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  2 September 2010

Photography, Film & Video  

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Royal College of Art - Wolstenholme Creative Space, Liverpool
VOGES GALLERY, Frankfurt
Galerie Sabine Knust, Munich
Postmasters Gallery, New York
 
 
Royal College of Art - Wolstenholme Creative Space, Liverpool
 
 
George Petrou, video still, 2010 
 
 
ALBUM
 
Private view: 17 September, 6pm - 9pm
18 September - 17 October
 
Album is an exhibition comprised of new and existing works by 17 artists currently studying on the Royal College of Art's Photography MA course. Working across the disciplines of photography, film and video, new site-specific works, which seek to respond to the particularities of the surrounding area and Wolstenholme project space, will also be produced.
 
Whilst the exhibition does not seek to tie individual artists together via an overarching thematic structure, a unified intention to create and reconstitute existing works, in relation to the project space, is common to them all. Intrigued by the prospect of exhibiting in an unconventional gallery space, the decision to show at Wolstenholme was made, by the group, in order to allow a reciprocity of influence to take place.
 
For Rebecca Court this has enabled the development of a site specific work across the buildings exterior, and for Tom Pope the interior network of doors provides a framework for the production of a work in which the site visitor will be made to perform. For others presenting still or moving image works the removal of pieces from the context of an ostensibly neutral white cube, provides a unique opportunity for a renewed or unique reading to take place. Similarly, the site itself will, in hosting the collection, be subject to a process of transformation and re-reading.
 
Album is part of the Independents exhibitions programme that runs parallel to the 2010 Liverpool Biennial. On Saturday 18 September at 1pm, Album curator Morgan Quaintance, an MA student from the RCA Curating Contemporary Art (Inspire) course and the exhibiting artists will give a talk about the work in the exhibition.
 
The RCA Photography Department has a world-renowned reputation for providing a critical and educational environment in which students can develop as artists with photography at the core of their practice. Alumni of the course include successful practitioners working in both fine art and the commercial sector, including Alison Jackson, Bob Carlos Clarke, Sophy Rickett, Hannah Starkey, Paul Smith, Tom Hunter and Idris Khan.
 
 
Image:
George Petrou
video still, 2010
 

Wolstenholme Creative Space
11 Wolstenholme Square
Liverpool L1 4JJ
Open Thursday - Saturday, 11am to 5pm. Free admission.
 
 
 
 
VOGES GALLERY, Frankfurt
 
 
Martin Liebscher, 500000 Liebschers can´t be wrong... 
 
 
MARTIN LIEBSCHER
500000 Liebschers can´t be wrong...

 
New Photographic Works
 
September 2 - October 30, 2010
Grand Opening September 2nd, 2010
Start of the Gallery Season:
September 3 - 5, 2010
 
In 1992 Martin Liebscher and five of his digital alter egos gathered in the artist's modest kitchen in the Moselstrasse in Frankfurt, where he was then studying at the prestigious Städelschule. That image became the first example of the ongoing series, entitled "Familienbilder" (Family Photos), in which the artist reproduces himself ad infinitum within a given environment. Incidentally, it was also the first time the digital reproduction of the human form was used in a contemporary artwork.
 
Meanwhile there are literally thousands of Liebschers populating the world: cavorting at the seashore, working at the Stock Exchange, or seated in Operahouses. In these somewhat baroque vistas, which can easily take up to over six months to complete, the artist performs every possible function with a wit and verve bordering on maniacal; it is not vanity that pushes Liebscher to replicate himself, but rather desperation in that nobody else would have the patience. He is both principle actor, stand-in, extra and projection screen. While seemingly facile, the work addresses several philosophical themes from the loss of identity, to the diversity of the Self, to the question of Fate and whether we are restricted to a single course of action. His latest major piece "La Scala" was staged in the famous Opera House in Milan after almost 2 years preparation and will be premiered in this upcoming  exhibition at VOGES GALLERY. It will conclude the series of Concert and Festival Halls, including Philharmonie (Berlin), Suntory Hall (Tokyo), Volksbühne (Berlin) and the Opera in Lille.
 

