re-title.com
20 May 2011
  Photography, Film & Video  

LUIS DE JESUS Los Angeles
NETTIE HORN, London
P.P.O.W, New York
CRG GALLERY, New York
 

 
LUIS DE JESUS Los Angeles
 
 
Laerke Lauta, Out of the Desert, 2011
 
Laerke Lauta, Out of the Desert, 2011
multi-channel video installation
Courtesy of Luis De Jesus Los Angeles
 
 
LÆRKE LAUTA
Out of the Desert
 
4 JUNE – 16 JULY 2011
Reception: June 4th, 4-7 pm
 
Luis De Jesus Los Angeles is very pleased to announce the world premiere of a new multi-channel video installation by Danish artist LÆRKE LAUTA, titled Out of the Desert, on view in Gallery I and Gallery II from June 4 through July 16, 2011.
 
Out of the Desert, Lauta's fifteenth video to date and the first to be shot in the U.S., takes place in Los Angeles during an unusually hot day, the result of intense Santa Ana winds blowing in from the Mojave Desert.  The people and the city are running at half speed. There is also a heightened tension - sexual, restrained, or aggresive, expressed in subtle ways - a stillness before the storm, as if something is about to explode. Out of the Desert consists of a series of scenes played out between a man and a woman on various indoor and outdoor locations in Los Angeles. In each of the scenes there is a man and a woman, and then there is something else happening between them, something more abstract that takes place in their mind. In one scene you see a woman in full figure, streched out on the grass by the beach, playing with a lighter. On a second channel you see her sweater, lying beside her, catching on fire. On a third channel you see, again, a close up of her arm, however, in this projection a man's hand is holding her wrist in a firm grip, pressing it down into the grass.
 
Drawing from a northern European tradition that ascribes romantic, spiritual, and enigmatic qualities to the natural landscape, Lauta's video installations map internal and external states of consciousness and are characterized by an undertone of unresolved suspense - the latent fear of a fatal event that is not directly revealed.  The artist's camera does not present a decisive moment but functions instead as an instrument of premonition and doubt. Austere light, a lush palette, and evocative sound combine in Lauta's work to create liminal spaces that linger in memory, bringing together feelings of exhilaration, suspense, and danger.
 
Laerke Lauta was born 1974 in Denmark and studied at the Royal Danish Art Academy in Copenhagen (Master of Arts, 2001), the Cooper Union, New York City (1997), and the Gerrit Rietveld Academy in Amsterdam, The Netherlands (1995-1997). Her works have been featured most recently in solo exhibitions at the Saint Louis Art Museum, St. Louis, MO, the Museum of Contemporary Art San Diego, CA, and Mills College Art Museum, Oakland, CA, as well as in numerous venues throughout Europe and the Middle East, including the Institute of Contemporary Art, London, UK; The National Gallery of Denmark; The Brandts Museum, DK; Randers Museum of Art, DK; Møstings Hus, Copenhangen; Aarhus Center for Contemporary Art, DK; Altonaer Museum, Hamburg, Germany; Landesgalerie/Museum of Modern and Contemporary Art, Linz, Austria; 7th International Photography Gathering, Aleppo, Syria; and ARTGENDA - 2002 Biennale for Young Artist, Hamburg, Germany, among others.  Upcoming solo exhibitions include "Hotel Auralia" at the Nikolaj Copenhagen Contemporary Art Center, Denmark.
 
 
LUIS DE JESUS LOS ANGELES
2525 Michigan Avenue, Suite F2
Santa Monica, CA 90404
USA
+1 310 453 7773
 
 
 
 

 
NETTIE HORN, London
 
 
Antti Laitinen, Bark Boat V , 2010
 
Antti Laitinen, Bark Boat V , 2010
C-Type Print mounted on Diasec
115 x 60 cm
edition of 6
Courtesy of Nettie Horn, London
 
 
ANTTI LAITINEN
Bark Boat
 
6 MAY - 19 JUNE 2011
 
NETTIE HORN is pleased to present the second UK solo show by the Finnish artist Antti Laitinen featuring his latest performance entitled "Bark Boat", documented through a series of photographs, a video and a boat.
 
On the 7th of August 2010 at 4am, a rudimentary and yet authentic sailboat was launched for the first time in the Finnish peninsula of Porkkala and was about to embark on its inaugural journey across the Gulf of Finland. At its command was a young and resilient journeyman who has made a name for himself through his adventurous-spirit and his ritualistic quests for achievement, and known by the name of Antti Laitinen.
 
