artists newsletter
 
 
09 February 2007
No. 54

AWARDS
Wellcome Trust, London, UK.
BIENNIAL
Biennial of Young Artists from Europe and the Mediterranean
COMPETITION
XLIV INTERNATIONAL PLASTIC ARTS COMPETITION. POLLENÇA 2007, (Majorca, Spain).
EXHIBITIONS
FURIOUS: THE ANGRY SHOW, Eyedrum, Atlanta, GA
CREEKSIDE OPEN X 2, London
FELLOWSHIP
British Arctic Survey and Arts Council Fellowships
POSITIONS
Director, Modern Fuel, Artist-Run Centre, Kingston, On, Canada
Programming Coordinator, STUDIO XX, Montréal, Canada
Education and Public Programme Co-ordinator, BALTIC Centre for Contemporary Art, Gateshead, UK
Program Associate, Foundation for Contemporary Arts, New York, NY
PROPOSALS
REDESIGN, Toronto Free Gallery, Toronto, Canada
COCA Center for Outdoor Contemporary Art, San Francisco, CA
RESIDENCY Raid Projects, Los Angeles, CA
STUDIOS
Wysing Arts Centre, Cambridge, UK








AWARD
Wellcome Trust, London, UK
Deadline: 16 March 2007

Open to artists resident in UK for projects that engage the public with biomedical science.

The Wellcome Trust believes the arts are an effective way of stimulating debate and engaging people with biomedical science. Visual art, music, moving image, creative writing and performance can reach new audiences which may not traditionally be interested in science and provide new ways of thinking about the social, cultural and ethical issues around contemporary science. Collaborative and interdisciplinary practice across the arts and sciences can help to provide new perspectives on both fields. The arts can also provide imaginative ways of engaging and educating young people in the field of science.

The Arts Awards support projects that engage the public with biomedical science through the arts. The scheme aims to:

  • stimulate interest, excitement and debate about biomedical science through the arts
  • examine the social, cultural, and ethical impact of biomedical science
  • support formal and informal learning
  • encourage new ways of thinking
  • encourage high quality interdisciplinary practice and collaborative partnerships in arts, science and/or education practice.
All art forms are covered by the programme: dance, drama, performance arts, visual arts, music, film, craft, photography, creative writing or digital media. We invite applications for projects which engage adult audiences and/or young people. Projects should have some biomedical scientific input either through a scientist taking on an advisory role or through direct collaboration. Applicants are encouraged to investigate new methods of interdisciplinary working as well as new models of engagement in biomedical science.

More Information

All enquiries and applications should be addressed to:
Arts Awards, Wellcome Trust, Gibbs Building, 215 Euston Road, London NW1 2BE, UK , T +44 (0)20 7611 7222 | F +44 (0)20 7611 8269 | E : arts@wellcome.ac.uk








BIENNIAL
Biennial of Young Artists from Europe and the Mediterranean
Call for Participants
Deadline: 31 March 2007

The 13th edition of the Biennial will be held in Alexandria, Egypt, from 25 October to 4 November 2007.

For the first time the event will be held outside of Europe. From its foundation in 1985 it took place in Barcelona, Thessaloniki, Bologna, Marseille, Valencia, Lisbon, Turin, Rome, Sarajevo, Athens, Naples. Its objective is to strengthen cooperation among ministries, municipalities, institutions and cultural associations of the Mediterranean area to promote young creativity, international exchange and peaceful relations beyond the existing political and geographical borders of the Euro–Mediterranean area. The Biennale 2007 is organized in seven artistic areas, each of them including several disciplines, under the general theme: "Our Creative Diversity: kairos" (Greek word pronounced keeros, meaning fit time, opportunity, a point in time where change is possible).

The selection is open to all young artists between 18 and 30 years of age (with exception of the "Show area"), from 48 European and Mediterranean countries.

More information and full guidelines for applicants









COMPETITION
XLIV INTERNATIONAL PLASTIC ARTS COMPETITION. POLLENÇA 2007, (Majorca, Spain)
Deadline : 9th April 2007

The Council of Pollença hereby announces the XLIV edition of the International Plastic Arts Competition and invites the participation of all those artists who wish to show their personal concept of art, with different motives, techniques and forms that artistic creation allows.

1.-Any artist interested in competing may take part in the International Plastic Arts Competition, whatever the nationality or residence.

