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  15 July 2010

Sculpture & Installation

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Galeria Fucares, Almagro, Spain
Jerwood Space, London
Galpão Fortes Vilaça, São Paulo
Mark Moore Gallery, Los Angeles
 
 
Galeria Fucares, Almagro, Spain
 
 
Rafael López-Bosch, HAPPY SUCKER! SUCKER!, 2010 
 
 
RAFAEL LÓPEZ-BOSCH
"The good times are killing me"
("Los buenos tiempos me matan")
 
12th of June until the 24th of September (August closed)
 
The Fucarés art gallery Almagro presents Rafael López-Bosch (Madrid, 1980) first one man show tittled "Los buenos tiempos me matan" ("The good times are killing me"). The artist invites us to reflect in a transgressor manner on maters that are in some cases complex "It is important to laugh at yourself, using humour allows the realise of tension and we can see things in a different perspective".
 
The artist's parting ground and indicate to establish a common reference is that which could be understood as sheared reality; the physical mater that surrounds us and escapes any philosophical interpretation as it is sheared physically by all.
It would be complicated to establish any interaction with anyone if within are own individual reality we were unable to establish links that escape any interpretation and were not physically sheared by all.
 
Gathering the uncommon, allowing everything to fall in to place, mixes, breaks, bonds, transforms up-to-the-minute, something unexpected, in this process the work acquires its own language and the objects that form it acquires a new life. We are not faced with a narrative that's literal. The pieces enclose within a complex language that parts with the ordinary throw the use of imagery and materials that are accessible to any one, this creates a nexus throw which the artist identifies with his time. The use of familiar images and materials draws up lines of narrative that the viewer can identifies with. The dialog is established and is able to conclude the narrative by using the imagination as all the components are found in front of him, similar to the game "scrabble", we have all the letters and they have to be put in place to create words.
 
Rafael López-Bosch started his artistic career in England where he attended college at Central St. Martins and Camberwell College Of Arts; This British influences and it's perspicacious humour are evident in his work. At an early stage in the artists carrier he was introduced to Joseph Voice's work, in conceptual art Rafael has found a way to express his political restlessness. Far from taking political sides, the artist deals with the problems arising from a society were it does not mater whoever is in charge, the real interest is the essence of what it is that leads us to try to control all that is around us.
 
The show is organised throw a number of series that relate to each other. The first sequence, a number of drawings under the name "Who killed Mickey Mouse" ("Quién mató a Mickey Mouse"), were protagonists from the Disney factory shear the limelight with world known personalities. In this works a set of geometrical figures is emphasized in relation of some kind to the process of learning, referencing the replacement in traditional moral values.
 
"Gods Creatures" (Criaturas de Dios) Are the names given by the artist to a set of sculptures were animals are made from different parts of other animals. These installations arise as results of the manipulation of are surroundings and the fears of are actions as a society. Human creations or natures heritage? The mad cow disease, the bird flu, swine flu... are this founded preoccupations or simple social hysteria? Huge illnesses that we supposed to change are world.
Later we come a cross "Economist in hardship" (Los economistas en apuros), Exquisite drawings that in a humorous and simple way make parody of the present economical situation, throw questions like, who took the money? How to get to work? O who will keep the house?;
 
After reflecting on López-Bosch's work we come to the conclusion that creating and art that includes political themes does not mean you have to be claiming in protest, repetitive messages are tiring, posters and slogans are lost in time and were ingenuity comes, one has to be up-to-date with the language with which we can identify throw the years.
Placido Newark, Sevilla 2010.
 
