-3 original drawings on paper, maximum size DIN A3 (11”x 17”
inches), Name and address at the back of the drawing (No passe
partouts, frames, objects, please - thanks!)
- On a separate sheet the name, address and e mail address of
the artist (for our files),
- SASE (international reply coupons -if you wish your drawings
returned): please enclose a self- addressed envelope. Notice:
Works cannot be returned unless an envelope with correct postage
is included!
blütenweiss
- Raum für Kunst
Prenzlauer Allee 224
104050
Berlin
info@bluetenweiss-berlin.de
Confirmation of receipt
will be sent out per email.
bluetenweiss reserves the right
to choose which works will be exhibited; our priorities, however,
are formal, content and qualitative variety. The artists will
receive 60% of the sales price. In case of a sale the artist will be
informed directly after the show via Email. Some of the works will
be stored by bluetenweiss for one year for the future exhibits. Such
works will be returned to the artist at the latest in October 2007.
The works that will not be stored will be returned about three weeks
after the exhibition. bluetenweiss will publish a brochure, showing
a selection of works, for each Anonymous Drawings exhibit. The
artists selected for the publication will be informed in time before
the opening.
Conception and realization: Anke
Becker
FESTIVAL
5th Curtas Vila do Conde International Film Festival,
Portugal
Deadline: 13 April 2007
The 15th
Vila do Conde Shorts has kept its most prominent characteristic:
evolution. Instead of settling for a formula, right from the start,
the Festival chose to focus its attention on transformation and
change while keeping an eye on everything that happens in the field
of cinema. This is why not only the programming philosophy is
regularly changed so that it can keep up with emerging trends within
the arts and the progress in cinematographic and video languages,
but there’s also been a move towards (and an impact in) visual arts
from which more and more artists emerge with new work to be shown in
this Festival.
Admission Conditions
Animations,
documentaries, experimental films, fictions, and music videos, in
16mm, 35mm or BETACAM-SP/Pal, produced in 2006 or 2007, no longer
than 60 minutes, preferably subtitled in Portuguese or
English.
Information
and application
FILM & VIDEO
War and Peace 2007 : Stroud Site
Festival/Arnolfini/Watershed, UK
Deadline : 03 April,
2007
We are inviting artists, film makers and activists
to make and show moving image work in response to the violence in
international relations today. How can we make sense of what is
happening?
This series of events aim to provide a forum for
discussion, and nurture voices examining issues of freedom, justice,
universal human rights, terrorism, conflict and the role of
artists/filmmakers/activitsts in articulating these.
The
discussions will include guest speakers (artists, curators and peace
workers). The events will also be publicised in artist and peace
networks and will be previewed on the website of one world TV.
The three screening events planned (with the third venue
still to be confirmed) are as follows:
28 June site 07
Stroud Visual Arts Festival Aug TBC (The Big Green Gathering,
Somerset) Sept (date TBC) Watershed/Arnolfini cinema, Bristol
Selection will take place after the closing date of 3 April.
The panel will comprise: independent curator Zoë Shearman,
SVA project coordinators Neil Walker and Dominic Thomas, and artist
Fiona Kam Meadley. Screening fees of between £80-100 per artist will
be paid, plus a DVD of the selected work. This initiative is a
development of the first “War & Peace” project held in 2006,
when the work of 12 artists was selected for screening (Una
Aldridge, Sarah Bowden, Sean Burn, Ronnie Close, Louisa Fairclough,
Maritn Hamblin, Austin Houldsworth, Fiona Kam Meadley, Annette
Smith, Andrew Thomas, Dominic Thomas, Lisa Vinebaum).
The
pieces ranged from between 1 to 10 minutes and included contemporary
documentary material of the Middle East and Africa (about the legacy
of fighting and about reconstruction work), World War Two footage,
poetry, performance, re-enaction, peace marches, and moving
landscape. We’re looking for thoughtful, perceptive work.
click
here to download an application form and further information
Stroud
Valleys Artspace
4 John Street, Stroud GL5 2HA.
UK
PROPOSALS
GRACE Exhibition Space , Brooklyn : INTO ORBITING
REVOLUTIONS
The GRACE Exhibition Space will be starting a
new series of exhibitions beginning in February - June,
2007.