2.-The themes of the works and the techniques used are unrestricted and it will be understood that the way in which the work is presented is the one the artist considers to be adequate for its exhibition.

3.- Artists will present a DIN-A4 dossier which will include:
  • Registration form
  • Curriculum vitae
  • Five to eight photographs of the works available for exhibition. Should they be chosen, with their corresponding technical and economic information sheet (legal taxes included).
  • Statement: if the artist considers it convenient, a brief text containing a conceptual description of the whole work presented and areas of interest can be included (one DIN-A4 maximum).
  • Graphic material from the last three years (catalogues, photos, bibliographical essays and reviews, etc.)
No dossiers in digital form will be accepted, the exception being those sent by artists who work this technique or form. Documents must be compatible on PC and the necessary software must be handed in (instal.exe or autoexecutable).
Artists who work video must send their copies in DVD.

4.- Dossiers will be handed in or sent to the Centre Cultural Guillem Cifre de Colonya, C/. de Guillem Cifre de Colonya, 33, 07460 Pollença (Majorca, Spain). The last day for submitting the dossier will be the 9th April 2007 and no dossier will be admitted after this date.

5.-The judges, named by the Pollença Council, will be made up as follows:

President:
The Mayor of Pollença, or his delegate.

Members:
Sra. Viviannne Loria. Art critic and Editor-in- Chief of Lapiz magazine.
Sra. Ana Salaberria. Coordinator of the exhibition room at Koldo Mitxelena Kulturunea.
Sr. Juan Antonio Alvarez Reyes. Art critic and independent curator.
Sr. Carles Congost. Plastic artist.

Secretary:
Sra. Margalida Cànaves. Specialist from the Pollença Museum.

6.-This judges will select artists and works from the dossiers received and will invite them to take part in the exhibition to be held in Saint Domingo Cloister in summer 2007.

7. - The selection will be made public on May 14th 2007. Those artists not selected who wish to get the dossier back must include, within the dossier, an empty stamped envelope with name and address written down on it so as to be send the dossier back. In case artists do not state their wish to get his/her dossier back and adjoin the stamped envelope, dossiers will be considered left out by the artist and they will become property of the council, who will decide what to do with abandoned dossier.

8.-The selected artists will be responsible for half of the transport costs for their work; Pollença Council will subsidize the 50% of the mentioned transport up to a maximum of 180 Euro per artist. Pollença Council accepts no responsibility for any damage or loss during the transport. We suggest that packaging should be reusable.

9.-Pollença Council will create a fund of 12.020 Euro to be used to purchase one or more of the exhibited works which will then become part of the Museum of Pollença collection. Acquisitions will be made following the recommendations of the judges for a minimum of 3.606 Euro.

10.-The proposal of acquisition will be made to the artists on the closing day of the exhibition.

11.-The Fundació Colonya and the Club Pollença will create their own purchasing fund.

12.-The artists of the selected works will undertake to authorize their reproduction to promote the competition through the support chosen by the Council or third parties on its behalf, during the term of the present competition. This term will be one year starting the moment of the judges’ decision. The artists’ authorization to use these works will not suppose any additional cost for the council.

13.-The authors of the works presented at the competition will have a maximum period of one month– from the closure – to remove the works or ask for them to be returned, otherwise these will be considered donated and, as such, will become part of the Council patrimony.

14.-Artists who present their dossier undertake to fulfill and respect the judges’ decisions and everything that is established in these Conditions.

Name and
Surnames
Artistic Name
Address
City
Post Code
Country
Telephone
e-mail
Place and
Date of Birth
Identification Number
Fiscal Number (NIF)

Signature

INFORMATION
Tel. 00 34 971 531166
Fax. 00 34 971 530606
E-mail: museu@ajpollenca.net


ACQUISITIONS FROM LAST YEAR’S EDITION
Pollença Council Works of:
Carles Congost
Patrícia Esquivias
Jorge Satorre
Camila Sposati
Carolina Silva
Carlos Rodríguez-Méndez

EXHIBITIONS
FURIOUS: THE ANGRY SHOW, Eyedrum, Atlanta, GA
Deadline: MARCH 15TH, 2007.

Does love really make the world go 'round? Or is it now another, darker emotion? Is anger the motor that really turns the planet? The Third World lashes out in anger against the first; the First World strikes back with a vengeance. Liberals infuriate conservatives, conservatives incense liberals. Forces we can't control--traffic, weather, economics, politics, significant others, families, curators, critics, professors, leaders, and neighbors--can make us fighting mad. And in a world that seems to be awash in anger, as soon as we've surfed one wave of rage, the next one is sweeping us up. And if you’re subject to racism, sexism, homophobia, or poverty, you’re that much more pissed off.