The young sailor along with his boat, made of ancient pine bark collected from the floor of the Finnish forest, confidently undertook the conquest of the Baltic Sea with the firm intention to reach the welcoming island of Naissaar situated northwards of Tallinn in Estonia. During a nineteen hour long journey the small vessel braved the elements of this unpredictable Sea; meeting on his way a seal and narrowly crossing paths with ocean liners sailing at high-speed whose course was neither arguable nor auspicious.
 
"Bark Boat" is the latest in a series of performances where Antti Laitinen embarks on a personal journey, pushing the boundaries of his physical endurance and braving the natural elements, to engage with the world in a collective mission to stage mythologies and erase the boundary between success and failure. As in most of his previous projects, "Bark Boat" originates from classical Finnish tales and cultural imagery - in this instance, the title is taken from a Finnish childhood game whereby pieces of tree bark are used as rafts and are set sailing onto the vast sea until they disappear out of sight. The children would imagine their miniature boats sailing all the way to faraway lands.
 
The concept of this lone adventurer transiting physically from one land to another on a handmade raft in an epic journey across the sea is an extension to previous projects by Laitinen reunited under the title "The Island Trilogy". In "It's My Island", the first performance in the series, Laitinen constructed an island made of two hundred bags filled with sand which the artist dragged into the Baltic Sea over a period of three months. The second chapter presents a second handmade island which the artist rowed throughout various seascapes. In the final chapter, the third island is embodied by a small iceberg which Laitinen preserved throughout the winter to then resurrect during the summer months. For two days, the artist went on a slow rowing journey, iceberg in tow, during which the ice progressively disappeared and melted back into the water it once came from. The melting of this island and its symbolic disappearance ended this trilogy.
 
Through these islands or paradise-like places which are the emblems of independent lands and micro-nations, Laitinen points to the incongruity between an individual's performance and circumstances and how it grows into a cultural metaphor. The particularity of Laitinen's work lies in the multiple readings it offers, ranging from an intrinsic ecology-oriented aspect to the Monty Python-esque nature of his performances from which he shares some of its absurd seriousness and idiosyncratic imagination.
 
Antti Laitinen was born in Finland in 1975. He lives and works in Somerniemi, Finland.
Exhibitions include "Journeymen (Antti Laitinen & David Blandy)", Air Space Gallery, Stoke-on-Trent, UK (2011); Touched - Liverpool Biennial, (2010); Collection exhibition, Museum of Contemporary Art Kiasma, Helsinki, Finland (2010) ; Rauma Biennial Balticum, Rauma, Finland (2010); Earth: Art of a Changing World / GSK Contemporary, Royal Academy of Arts, London (2009-10); I-Lands, Kunsthallen Brandts, Odense and Fuglsang Kunstmuseum, Toreby, Denmark (2009 - 2010); Athens Biennale, Greece (2009) ; It's My Island, NETTIE HORN, London (2008) (SOLO SHOW).
 
 
NETTIE HORN
25b Vyner St
London E2 9DG
T: +44 (0)208 980 1568
 
 
 
 

 
P.P.O.W, New York
 
 
http://re-title.com/public/mailimages/May11-photo/Ellen-Kooi.jpg
 
Ellen Kooi, Velsen-lampen 2008
enduraprint on plexiglass
39 1/2 x 67 3/4 inches, edition of 10
Courtesy of P.P.O.W, New York
 
 
ELLEN KOOI
Out of Sight
 
May 19 – June 18, 2011
 
P•P•O•W is pleased to present Out of Sight, our third solo exhibition with Dutch photographer Ellen Kooi. This new body of work continues Kooi's exploration of the Dutch landscape as well as her ability to create hyper realities. Kooi situates people in natural settings and through distinct technical feats creates narratives that recall fairytales, movies and dreams.
 
These large scale photographs, which are always shot in the daytime, allude to various tales that are hinted at but never revealed. Kooi's background in theatre is evident by the way she stages her photographs. Using a large format camera, she sets up elaborate lighting to create a set within the natural landscape. She stages the character(s) to dramatize and bring into focus the moods and stories of the scenes being created. The natural elements are transformed, becoming more than mere backdrops. Kooi's intense method of producing and processing her images exaggerates the unnerving realness of the situations being depicted.
 