We are looking for works in the mediums of Art
Performance, Installation, Sound and Video.
We have four
spaces that are 12’ x 12’ for pieces of 2 week duration, and one
space that is 29’ x 12’ for pieces lasting 4 weeks in duration. We
are also interested in durational pieces that last for a certain
number of hours.
This new series is called Into Orbiting
Revolutions : the GRACE Exhibition Space would like to give a voice
to these revolutionary ideas, meaning a revolution of thought
presented through the vision of the artist. Whatever the revolution
is – whether personal or public.
The work would need to be
installed by the artist / we have some equipment to share and can
offer some help / we will provide our promotion of the works &
shows, and any promotion by the artist is extremely
helpful.
The GRACE Exhibition Space is designed for promotion
of the arts, and supports exchange and collaboration among artists
and audiences from diverse cultures and artistic
backgrounds.
We are approx. 2,700 square feet and have a 2nd
story storefront window that faces Broadway.
Please Email
your proposals to:
gracexhibitionspace@yahoo.com
Or by
mail to:
GRACE
EXHIBITION SPACE
840 Broadway, 2nd Floor
Brooklyn, NY
11206, USA
AXENfO7,
Gatineau (Quebec), Canada
Deadline: March 15
2007
AXENfO7 welcomes proposals in all media from artists
and curators for its 2007-2008 programming.
AXENfO7 has three
large exhibition spaces, one of which has a fully windowed facade
facing the street. Proposals may specify the preferred use of all
three spaces, two spaces or only one. The empty areas between
Galleries 1 and 2 and between the Salle Jean-Pierre Latour and the
offices allow access to projectors or other equipment that can be
hidden behind those walls.
For
more detailed information, please consult the floor plan on the
website
AXENfO7 pays artist's fees that meet and/or
exceed the RAAV and CARFAC rates. Exhibitions receive professional
technical support and are promoted through the printing and national
distribution of invitations and press releases. As well, a bilingual
booklet including images from the exhibition and a short critical
text by an invited author is produced for each exhibition. This
publication is widely distributed.
Submissions should
include:
- A curriculum vitae.
- An artist statement and / or a specific project description.
- 10-20 digital images (CD Rom) or 35 mm slides.*For digital
images, submit only MAC compatible jpg files in RGB format
- VHS or DVD video documentation (NTSC format), if applicable.
- A list of visual support material details (title, year,
dimensions
- A self-addressed stamped envelope.
If submitting both
digital images/slides and video, please subtract one image for each
minute of video.
Please send submissions to:
AXENfO7, 80,
rue Hanson, Gatineau (Quebec), J8Y 3M5, Canada
Alternator Gallery for
Contemporary Art in Kelowna, BC, Canada
Deadline : 15 April,
2007
The Alternator Gallery for Contemporary Art in
Kelowna, BC is asking artists interested in exhibiting their work in
2008 to make submissions by April 15, 2007. The Alternator is a
non-profit artist-run centre that exhibits a broad range of
contemporary art including installation, sculpture, new media,
video, painting, drawing, printmaking, and all other media.
Preference will be given to innovative, provocative or controversial
work not suitable for commercial or mainstream
venues.
Artists are asked to submit 15 to 20 images (slides,
JPG files or DVD) of current work, an artist's statement, an
exhibition proposal and a current CV along with a self-addressed
stamped envelope to the attention of the
Selection
Committee, Alternator Gallery, #103-421 Cawston Ave. (Rotary Centre
for the Arts) Kelowna, B.C. V1Y 6Z1.
Submissions from
individual artists and groups of artists as well as independent
curators are welcome.
Exhibitions generally run for six weeks
and CAR/FAC fees are paid to exhibiting artists.