We try to maintain a positive attitude. Anger is scary and disruptive; love can hurt but anger can kill. So we take deep breaths, we count to ten, we give the other person the benefit of the doubt. But we're also taught that stifling our emotions is unhealthy. So we have two choices, neither great, when it comes to anger: let it fly (and damn the casualties) or tamp it down (so the only casualty is you).

Eyedrum would like to offer a third alternative to artists with anger to burn. Submit to your rage; submit to FURIOUS: THE ANGRY SHOW. Make an artwork (all media encouraged, including installations) expressing your anger about whatever's really getting your goat. Let it out. Rant and rave. Foam at the mouth. Turn cherry red and blow steam from your ears. You know you're mad about something, or someone. So give Eyedrum a burning piece of your mind. Don't jusr sit there seething, and don't pick up that tempting blunt instrument--make art out of that mad-on instead. Then make a CD or a DVD of that art and send it to:
Furious, c/o Eyedrum, 290 MLK Dr. SE, Suite 8, Atlanta, GA 30312

(and don't forget to test your disk media and include your contact info, unless you want us to be mad at you from the start).

Curated by Natacha Roussel, conceived by Richard Gess.
Show dates: June 23-August 4, 2007.
Opening reception: June 23.
Entry fee: $20

Surface mail submissions only.
Information: furiousshow [at] gmail [dot] com.

More information about Eyedrum, a non-profit artist-run artspace

This show is partially supported by the Andy Warhol Foundation and the City of Atlanta Office of Cultural Affairs.











CREEKSIDE OPEN X 2, London
DEADLINE - 28 February 2007

TWO EXHIBITIONS SELECTED FROM ONE SUBMISSION SELECTORS

MATTHEW COLLINGS & EMMA BIGGS
03 - 13 May 2007

VICTORIA MIRO
17 - 27 May 2007

We are delighted that Victoria Miro has agreed to select one show, and that Matthew Collings and Emma Biggs have agreed to select the other show from the same submission.

Visual artists living or working in Greater London are invited to apply by submitting slides or jpegs of a piece of work that has been made after 2005. We welcome applications from all forms of media including video and audio submissions, however applied art is not eligible.

The APT Gallery on Creekside offers 158 square metres of high quality exhibition space and we hope that visitors to the two exhibitions will gain an insight into the scope of visual arts today. The single submission from which two shows will be selected will not only offer artists two chances of showing at APT, but will illustrate the Selectors’ individual response to the work submitted.

Click here to download the APPLICATION FORM

APT Gallery, 6 Creekside, Deptford, London SE8 4SA










FELLOWSHIP
British Arctic Survey and Arts Council Fellowships, UK
Deadline: 1 March 2007

For writers and artists to develop new work in Antarctic. Open to UK nationals with significant professional experience.

Antarctica’s physical and emotional power has inspired generations of artists.

The Artists and Writers Programme - sponsored jointly by British Antarctic Survey and Arts Council England - offers two artists and writers each year an opportunity to spend up to eight weeks in the Antarctic.

This year land artist Chris Drury and glass/video artist Anne Brodie are travelling south with BAS. Through their visual art, music, poetry and prose, artists and writers help British Antarctic Survey communicate the global importance of Antarctic science to a wider audience.

The Artists and Writers programme is jointly sponsored by the British Antarctic Survey and The Arts Council of England under the Council's International Artists Fellowship Programme.

Further details on how to apply are available here

Contact Dr. John Shears, Environment & Information Division, British Antarctic Survey, Natural Environment Research Council, High Cross, Madingley Road, Cambridge CB3 0ET. email address for Dr. Shears: jrs@bas.ac.uk

POSITIONS
Director, Modern Fuel, Artist-Run Centre, Kingston, On, Canada
Deadline February 23rd, 2007

QUALIFICATIONS:
  • Degree in visual art or art history (with a specialization in
  • Experience with curation: developing cultural programming and
  • Practicing artist or equivalent experience and knowledge of
  • Ability to situate projects/practices within relevant
  • Excellent critical writing, editorial and interpersonal
  • Experience with grant writing and communicating with granting
  • Program budget management skills.
  • Ability to work collaboratively.
  • Experience working with an active Board of Directors in an
  • Familiarity with Mac and IBM PC platforms.
Qualified candidates should submit a cover letter and C.V. to the Hiring Committee no later than February 23rd, 2007. It is also recommended that you submit a sample of your curatorial and/or administrative writing. The successful applicant will commence on March 19th, 2007 and will be trained for a two-four week period by the outgoing Director

Please send application via snail-mail to Modern Fuel, 21A Queen Street, Kingston, Ontario K7K 1A1.

