re-title.com
  12 November 2010
Artist Focus - Film & Video 

re-title.com artist directory
 
The re-title.com artist directory is full of talented emerging professional artists from all over the World.
 
In this issue we would like to introduce you to a selection of artists working in film & video....
 
Please follow the links below to go directly to the artist's portfolio on re-title.com
 

 
Hillerbrand+Magsamen, Houston, Texas
 
 
Hillerbrand+Magsamen, Whether, 2010 
 
Hillerbrand+Magsamen
Whether
Single Channel, High Definition Video, 16:9, trt 6:40, 2010
 
 
The collaborative team of Hillerbrand+Magsamen has worked together since 1999 after meeting in graduate school at the Cranbook Academy of Art where they both received a MFA degree.
 
Hillerbrand+Magsamen experimental video and installation projects examine their relationship, family and everyday activities. Their work navigates between art and contemporary cultural by exploring perceptions of language, identity, and family within a uniquely American subjectivity.  Their visual vocabulary celebrates available everyday materials such as cookies, peanut butter and jelly sandwiches or a dinning room table.  Titles include Lick, Air-Hunger, Coffee and Milk, Let’s Get Married and Blender Love.
 
Their video work has been shown at prestigious international film and media festivals, galleries and museums and including SCOPE Basel, Ann Arbor Film Festival, Boston Underground Film Festival, LA Freewaves New Media Art Festival, WAND V Stuttgarter Filmwinter, Carnegie Museum of Art, Fusebox Festival, Chicago Underground Film Festival, Dallas Video Festival, New York Underground Film Festival and the Aurora Picture Show.
 
Hillerbrand+Magsamen’s cinematic based installations have been seen in such notable institutions as The Fotofest Biannual, the Hudson River Museum, Museum of New Art in Detroit, Woodstock Center for Photography, Light Factory Contemporary Museum of Photography and Film, Butler Institute of American Art and Houston Center for Photography.
 
They have been awarded residencies from Lawndale Art Center, Lower Manhattan Cultural Council, and Experimental Television Center, as well grants from Texas Filmmakers’ Production Fund grant, Austin Film Society, Ohio Arts Council and Houston Arts Alliance, and a Carol Crow Fellowship from the Houston Center for Photography.
 
 
 

 
Christopher Steadman, Berlin
 
 
Christopher Steadman, I know... I know... I know it is indeed time for lunch, 2009 
 
Christopher Steadman
Title: "I know... I know... I know it is indeed time for lunch"
Date: 2009
Format: 5 monitors (or projections) each with audio speakers, 5 DVD players, 5 DVD's synched
Duration: 12 minutes looped, 10 audio tracks synched.
 
 
Christopher Steadman resides and works in Berlin, London and New York. His multiple-channel synchronized video pieces have been exhibited widely, including venues in Berlin, London, Paris, and New York.  Most recently his work was screened during October 2010 in an exhibition in Berlin about the creative connections between NYC and Berlin.  Steadman has received numerous awards and grants, including a British Academy Arts and Humanities Research Bursary and funding from the Austrian Federal Chancellery, as well as fellowships from many international artist residencies, including MacDowell, Yaddo and Chateau La Napoule.
 
Recently Steadman’s subject matter is focused on the centrality of memory, and the articulation of memory as a mutating system functioning within a set of larger cultural and environmental systems.  The exploration of subjects claims for solitude and social belonging are themes Steadman expresses across a range of practices, including photographic and video installations, and present in works that are structurally concerned with time, space, and duration.
 
For it is within the context of these elements that the psyche of the solitary individual must make sense of both their own and other’s existence.  Steadman’s interest in the notion of chance and metamorphoses brought about by the weight of memory, allows the artist to communicate a tension between the ephemeral fluidity of the moving images and the physicality of the monitors, heightening a sense of weight by the fixed configuration of the installation.
 
Statement about work:
The ten interwoven audio tracks of this five screen synchronised video installation portray the mind of the solitary creative being. The viewer hears the subject's layered thoughts between the five screens, across ten speakers, sometimes in synch, sometimes in chaos and hard to understand. The visuals are a slow meditative presentation of the writer's daily rituals as he contemplates his work, his social sense of self, and the world around him.
 

 
Rebeca Méndez, Los Angeles
 
 
Rebeca Méndez, At Any Given Moment, Fall 1 with Volcanic Rock, 2009 
 
Rebeca Méndez
At Any Given Moment, Fall 1 with Volcanic Rock, 2009
Video art installation: Single channel HD video (16mm film transfer). Size: 22.5 x 18 feet. Continuous loop.
4 tons of volcanic lava rock in an area of 22.5 x 18 feet.
Sound by Drew Schnurr.
Currently in exhibition at the Alyce Williamson Gallery in Pasadena, California, through January 16, 2011
 

 
Rebeca Méndez was born and raised in Mexico City and received her MFA from Art Center College of Design. She is currently a professor in the department of Design | Media Arts at UCLA.
 
Méndez’s art practice is in various media—photography, 16mm film, video, and installation—with which she explores the nature of perception and media representation, specifically how cultures express themselves through the style of nature that they produce at a given time and the medium through which they construct this nature. She moves through different scales with ease—from photographic prints, to immersive sound and video installations, to murals of more than 25,000 square feet, to installations involving sixty-foot boulders and tons of lava rock. She considers the journey as a medium in itself and has produced a significant body of work based on travels to unfamiliar and extreme places such as Iceland, Patagonia, Svalbard archipelago in the high arctic, and the Sahara, where she is awakened to a heightened level of perception.
 