For
information, contact the Alternator
Gallery
by telephone at (250) 868-2298,
by e-mail at
info@alternatorgallery.com
RESIDENCY
Center for Photography at Woodstock, NY : WOODSTOCK A-I-R
,
Deadline : February 28, 2007
WOODSTOCK
A-I-R is a workspace residency program designed to support
artists of color working in the photographic arts who currently
reside in the United States with access to time, facilities,
financial, critical, and technical support. This program was created
with an emphasis on supporting artists working in the photographic
arts who are at the brink of their careers and promising talent. All
of us lead very busy lives - the drive for this program is to free
the artist - from the busy routines and demands of everyday - and to
provide a sanctuary for creativity.
WOODSTOCK A-I-R
encourages participants to pursue creative risk-taking in an
environment rich in cultural resources. Working without distraction
or interruption, participants focus intensely on their own work,
continuing works in progress, setting goals for the future, and
breaking new ground.
Each year CPW offers 5 residencies for
artists of color and 1 "critical studies residency" for a
curator/critic of color. Residents receive 24/7 access to CPW's
workspace facilities (including black-&-white darkroom, digital
imaging stations, and library), critical and technical support,
stipend for food and travel, and honoraria.
In addition, CPW
extends participants opportunities in exhibition and publication to
residents. Each resident is provided accommodations at the historic
Byrdcliffe colony. With quiet and solitude, yet, enlivened with a
community of fellow artists, WOODSTOCK A-I-R participants work in an
idyllic environment - a gathering place renowned for its vibrant
cultural history.
TO APPLY:
download
a .pdf file of the 2007 WOODSTOCK A-I-R brochure& application
form,
Please submit: 10- 15 images (in either slide
format as digital files on a CD-ROM) *indicate your first four
images which will be reviewed separately as part of the first review
round.
Preference for time of residency (please list 3
options) *The program runs from June through September, please
request your time accordingly 2 -3 writing samples (for those
applying for critical studies residency)and four copies of the
following: an artist statement (describing your current projects and
artistic process.) resume (listing past exhibition, residency, and
related experiences residency proposal (indicating how you would
utilize the 2-4 week stay)
WOODSTOCK A-I-R participants are
selected by a peer panel comprised of professionals in the field and
have included past participants in CPW's residency and exhibition
program, curators, collectors, and art critics.
Questions?,
feel free to contact CPW at (845) 679 9957 or at
info@cpw.org
Eyebeam
Residency, New York, Summer/Fall 2007
Deadline is February 23,
2007
Eyebeam Residency Summer/Fall 2007
Eyebeam
is currently calling for applications for six-month Residency
opportunities. Artists, hackers, designers, engineers and creative
technologists are invited to apply to be Residents at Eyebeam, to
work for six months on projects or research of artistic endeavor or
creative expression. The ideal Resident has experience working with
and generating innovative technological art and/or creative
technology projects and has a passion for interdisciplinary
exchange.
Residents will be selected from an open call,
based on the work being proposed, the availability of the necessary
tools and skills to support them, and in consideration of the
overarching research themes and activities of the organization.
International applicants are welcome to apply, although we do not
have the resources to cover travel or accommodation.
We are
happy to work with selected applicants, if required, to help them
secure funds to cover these expenses. Residents receive 24/7 access
to Eyebeam's Chelsea facility in New York City, including equipment
and technical expertise from Eyebeam staff and Fellows, a $5000
honorarium, the potential for collaborative exchange with other
Residents as well as support from interns.
The program term
is approximately from September to February and March to August with
the potential for extension and/or re-application. Group discussions
and interdisciplinary projects, within and between the lab
environments and organizational programs foster connections with
other artists and staff. Residents also benefit from critiques,
lectures and workshops by external practitioners chosen for their
relationship to subjects and projects being worked on in the Labs.