The Director is the lead artistic and administrative staff person at Modern Fuel.

Areas of Responsibility and Duties:

1. Centre Programming
  • Develop curatorial direction, including chairing the Programming
  • Research into funding opportunities for all programs.
  • Prepare and write all operating grants and oversee all other grant
  • Develop and revise programming guidelines, policies and jury
  • Chief writer/editor for Centre communications and publications
  • Oversee all programming activities, including projects presented in
  • Oversee all aspects of exhibition planning including
2. Public Relations
  • Raise the profile of Modern Fuel in collaboration with the Board
  • Liaise with other galleries/arts organizations.
  • Liaise with other artist-run centres.
  • Liaise with media in collaboration with the Board
3. Volunteer Management
  • Working with the Membership and Volunteers Committee, recruit,
  • Create a collaborative and team environment for all volunteers,
  • Work closely and collaboratively with all Board Members and
  • Assist in the orientation of new Board Members.
4. Personnel
  • Seek funding for staff, and hire, orient and provide support and
  • Carry out administrative functions related to Centre personnel.
  • Develop and review hiring policies and procedures in collaboration
5. Administration
  • Program budgeting - oversee all financial planning and management.
  • Oversee the preparation of material for Board meetings, Program
  • Prepare materials for year-end audit with administrative staff,

6. Physical Space Maintenance
  • Ensure that the Centre is open and staffed during operational hours.
  • Oversee maintenance of entire physical space: wall and floor
  • Ensure environmental integrity and security of the premises
Modern Fuel Artist-Run Centre
21 A Queen St.
Kingston Ontario Canada K7K 1A1
(613) 548-4883
admin@modernfuel.org












Programming Coordinator, STUDIO XX, Montréal, Canada
Application Deadline : 1 March, 2007
Position Start Date : 19 March, 2007

Description of the position : Programming Coordinator
The person who takes on this position is responsible of programming, promotion, and the supervision and organisation of regular public events at Studio XX, including the salons Femmes Br@nchées, the Journées de la culture and Art's Birthday. The coordinator supervises both the regular programming committee and the special events committee (except for the HTMlles Festival). She is also responsible, alongside the technical director, of the selection committee of artist residencies and coproductions. With the collaboration of the general director, she is in charge of grant writing with regards to the programming of regular and special events.
The person who takes on this position agrees to work 21 hours weekly.
More specifically The ideal person has a good knowledge of current artistic trends in network arts, emerging media and sound art. She should also be very aware of questions related to gender studies, as well as feminist and activist practices. In order to be selected for the position, it is necessary to have organisational, technical and administrative skills, but mostly, abilities to develop a marketing strategy and visibility of our activities to a larger public.


Description of tasks
1- Coordinating Public Events and Collaborations
The programming coordinator must :
  • Coordinate the event logistics (equipment rental, venue booking) and their production schedules by collaborating with the team, especially the technician;
  • Create links between the artists and the speakers, the curators, team members (technician, translators, webmaster) and the volunteers in the organisation of events;
  • Create and work with a programming committee;
  • Coordinate the promotion of events as well as communications;
  • See with the team members that events are documented;
  • Coordinate the production of critical articles and promotional material, and the development of audiences.

2- Programming
The programming coordinator must :
  • Supervise the programming committee;
  • Articulate, with the help of the members of the team and of the Board of directors, the main aspects of the annual program which should follow the priorities of Studio XX;
  • Develop an event calendar;
  • Contact artists and speakers for Femmes Br@nchées.

3- Artist Residencies
The programming coordinator must :
  • Come up with the pluriannual theme;
  • Select the artist residencies with the programming committee;
  • Facilitate links between the artists, the technician, the workshop coordinator and the rest of the team.

4- Public Image of the Studio and Website
  • The programming coordinator is responsible for the online content related to Studio XX's programming. She is in charge of updating the information on recent events and the archiving of past events (artist biographies, description of projects and of salons Femmes br@nchées);
  • The programming coordinator should underline the critical interests of the Studio via her participation in the committee of the online jounal .dpi

5- Grant Writing
The programming coordinator is responsible for writing grants for regular annual activities. This responsibility is fulfilled in conjunction with the general director.