Méndez’s interest in the nature of matter—in cycles and systems, specifically the forces and cross-rhythmic tensions that make natural phenomena emerge—stem from her growing up in two seemingly entropic environments, Mexico City and the Mexican jungle, where she would follow her father in pursuit of Mayan archaeology. Common to both environments is hypercomplexity, multiplicity, and constant change. Méndez’s move to Los Angeles and her expeditions to geologically young Iceland and the severe high arctic have furthered this impetus.
 
Exhibitions: ARCO Madrid 29th International Art Fair; X Biennial, Cuenca, Ecuador; the National Design Triennial; SFMOMA; the Beall Center for Art and Technology, Irvine; the Broad Art Center, Los Angeles; and the Centre Pompidou, Paris. Collections: Stedelijk Museum, SFMOMA; Cooper-Hewitt, National Design Museum, Denver Art Museum; Freitag Historical Museum, Hannover; and Museo José Luís Cuevas, Mexico City. Reviews: Los Angeles Times, Eye Magazine, Metropolis, El Pais, and I.D. magazine. Awards: Artist residencies: Gunnar Gunnarson Institute, Iceland; The Arctic Circle, Svalbard, Norway; Suomenlinna Artist Residency, Suomenlinna, Helsinki. 2010 California Community Foundation Mid Career Fellowship for Visual Artist and was selected for the Artist Pension Trust, México City.

Rebeca Méndez, Los Angeles
 
 

 
Maud Haya-Baviera, Sheffield
 
 
Maud Haya-Baviera, Still from Versus Romance, 2010 
 
Maud Haya-Baviera
Still from Versus Romance, 2010
HD video, 6 min 10 sec
 
 
Maud Haya-Baviera uses video, photography and drawing to explore themes such as the use of language and the presence of erratic characters. Through her practice she frequently observes an impossible intimacy and aspirations towards belonging. It is not surprising to find her work so deeply embedded in narration as she has stated that she often starts a piece of work with what she reads, writes or hears.
 
Her idea of narration is rarely linear and seems to escape and refute a clear and single interpretation. Haya-Baviera implies that narration is for her a way to be playful while dramatising or even theatralising unsettling, strange or naïve behaviours. She employs and celebrates opposing elements to add layers to sentiment or to pepper the work with romantic frictions, small cruelties and a sense of the burlesque.
 
Haya-Baviera has exhibited her work in solo capacity and in group shows nationally and internationally. Recent exhibitions include, Art Sheffield 10, Life: A User's Manual, Sheffield (2010), Delightful desuetude, Bloc Projects, Sheffield (2009), To the King, La Cité Internationale, Paris (2009), Anonymous Drawings, Kunstraum Kreuzberg / Bethanien, Berlin (2008) and Channel, Sylvester Works, Sheffield, (2006). Her work featured in Sheffield Pavilion (2007) as part of the Venice Biennale and Kassel Documenta. In 2010 she received a new work award from the Arts Council England in relation to projects in Berlin, Germany and Sheffield, England.
 

 
Audhild Dahlstrøm, London
 
 
Audhild Dahlstrøm, The Bear-Hunter, 2008 
 
Audhild Dahlstrøm
The Bear-Hunter, 2008
3- channel video installation
ArtMur Gallery, Montreal
 
 
Audhild Dahlstrøm, born Sandessjøen Norway, lives and works in London and Laukvik, Lofoten Norway. Audhild received her MFA from Glasgow School of Art in 2004 and is currently involved in The Artists Suicide Pact 2011, she is director of NABROAD; Norwegian Artists Abroad, and editor of måg magazine.
 
Audhild has had her work screened at Edinburgh Film Festival, Athens International Video Art Festival, Aurora Festival of the Manipulated Image and Transmediale. She has exhibited at Kunstforeningen GI Strand Copenhagen, Galerie Adler Frankfurt, Obrestad Fyr Hå Gamle Prestegård Norway.
 
Audhild is currently producing new work; Bare Branches, which explores stories of the vanishing of individuals in the mountains of De Syv Søstre (The Seven Sisters) on the Helgeland coastline. Much of these stories are metaphorical narratives, built and reconstructed by individuals who live their lives there.
 
Audhild is concerned with creating situations one can relate to physically and emotionally, either through own experiences or more common reference points such as local and world events. Exaggerated, built narratives and structured lies dominate the projects she chooses to work with.
 

 
Tom Walker, London
 
 
Tom Walker, Arcadian, January 2010 
 
Tom Walker
Arcadian
January 2010
Pal Video
 
 
Tom Walker is an artist living and working in London, he graduated in 2006 with an MA in Fine Art from Goldsmiths College London and has been selected for Pizza Express Drawing Prize, Lux Open and Bloomberg New Contemporaries 2007. His work has been exhibited both within the UK and internationally.
 
Conflating video with snapshot Tom Walker exploits a YouTube aesthetic by scavenging the Internet for backdrops on which to cut and paste footage of his son(s), resulting in the anti-craft technique of the impatient amateur. Drawing from references such as home movies, music videos, adverts and arcade games his practice is an initially humorous but ultimately sinister take on the day-to-day routines of fatherhood and family life.
 
 
 

 
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