All Residents are encouraged to share their skills and
knowledge with the larger Eyebeam community by conducting formal
and/or informal workshops with others in the Labs as well as
possible workshops open to the public. There are also opportunities
to develop work for performance, events, seminars, exhibition or
other public programming in the Eyebeam galleries and beyond during
the Residency term. Fostering relationships between artists,
hackers, coders, engineers and other creative technologists is
central to Eyebeam's mission. The intention is to facilitate
relationships whereby technologists and artists can come together to
germinate and hothouse their ideas, develop new processes and create
new works through a period of immersion in a social context which is
rich in technology, expertise and ideas.
Looking forward, we
are also establishing research groups to bring together creative
practitioners working at Eyebeam with expert external participants
to develop new research leading to possible public outcomes
including seminars, public discussion and exhibition. Research
themes for 2006-07 include (though will not be limited to): -
Energy, Technology and Sustainability; - Urban research, urban
interventions and media in public space. Artists and creative
technologists interested in these research areas are particularly
encouraged to apply for Residencies.
For
more informationon the current 2006-07 Fellows
All
Residents and Fellows have access to shared resources across the lab
environments. Creating programs and collaborations across the Labs
is encouraged.
To
apply for a Summer/Fall 2007 Residency
Founded in 1997,
Eyebeam is an art and technology center that provides a fertile
context and state-of-the-art tools for digital experimentation. It
is a lively incubator of creativity and thought, where artists and
technologists actively engage with the larger culture, addressing
the issues and concerns of our time. Eyebeam challenges convention,
celebrates the hack, educates the next generation, encourages
collaboration, freely offers its output to the community, and
invites the public to share in a spirit of openness: open source,
open content and open distribution. Eyebeam's current programs are
made possible through the generous support of the Atlantic
Foundation, Time Warner Youth Media and Arts Fund, the John D. and
Catherine T. MacArthur Foundation, the Jerome Foundation, the
Greenwall Foundation, the Experimental Television Center, the New
York State Council on the Arts, a state agency, the New York City
Department of Cultural Affairs and many generous individuals.
Eyebeam
540 West 21st Street, NY, USA, 10011 [T] 212.937.6580 [F]
212.937.6582
CovePark, Argyll and
Bute, Scotland, UK
The Fairbairn Programme
Six-week residency
for UK visual artists, makers, critical writers and curators
2007
Deadline for Applications: 16 April 2007
6th
August –14th September 2007
The Fairbairn Programme is a new
initiative for COVE
PARK, funded by the Esmée Fairbairn Foundation. It will provide
the opportunity for six individuals to spend six weeks at COVE PARK,
enabling the creation of new work and the development of new ideas
between visual artists, curators and critical writers in a programme
which will be unique in the UK.
The programme’s aim is to
bring together mid-career professionals, established within their
specific fields; by mid-career we mean those individuals who have
graduated from BA courses or the equivalent and have had a minimum
of six years working as a professional visual artist, curator or
critical writer. They will have established a strong exhibition,
project or publishing record in the UK and are working increasingly
in an international context. Our aim is to award residencies to four
visual artists (of whom at least one will specialise in contemporary
crafts/design), one curator and one critical writer, all of whom are
normally based in the UK.
Each resident will be provided with
a fee, (and when relevant a materials allowance), accommodation and
dedicated workspace on site, the support of Cove Park’s staff and
access to all of the organisation’s facilities. There will be plenty
of time and space for individual work, but COVE PARK will enhance
opportunities for the participants through a creative development
programme which will facilitate opportunities for discussion and
exchange amongst the residents, by organising peer presentations,
day trips and talks with invited guests.
More
Information
Cove Park, Peaton Hill, Cove, Argyll and
Bute, Scotland, G84 OPE, UK
Telephone: + 44 (0)1436 850 123, Fax:
+ 44 (0)1436 850 445
E-mail: information@covepark.org
POSITIONS
Electra : Press and Marketing Co-ordinator (part-time,
freelance) London
Deadline : 12 March 2007
Location:
Clerkenwell, London
Salary: Circa £20,000 pro rata depending on
experience
Contract: One Year, part-time (2 - 2.5 days per week)
Application is by post only (covering letter and CV) Interviews will
be held in the week of 19th March
Electra
is a London based contemporary art production agency which
specializes in commissioning and producing ambitious
cross-disciplinary projects by artists working across sound, moving
image, performance and the visual arts. Through close collaboration
with a range of venues and production partners, Electra presents its
projects across the UK and internationally. Electra is regularly
funded by Arts Council England.