Send in your c.v. and cover letter to :administration@studioxx.org

STUDIO XX

Centre d'artiste féministe engagé dans l'exploration, la création et la critique en art technologique.

Feminist art centre for technological exploration, creation, and critique.

338 Terrasse Saint-Denis . Montréal . Québec. H2X 1E8 tél: 514-845-7934 . fax: 514.845.4941 . info@studioxx.org











Education and Public Programme Co-ordinator, BALTIC Centre for Contemporary Art, Gateshead, UK Deadline : 23rd February 2007
Interview date: Thursday 8 March 2007.

£18,025 (from Apr 07), Full Time, 37 hours, fixed- term for 3 years

BALTIC is seeking to appoint a full-time co- ordinator to facilitate the planning, delivery and evaluation of BALTIC’s Education and Public Programme and to provide administrative support for the department. BALTIC offers opportunities to explore, learn about, and question the art of our time through activities inspired by BALTIC exhibitions and artists in residence. With the forthcoming re-launch of Learning at BALTIC and the opening of a new, education centre, this is an exciting opportunity to join an enthusiastic and expanding team. This post is funded by the Rootstein Hopkins Foundation for three years.

Download Application Pack [pdf]

Download Application Form [pdf]

BALTIC Centre for Contemporary Art
Gateshead Quays, South Shore Road, Gateshead NE8 3BA
Tel: +44 (0)191 478 1810
Fax: +44 (0)191 478 1922
Textphone: +44 (0)191 440 4944
Email: info@balticmill.com











Program Associate, Foundation for Contemporary Arts, New York, NY

The Foundation is seeking a Program Associate to oversee the Foundation's grant-making programs. This is an incredible opportunity for someone interested in working at a non-profit arts organization, and would be an ideal position for a working artist who wants to find a four day/week job.

We are hoping to hire someone who either is or has been working artist in any discipline, or has been involved with the management of a performing arts organization or collective. Prior grant-making experience is not mandatory, but applicant must have minimum 3-4 prior years' administrative experience, preferably at an arts organization, as it is a very responsible position. We would ideally like to find someone by word of mouth, since it is a very unusual and special position and will be hard to advertise.

Salary range is $30-40,000 depending on experience and days/week plus excellent benefits.

Stacy Stark, Executive Director
Foundation for Contemporary Arts
820 Greenwich Street
New York, NY 10014
212 807 7077
Facsimile 212 807 7177

PROPOSALS
WORKING TITLE : REDESIGN, Toronto Free Gallery, Toronto, Canada
Deadline : April 01, 2007

The use of particular design elements within built environments, both private and public, interior and exterior, have the power to modify our attentions and control human behaviour. Whether they are corporate boardrooms, over illuminated mega stores, government service buildings, fitness centres., intentional decisions are made in order to summon very particular and controlled reactions from the users. With this call for submissions we are interested in exploring the intentional use of design elements found within built environments such as, spaces of leisure, work environments, sites of power and consumption, public spaces... How are these elements utilized to affect the psychology of the user? By using these particular design elements, what are some of the desired outcomes in human responses? How can existing spaces be re-designed or what new spaces can be created?

As always, TFG encourages artists, architects designers and activists to apply. We will accept proposals in all forms of media.

Proposals can be sent via post to:
660 Queen Street East Toronto, ON m4m 1g5
Or by email to: Subject Header: REDESIGN
heather@torontofreegallery.org
If you have any questions please contact us at 416- 913-0461.

Toronto Free Gallery is a not-for-profit art space. Our vision is to provide a forum for social, cultural and urban issues expressed through all media. Toronto Free Gallery is intended to be a creative laboratory. We aim to provide artists with a space to experiment, explore new ideas, question norms and challenge both themselves and their audiences.










COCA Center for Outdoor Contemporary Art, San Francisco, CA
Open Invitation San Francisco and US-based artists

Open Skies: The New Public Spirit Informing Today’s Artists
October 19-21, 2007
3 Days – 10 San Francisco Parklands – 15
Contemporary Artists


Open Skies is a Contemporary Arts Festival that celebrates the spirit of wonder, renewal and creative social action through artist-driven public projects that activate public space and community resources.

