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Royal College of Art - Wolstenholme Creative
Space, Liverpool |
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Private view: 17 September, 6pm - 9pm
18 September - 17 October
Album is an exhibition comprised
of new and existing works by 17 artists currently studying on
the Royal College of Art's Photography MA course. Working
across the disciplines of photography, film and video, new
site-specific works, which seek to respond to the
particularities of the surrounding area and Wolstenholme
project space, will also be produced.
Whilst the exhibition does not seek to tie
individual artists together via an overarching thematic
structure, a unified intention to create and reconstitute
existing works, in relation to the project space, is common to
them all. Intrigued by the prospect of exhibiting in an
unconventional gallery space, the decision to show at
Wolstenholme was made, by the group, in order to allow a
reciprocity of influence to take place.
For Rebecca Court this has enabled the
development of a site specific work across the buildings
exterior, and for Tom Pope the interior network of doors
provides a framework for the production of a work in which the
site visitor will be made to perform. For others presenting
still or moving image works the removal of pieces from the
context of an ostensibly neutral white cube, provides a unique
opportunity for a renewed or unique reading to take place.
Similarly, the site itself will, in hosting the collection, be
subject to a process of transformation and re-reading.
Album is part of the Independents
exhibitions programme that runs parallel to the 2010 Liverpool
Biennial. On Saturday 18 September at 1pm, Album curator
Morgan Quaintance, an MA student from the RCA Curating
Contemporary Art (Inspire) course and the exhibiting artists
will give a talk about the work in the exhibition.
The RCA Photography Department has a
world-renowned reputation for providing a critical and
educational environment in which students can develop as
artists with photography at the core of their practice. Alumni
of the course include successful practitioners working in both
fine art and the commercial sector, including Alison Jackson,
Bob Carlos Clarke, Sophy Rickett, Hannah Starkey, Paul Smith,
Tom Hunter and Idris Khan.
Image: George Petrou video still,
2010
Wolstenholme Creative Space 11
Wolstenholme Square Liverpool L1 4JJ
Open Thursday - Saturday, 11am to 5pm. Free
admission.
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VOGES GALLERY, Frankfurt |
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MARTIN LIEBSCHER 500000 Liebschers can´t
be wrong...
New Photographic Works
September 2 - October 30, 2010 Grand Opening September
2nd, 2010 Start of the Gallery Season: September 3 - 5,
2010
In 1992 Martin Liebscher and five of his
digital alter egos gathered in the artist's modest kitchen in
the Moselstrasse in Frankfurt, where he was then studying at
the prestigious Städelschule. That image became the first
example of the ongoing series, entitled "Familienbilder"
(Family Photos), in which the artist reproduces himself ad
infinitum within a given environment. Incidentally, it was
also the first time the digital reproduction of the human form
was used in a contemporary artwork.
Meanwhile there are literally thousands of
Liebschers populating the world: cavorting at the seashore,
working at the Stock Exchange, or seated in Operahouses. In
these somewhat baroque vistas, which can easily take up to
over six months to complete, the artist performs every
possible function with a wit and verve bordering on maniacal;
it is not vanity that pushes Liebscher to replicate himself,
but rather desperation in that nobody else would have the
patience. He is both principle actor, stand-in, extra and
projection screen. While seemingly facile, the work addresses
several philosophical themes from the loss of identity, to the
diversity of the Self, to the question of Fate and whether we
are restricted to a single course of action. His latest major
piece "La Scala" was staged in the famous Opera House in Milan
after almost 2 years preparation and will be premiered in this
upcoming exhibition at VOGES GALLERY. It will conclude
the series of Concert and Festival Halls, including
Philharmonie (Berlin), Suntory Hall (Tokyo), Volksbühne
(Berlin) and the Opera in Lille.
Image: Martin
Liebscher Icons (Elvis),
2010 Lambdaprint, Alu Dibond, Diasec 31,5 x 31,0
cm Edition of 10
Courtesy VOGES GALLERY
VOGES GALLERY nationale suisse
hochhaus Neue Mainzer Strasse 1 60311 Frankfurt am
Main
Germany T +49 69 55 74 54
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Galerie Sabine Knust, Munich |
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FRAUKE EIGEN Are you with me?