Electra was recently awarded
an Organisational Development Grant by Arts Council England for
marketing and brand development. This campaign will be timed to
coincide with the launch of Electra's 2007/08 programme. We are
seeking to employ a part-time Press and Marketing Co-ordinator to
manage and implement this campaign.
Successful applicant
will be educated to degree level with at least two years experience
in press or marketing a similar position, ideally in a contemporary
art setting. He or she will have a proven track record in marketing
and press campaigns and good press contacts across the UK and
internationally. The candidate must have experience in managing the
work of consultants such as print designers or web developers, as
well as impeccable attention to detail, copywriting and editing
skills and excellent communication skills. Basic skills needed for
web editing and updating are also required.
We are seeking a
motivated self starter, who would welcome an opportunity to become a
key member of a small but dynamic team and who would thrive in an
environment in which their input would be central to the
organisation's development. An interest or awareness of the artists
Electra has worked with is desirable, as is an interest in
experimental music and cross artform work.
Application is by
letter and CV. Applications are by post only. Emailed applications
will not be accepted. Please download the Job Description, Person
Specification and Equal Opportunities Monitoring form HERE
(PDF)
Director, Gallery
101, Ottawa, ON, Canada
Deadlind : March 09,
2007
JOB DESCRIPTION
Gallery
101's Director supports the organizations mandate and shares the
overall vision with the Board of Directors. The Director is
responsible for all aspects of day-to-day operations, including
fiscal management, human resources, and office management. In
addition the Director maintains the gallery's public image and its
relationships with members, artists, donors, patrons, partners,
stakeholders, Friends of the gallery and the general public. The
Director is employed by and is responsible to the Board of Directors
of Gallery 101 and works to implement the gallery's mandate and is
invited to all Board meetings as an ex-officio member. Open dialogue
and communication is essential. The successful applicant must
possess an understanding of artist-run centres and multidisciplinary
contemporary art practices; regionally, nationally and
internationally.
MANDATE
As a multidisciplinary
artist-run centre and gallery, Gallery 101 is committed to the
professional presentation, dissemination and promotion of
contemporary arts from a broad range of backgrounds and aesthetics.
We aim to provide an inclusive perspective on contemporary cultural
practices in our community by establishing a dialogue between
artists, other arts professionals and the public. Commitment to
artists is our first priority. Besides providing professional
support to exhibiting artists, we offer professional development
opportunities, promotional services and project support to local
members and non-members.
RESPONSIBILITIES
Reporting
directly to the Board of Directors, the Director assumes the
leadership responsibility for daily operations, including finance,
human resources, administration and office management as follows:
- direct the day-to-day operations and policies,
-
hire, delegate, train and supervise all staff, interns and
volunteers.
- ensure healthy workplace environment, conduct
regular staff meetings and maintain effective and open lines of
communication between staff, volunteers, and interns.
-
supervise the day-to-day financial operations of the gallery,
including all banking, payments, receipt/ disbursement of funds,
monthly bookkeeping and payroll administration
- develop and
revise annual projected budgets under the guidance of the
Treasurer
- maintain accurate financial records and prepare
monthly budgetary reports
- write, edit and submit required
operational, project, equipment and wage subsidy grants
-
apply and conduct ongoing research for additional funding and
support
- prepare and complete funding reports
-
membership outreach and volunteer management and
coordination
- promote the activities of the gallery to its
members, patrons and donors, Friends of the Gallery, growing
audience base and outreach for potential members, donors, patrons
and other supporters
- supervise the design and production of
all promotional material, including press releases, invitations and
brochures
- coordinate and produce the gallery's newsletter
three times per year
- serve as liaison and representative
for Gallery 101 with all stakeholders, partners and other local and
national arts organizations, as well as with members, artists,
curators, critics, academic institutions and other arts/ culture
professional networks
- coordinate production of and manage
content for gallery website
- manage the office filing
system, archives; maintain and update resource room, coordinate
display and filing of all documents, postings, publications, and
dossiers.