 
Image:
Rafael López-Bosch
"HAPPY SUCKER! SUCKER! ", 2010
Mixed Media
80 x 100 x 170 cm
Courtesy of Galeria Fucares, Madrid | Almagro
 
 
Galeria Fucares Almagro
San Francisco, 3
13270 Almagro
Spain
T +34 926 86 09 02
 
 
 
 
 
Jerwood Space, London
 
 
Carl Clerkin, Desperate measures, 2010 
 
 
Jerwood Contemporary Makers
Exploring new perspectives in making
 
17 June - 25 July, 2010
 
Morphing basket weave, a self-contained laundry and an over-sized charm bracelet are just some of the works that have been selected for the third and final Jerwood Contemporary Makers.
 
This year's exhibition will explore the notion of making from a variety of creative perspectives. Selectors Hans Stofer, Richard Slee and Freddie Robins - three of the most inventive names in the visual arts - have chosen 29 makers to take part, each of whom will exhibit one work and receive an equal share of a £30,000 prize fund.
 
The 2010 Jerwood Contemporary Makers are:
Laura Ellen Bacon, Chien-Wei Chang, David Clarke, Carl Clerkin, Julie Cooke, Robert Dawson , Nora Fok, David Gates, Joseph Harrington, Tony Hayward, David Rhys Jones, Kirsty MacDougall, Nicola Malkin, Taslim Martin, Flora McLean, Rowan Mersh, Gareth Neal, Karen Nicol, Heather Park, Lina Peterson, Laura Potter, Tomoaki Suzuki, Ingrid Tait, Marloes ten Bhomer, Maud Traon, Richard Wheater, Conor Wilson, Emma Woffenden, and Dawn Youll.

The exhibition, designed by Michael Marriot, will take visitors on a visual journey through the different approaches to the art of making, highlighting its importance as a visual arts discipline.  Jerwood Contemporary Makers is the UK's only award for the applied arts and is a major strand of the Jerwood Visual Arts programme.
 
Jerwood Contemporary Makers, was launched by the Jerwood Charitable Foundation in 2008 as a three-year exhibition series supporting and showcasing emerging creative talent.  Each year, a different panel of selectors has curated the exhibition, inviting a group of makers to respond to a different guiding concept.
 
Jerwood Contemporary Makers will be shown at the Jerwood Space, London, from 17 June to 25 July before touring to Dovecot Studios, Edinburgh, with IC: Innovative Craft.

Jerwood Visual Arts is a contemporary gallery programme of awards, exhibitions and events at Jerwood Space, London, which then tours nationally. Jerwood Visual Arts aims to promote and celebrate the work of talented emerging artists across the disciplines of drawing, painting, sculpture, applied arts, photography and moving image. It also aims to make connections and provoke conversations within and across the different disciplines.
 
Jerwood Visual Arts is a major initiative of the Jerwood Charitable Foundation.
 
The Jerwood Charitable Foundation is dedicated to imaginative and responsible revenue funding of the arts, supporting emerging artists to develop and grow at important stages in their careers. They work with artists across art forms, from dance and theatre to literature, music and the visual arts.
 
 
Image:
Carl Clerkin
Desperate Measures
© the artist
 
 
Jerwood Space
171 Union Street
London, SE1 0LN
T + 44 (0) 20 7654 0171
 
 
 
 
 
Galpão Fortes Vilaça, São Paulo
 
 
Sara Ramo & Cinthia Marcelle, Grand Illusion, Exhibition View, Galpão Fortes Vilaça, 2010 
 

Sara Ramo & Cinthia Marcelle
Grand Illusion
 
3 July through 21 August, 2010
 
Galpão Fortes Vilaça is pleased to present the third collaboration between the artists Sara Ramo and Cinthia Marcelle. A Grande Ilusão is an installation that deals with the object and representation, and man's need to create limits and borders with the aim of organizing and protecting himself.
 
The installation is based on the comedy of errors The Grand Illusion (1937) by French film director Jean Renoir. This film, set in World War I, concerns the relation between the individual who imprisons and the person imprisoned. The plot takes place entirely within a German prison in such a way that the war appears as an external character and as a starting point for human questionings.
 