All of these photographs tell a story; some are absurd, some are mysterious and some are magical. All of them bring you to this place, this familiar yet unnamed setting where anything seems possible. In both the photographs that show groups of people and those that are solitary, there is a sense of something unseen causing action or inaction. It is this hidden energy that makes the viewer as unaware as the character(s) in the picture of what will happen next. Kooi's skill at crafting such specific narratives but also cutting away just as the moment of tension is at its height, enlivens these photographs and makes them not a frozen scene but a channel into another world.
 
Ellen Kooi (1962) was born in Leeuwarden, the Netherlands. She has exhibited throughout Europe and the United States. She attended the Art Academy ABK Minerva in Groningen and has been a resident of the Rijksacademie in Amsterdam. Her work has been exhibited at The Museum of Contemporary Art in Cleveland and in the Photography Biennale in Moscow. She lives and works in Haarlem, the Netherlands. Her newest catalog, Out Of Sight, was published by Filigranes Editions, 2010.
 
 
P.P.O.W
535 West 22nd Street
3rd Floor
New York, NY 10001
T: +1 212-647-1044
 
 
 
 

 
CRG GALLERY, New York
 
 
Ori Gersht, Against the Tide: Isolated, 2010
 
Ori Gersht, Against the Tide: Isolated, 2010
Archival pigment prints mounted on dibond
47 X 70 1/2 inches
Courtesy of CRG Gallery, New York
 
 
ORI GERSHT
Falling Petals
 
May 6 – June 25
 
CRG is pleased to present Falling Petals, an exhibition of recent photographs by Ori Gersht. In addition, Gersht will debut his new film, Will You Dance For Me (2011).
 
In his most recent series comprised of images taken from April to May 2010 in Japan, Gersht traveled between cities that were affected by World War II as well as ancient locations in remote western Japan, examining the shifting symbolism of the cherry blossom. While initially associated with Buddhist concepts of renewal, the celebration of life, and good fortune, the cherry blossom was re-appropriated during Japan's 19th century militarization and colonial expansion. Once celebrated as a healthy and abundant flower, the falling of the petals from the tree became the symbol of Kamikaze soldiers. Gersht furthers this discussion of life and death symbolism in his exploration of trees planted before the war in unaffected remote areas, contrasting them against trees in Hiroshima that were planted in nuclear soil.
 
The artist made use of digital cameras that allowed for images to be taken under extreme light conditions, further questioning the ability of photography as a medium to convey a singular truth or story. Presenting documentation of what is assumed to be an exact location, Gersht’s digital process allows for the absolute light and color veracity of these landscapes to be questioned and by extension the viewer’s interpretation of this location’s history. Unlike previous series which focused on geographic journeys (Walter Benjamin following the Lister Route in Gersht’s Evaders (2009) or The Forest (2006), in which the artist’s family found refuge from Nazi persecution during WWII in the Ukraine), Falling Petals offers imagery that conveys past and present without a specified linear narrative; Gersht’s photographic process implies the passage of time without providing an exacting start or finish to the life of the depicted.
 
In addition to his new photographs, Gersht will debut his film Will You Dance For Me. The film opens to a close-up of an old and fragile woman in a rocking chair. She moves backwards and forwards meditatively, drifting in and out of focus. Slowly she fades completely out of the dark scene as snow begins to drop from the sky; eventually the rhythmic falling of snow gives way to a virginal, white landscape, replacing the rhythmic rocking of her rocking chair.
 
The woman in the film is Yeudith Arnon. A prisoner of the Auschwitz concentration camp, at the age of nineteen Arnon was ordered to dance at an SS officer’s Christmas party. Upon refusal, her punishment was to stand barefoot in the snow all night. As a result, she resolved to dedicate herself to dance should she survive the camp. In 1962, she created the Kibbutzim Dance Company and became internationally renowned for her dancing and choreography. Now at the age of 85, she can no longer dance.
 
Will You Dance For Me is constructed of a specific, pre-existing personal narrative. The artist encourages the viewer to feel both the absence and presence of Arnon’s dance within the cadence of her rocking chair. Floating Petals provides contrasting notions of militaristic memory and locations of Buddhist sanctuary, continually questioning the viewer’s ability to find one story within a single photograph.
 
Ori Gersht’s work will also be on view with his show “Lost in Time” at the Santa Barbara Museum of Art (May 20 – September 4).
 
 
CRG GALLERY
548 W 22nd St
New York, NY 10011
T +1 212-229-2766
 
 
 
 
 
 

 
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