- work with President of Board of Directors to plan
and attend all Board meetings
- participate in long term
planning of events and other gallery initiatives
- work with
Curator in various activities of exhibition planning and promotion;
artists contracts, budgets, paying artists, coordinating volunteers
and installation of exhibits
- overall maintenance of the
gallery and management of gallery equipment
SKILLS
REQUIRED
- A fine arts degree or arts administration degree
from an accredited university program or the equivalent combination
of arts education and formal training in arts/ cultural
management.
- Experience in arts administration and
management in an arts/cultural organization
- Experience in
supervising and managing staff, and implementing HR
policies
- Proven responsible financial management experience
with demonstrated cost-savings
- Proven track record with
project management, coordinating contracts, reporting and budget
preparation
- Strong planning and organizational skills, with
the ability to prioritize work and manage several tasks
simultaneously;
- Exemplary organizational and effective
interpersonal/ communication skills
- A leadership ability to
provide direction and work with a diverse staff, volunteers and a
Board of Directors
- Experience in public relations, media
relations, communications, and community outreach,
-
Proficient computer skills and an excellent knowledge of database
systems, spreadsheets MAC, Excel, Microsoft Word, In Design,
Photoshop etc.
- Extensive knowledge of multidisciplinary
contemporary art practices, and surrounding critical
discourses;
- Understanding of Artist-Run Centres, Public,
and Institutional Galleries; and post-secondary art education
institutions;
- Excellent verbal and written communication
skills; both in English and French
- Self-motivation and the
ability to work independently and
collaboratively;
APPLICATION
REQUIREMENTS:
Candidates are asked to submit the following by
mail or email no later than March 9th, 2006 5pm:
- A letter
of intent (max.1000 words) describing your skills and experience as
they relate to this position;
- A short statement indicating
your understanding of Gallery 101's position within the broader
cultural spectrum and how your skills/ knowledge and experience
would benefit the organization's mandate and contribute to achieving
its vision.
- Curriculum Vitae/Resume;
- A reference
list with names, positions and contact information for 3
references
Gallery 101 will acknowledge receipt of all
applications received by the deadline. Only those candidates
accepted for an interview will be contacted. Late or incomplete
applications will not be accepted. Selected candidate is expected to
start April 3rd, 2007 with a two - four week training period.
Gallery 101 is an equal opportunity employer and welcomes
applications from candidates of diverse cultural
communities.
Salary: $35,000 + benefits
Please direct
all inquiries to: President, Board of Directors
Apply in
confidence to:
G101 HIRING COMMITTEE (Director position)
236
Nepean Street
Ottawa, ON
K2P OB8
e-mail: g101hr@yahoo.ca
WORKSHOP
Braziers International Artists Workshop, 2007,
UK
Deadline 28 February 2007
Braziers Workshop is an
artist led initiative calling for professional artists working in
all visual disciplines to submit applications for the workshop which
runs 5 - 21 August 2007. The workshop which is supported by Arts
Council England brings together 30 artists of all nationalities to
live and work alongside each other at Braziers Park in Oxfordshire.
It aims to provide a rich artistic exchange for artists who are keen
to develop their practice. Artists are provided with accommodation,
meals, workspace and technical assistance throughout the workshop.
All participants are required to give a brief presentation on their
work and take part in group discussions about work in progress
during the course of the 2 weeks.
For
further information on the workshop visit
Specific
enquires can be forwarded to
info@braziersworkshop.org
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phone: +44 (0) 870 922 0438
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