Open Skies unites up to 15 Contemporary Artists with 10 San Francisco neighborhood parks to deliver extraordinary site-specific projects for community members of all ages.

Additional artist-driven Park Discovery Tours, Open Skies Artist Workshops, special events, and educational materials highlight our public spaces as living outdoor classrooms – transforming Open Skies into a welcoming community enrichment project.

Combined, Open Skies offers an opportunity for families, community members, and city visitors to enjoy a rich synthesis of inspiring artistic visions, dynamic educational programming, and constructive civic engagement.

COCA seeks ambitious proposals for temporary site- specific projects of all media.
For Proposal Guidelines, Criteria, Park Sites, and complete project details

COCA Center for Outdoor Contemporary Art
PO BOX 170115, San Francisco, CA 94117
email: openskies1@gmail.com

Open Skies is presented by COCA Center for Outdoor Contemporary Art in partnership with Neighborhood Parks Council
COCA Center for Outdoor Contemporary Art is dedicated to exploring new standards of artistic excellence while advancing the public’s imagination regarding contemporary art, public life, and community development
Our goal is to improve the quality of life for families, individuals, and city visitors through dynamic artist- driven public projects and culturally spirited educational programming












RESIDENCY
Raid Projects, Los Angeles, CA

Raid Projects is looking for an artist to fill the April- May-June Artist In Residency space that is currently available!
This is coming up fast! Previously approved artists will get priority, but all artists are encouraged to apply.

SPACES AVAILABLE IN 2007:

April - May - June
June - July - August
October - November - December
December - Janurary - February
Janurary - February - March.

2007/2008 CONFIRMED SCHEDULE:

December through May: Graham Hudson (UK)
July- Aug-Sept: Dan Lovelace (UK)
Sept-Oct- Nov: Brian Getnick
Dec-Jan-Feb: Kate Jo

Overview
The Artist In Residence Program (AIR)
For periods of 3 or 6 months residents are provided with living accommodation, a studio and - during the last month of their stay - a well-publicized solo exhibition. During the residency Raid facilitates residents to establish working professional links in the flourishing LA art world and to bring curators, critics and collectors to see the solo show privately.

AIR's resident artists are predominantly international, but we also host US artists whose projects are suitable to a LA residency. The residency fee is $1400US per month. As this program has a proven track record Raid can facilitate artist's funding applications in their own countries, in tandem with their counties LA-based consulate representatives. Please note, upon acceptance into the program, it is up to the artist to secure their space by providing a non-refundable deposit of the first months rent ($1400US). This is the only way to cement the dates you wish to have.

What you can expect from the Artist In Residency Program:
  • To provide the artist with an environment that is condusive to a creative working experience.
  • To respond in a timely manner to an artists questions and concerns
  • To provide the artist upon their arrival with rooms that are clean and orderly.
  • To always be respectful of the artists space.
  • To conduct regular critique discussions to support the artists developing project.

How to Apply
To apply for Raid Artist In Residence program: AIR has no application form or deadline. Mail or email a proposal, resume, images of your work (slide or CD), CV, artist statement, press reviews and any other relevant materials that provides us with an idea of the breadth of your work to:

Raid Projects
Artists In Residency Program
602 Moulton Ave
Los Angeles, CA 90031

or contact Colton Stenke, Artist In Residency Coordinator,colton@raidprojects.com for further information.

STUDIOS
Wysing Arts Centre, Cambridge, UK
Deadline Friday 9th March 2007

Wysing Arts Centre has a number of affordable, state- of-the-art studios available in its purpose built studio block, due for completion in June 2007. All studios are sympathetically designed, have natural light and under-floor heating. Additional benefits include: a supportive staff team; facilities such as New Media equipment; an on-site gallery and an international residency programme.

Artists for the new studios will be selected by a panel comprising of: Alessio Antoniolli, Director, Gasworks; Zoe Foster, Director, FA projects; Manick Govinda, Head of Artists' Advisory Services, Artsadmin; David Kefford, Wysing studio artist; Donna Lynas, Director, Wysing Arts Centre; Sebastian Ramirez, Curatorial Fellow, Wysing Arts Centre.

download information and selection criteria

or telephone +44 (0) 1954 717 102

Wysing Arts Centre, Fox Road, Bourn, Cambridge, CB23 2TX , info@wysingartscentre.org











phone: +44 (0) 870 922 0438

If you have an opportunity to post, please send it on to us at info@re-title.com