The visitors enter a completely closed and darkened room. Gradually, as they get used to the darkness, they encounter a movie-screen frame from which the actual screen itself has been removed. Through the screen they see a cement wall with a gap, through which a path of earth runs. The spectators then hear fragments of dialogs from the film, while they read the following dialog in the subtitles at the bottom of screen:
 
- Are you sure that's already Switzerland, right over there?
- No doubt about it.
- It looks the same to me.
- What do you want? A boundary is something that cannot be seen. It is a man´s creation, even though nature doesn't care much about it.

Questions of representation and staging are constant in the works by Sara Ramo and Cinthia Marcelle. This tiny fragment of dialog, extracted from its original context, refers not only to the great rupture created by World War I, but to the idea of borders, physical or psychological obstacles, and how they are overcome.
 
The two artists have previously participated in important national and international exhibitions, and will participate, separately, in the 29th Bienal de São Paulo. Sara Ramo participated in the Venice Biennale, 2009; the Panorama da Arte Brasileira, 2003; and the 6° Bienal do Mercosul, Porto Alegre, RS, 2007. Cinthia Marcelle's solo shows have most notably included those at Camberwell College of Arts, England (2009), Sprovieri Projetti, England (2009), Box4, Brazil (2007); Fundação Joaquim Nabuco, Brazil (2006); and Museu de Arte da Pampulha, Brazil (2004).
 

Image:
Sara Ramo & Cinthia Marcelle
Exhibition View, Grand Illusion, Galpão Fortes Vilaça, 2010
Courtesy of Galeria Fortes Vilaça, São Paulo
Photograph Edouard Fraipont
 

Galpão Fortes Vilaça
Rua James Holland
71 Barra Funda
01138-000
São Paulo
Brazil
T + 55 11 3392 3942
 
 
 
 
 
Mark Moore Gallery, Los Angeles
 
 
Chad Person, Two Arms, 2010 
 
 
Chad Person
Surviving the End of Your World
 
The artist's inaugural LA exhibition featuring installation, performance and sculpture.
 
July 10 - August 14, 2010

Mark Moore Gallery is pleased to announce the first Los Angeles solo exhibition for contemporary artist, Chad Person.
 
In his newest body of work, Person utilizes his trademark fascination with the confluence of economy and societal power structures through innovative installation, sculpture and performance. Surviving the End of Your World will feature several collages from the artist's "TaxCut" series, and the debut of "Thirst" - a fifteen-foot inflatable sculpture depicting the Mobil Oil Pegasus lying in a glossy black acrylic pool of its own crude. Person's use of iconographic signifiers related to American capitalism and consumerism are juxtaposed with notions of sheer Darwinist survival featured in his "RECESS" project, which will be featured in the gallery's Project Room. In addition to a live video feed of the artist's performance in his self-made "apocalypse bunker" in Albuquerque, New Mexico, "RECESS" includes functioning installation works to spotlight cultural intervention, critique of corporate enterprise and the myth of self-reliance in the face of essential conservation.
 
"New Mexico-based multimedia artist Chad Person creates beautifully crafted, ironic indictments on society's most dangerous flaws." - Shana Nys Dambrot, Flavorpill (2010)
 
Chad Person (born 1978, Marinette, WI) received his MFA in Photography from the University of New Mexico. His work is included in the public collections of The West Collection (PA), Frederick R. Weisman Foundation Collection (CA) and The University of New Mexico Art Museum (NM). He has had solo exhibitions in Albuquerque, Marfa and River Falls, and been featured in PULSE Miami Contemporary Art Fair.
 

Image:
Chad Person
Two Arms, 2010
wood, steel pipe and fittings, glue and twine
42 x 1 x 4 inches each
Courtesy of Mark Moore Gallery, Los Angeles
 
 
MARK MOORE GALLERY
Bergamot Station A1
2525 Michigan Avenue
Santa Monica
Los Angeles, CA 90404
T +1 310 453 3031
 
 
 
 
 
 
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