10 September - 16 October 2010
Frauke Eigen's new works
lead photography into an area of the autonomous image usually
assigned to painting. In her gallery and museum exhibitions
over the past two years, the atmosphere and aesthetics of
Japan have been the predominant subject of her black-and-white
photographs. The works were oriented toward seismographically
recording structural phenomena that step out of the usual
field of vision as worthy of being captured in an image.
The most recent works pull the gaze
back; the camera turns, so to speak, inward. No longer do
outward happenings determine the reality of the image, but the
artist herself provides the precondition for something to
become an image. Images of beams, patterns, rays and patches
emerge that only marginally admit a reference to the outside
world. Rather, they create an independent combination of
differences of line and surface which condense into a
meaningful image.
The non-representational image has perhaps
the strongest potential to orient itself toward the viewer in
a way formulated by Georg Lukács in his aesthetics at the
beginning of the twentieth century. In this aesthetic theory,
works of art as a world of fulfilment are counterposed to
people's yearning for the reality of experience: what remains
withheld from all other expressions of human living, or exists
only in a very sparse and questionable way, is fulfilled in
the art work. The schema of communication has, in the work,
stripped off everything fragmentary - not only what is empty
and abstract, but also the merely personal - and the absolute
unity of the individual with the superindividual is said to
radiate through their unification in the work, attained
through a coincidentia oppositorum.
Frauke Eigen lives and works in Berlin.
Open Art 2010 10 / 11 / 12
September Friday: 6 pm - 9 pm Saturday and Sunday: 11 am
- 6 pm
Image: Frauke
Eigen Fotoformat 38, 2010 Silver
Gelatin Print 50 x 53 cm Edition 3 Courtesy of
Frauke Eigen, Berlin and Galerie Sabine Knust, Munich
Galerie Sabine Knust Ludwigstr.
7 80539 München Germany T +49-(0)89 29 16 07 03
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Postmasters Gallery, New York |
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Postmasters Gallery is very pleased to
announce that we now represent CHRIS
VERENE. An exhibition of his photographs will
inaugurate a new season at Postmasters in September.
CHRIS VERENE FAMILY
September 10 - October 16, 2010 opening reception
September 10, 2010 6-8pm
Chris Verene's first show
at Postmasters will present over forty
photographs made during the past twenty-six years. This
landmark exhibition of documentary storytelling chronicles a
group of closely-knit characters from the photographer's
family and their rural Illinois community. The photographer is
also one of the characters-- his blood bonds and bonds of
friendship within the small town are carefully spelled out in
simple handwritten captions atop the colorful pictures.
Verene's new book, "Family," published this summer, contains
many of the images on view - it opens with his cousin Candi's
divorce. Candi was made famous when her wedding picture
appeared on the cover of Verene's first book ten years ago.
Both husband and wife were fired in the Maytag factory closing
described in President Obama's first address to the United
States in 2004 and in the 2010 State of the Union. Theirs is
not the only family torn apart by the economic struggles of
the country, as Verene documents other similar stories. The
exhibition will also bring to light recent developments in the
artist's intimate life, as his young child, Nico,
Brooklyn-born and half-Puerto Rican, appears throughout the
latest photographs, playing with his cousins and newfound
friends in Galesburg. This show will offer an extraordinary,
inspiring, hopeful, and sometimes sorrow-filled view into the
true personal stories and private lives of the artist's
immediate and extended family in their small community as
photographed throughout a lifetime in economically depressed
Galesburg, Illinois. Museums currently showing Verene's work
include The Tate Modern, The San Francisco Museum of Modern
Art, and The New Orleans Museum of Art.
Image: CHRIS VERENE Amber's
First Two Kids, Mercedes and Jayden-Lexus, 2010
chromogenic print with handwritten caption in oil 30 x
36 inches edition of 6 + AP Courtesy of Postmasters
Gallery, New York
Postmasters Gallery 459 West 19th
Street (at 10th Avenue) New York, NY 10011 T +1 212 727
3323
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Coming Next
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September 15-16 Sculpture / Installation
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