Image:
Martin Liebscher
Icons (Elvis), 2010
Lambdaprint, Alu Dibond, Diasec
31,5 x 31,0 cm
Edition of 10
Courtesy VOGES GALLERY

 
VOGES GALLERY
nationale suisse hochhaus
Neue Mainzer Strasse 1
60311 Frankfurt am Main
Germany
T +49 69 55 74 54
 
 
 
 
 
Galerie Sabine Knust, Munich
 
 
Frauke Eigen, Fotoformat 38, 2010
 
 
FRAUKE EIGEN
Are you with me?

10 September - 16 October 2010
 
Frauke Eigen's new works lead photography into an area of the autonomous image usually assigned to painting. In her gallery and museum exhibitions over the past two years, the atmosphere and aesthetics of Japan have been the predominant subject of her black-and-white photographs. The works were oriented toward seismographically recording structural phenomena that step out of the usual field of vision as worthy of being captured in an image.

The most recent works pull the gaze back; the camera turns, so to speak, inward. No longer do outward happenings determine the reality of the image, but the artist herself provides the precondition for something to become an image. Images of beams, patterns, rays and patches emerge that only marginally admit a reference to the outside world. Rather, they create an independent combination of differences of line and surface which condense into a meaningful image.
 
The non-representational image has perhaps the strongest potential to orient itself toward the viewer in a way formulated by Georg Lukács in his aesthetics at the beginning of the twentieth century. In this aesthetic theory, works of art as a world of fulfilment are counterposed to people's yearning for the reality of experience: what remains withheld from all other expressions of human living, or exists only in a very sparse and questionable way, is fulfilled in the art work. The schema of communication has, in the work, stripped off everything fragmentary - not only what is empty and abstract, but also the merely personal - and the absolute unity of the individual with the superindividual is said to radiate through their unification in the work, attained through a coincidentia oppositorum.
 
Frauke Eigen lives and works in Berlin.
 
Open Art 2010
10 / 11 / 12 September
Friday: 6 pm - 9 pm
Saturday and Sunday: 11 am - 6 pm
 

Image:
Frauke Eigen
Fotoformat 38, 2010
Silver Gelatin Print
50 x 53 cm
Edition 3
Courtesy of Frauke Eigen, Berlin and Galerie Sabine Knust, Munich
 

Galerie Sabine Knust
Ludwigstr. 7
80539 München
Germany
T +49-(0)89 29 16 07 03
 
 
 
 
 
Postmasters Gallery, New York
 
 
CHRIS VERENE, Amber's First Two Kids, Mercedes and Jayden-Lexus, 2010 
 
 
Postmasters Gallery is very pleased to announce that we now represent CHRIS VERENE.
An exhibition of his photographs will inaugurate a new season at Postmasters in September.
 
CHRIS VERENE
FAMILY

September 10 - October 16, 2010
opening reception September 10, 2010 6-8pm
 
Chris Verene's first show at Postmasters will present over forty photographs made during the past twenty-six years. This landmark exhibition of documentary storytelling chronicles a group of closely-knit characters from the photographer's family and their rural Illinois community. The photographer is also one of the characters-- his blood bonds and bonds of friendship within the small town are carefully spelled out in simple handwritten captions atop the colorful pictures. Verene's new book, "Family," published this summer, contains many of the images on view - it opens with his cousin Candi's divorce. Candi was made famous when her wedding picture appeared on the cover of Verene's first book ten years ago. Both husband and wife were fired in the Maytag factory closing described in President Obama's first address to the United States in 2004 and in the 2010 State of the Union. Theirs is not the only family torn apart by the economic struggles of the country, as Verene documents other similar stories. The exhibition will also bring to light recent developments in the artist's intimate life, as his young child, Nico, Brooklyn-born and half-Puerto Rican, appears throughout the latest photographs, playing with his cousins and newfound friends in Galesburg. This show will offer an extraordinary, inspiring, hopeful, and sometimes sorrow-filled view into the true personal stories and private lives of the artist's immediate and extended family in their small community as photographed throughout a lifetime in economically depressed Galesburg, Illinois. Museums currently showing Verene's work include The Tate Modern, The San Francisco Museum of Modern Art, and The New Orleans Museum of Art.
 
 
Image:
CHRIS VERENE
Amber's First Two Kids, Mercedes and Jayden-Lexus, 2010
chromogenic print with handwritten caption in oil
30 x 36 inches
edition of 6 + AP
Courtesy of Postmasters Gallery, New York
 
 
Postmasters Gallery
459 West 19th Street (at 10th Avenue)
New York, NY 10011
T +1 212 727 3323
 
 
 
 
 
 
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