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  10 July 2009

Painting & Drawing  

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ROD BARTON, London
Tanja Pol Galerie, Munich
Marc Jancou Contemporary, New York
DCKT Contemporary, New York
GO NORTH, Beacon NY
 
 
ROD BARTON, London
 
 
 
Bas van den Hurk, Untitled, 2007 
 
 
Auf der Spitze des Eisbergs
18 July - 22 August 2009
Private View: Thursday 16th July, 6 - 9 pm
 
Michiel Ceulers, Bas van den Hurk, Daniel Pasteiner, James Ryan
 
What is a painting and how can you define it?

That is the most important question to ask when you work as a painter. It is a discussion that seems to reappear in every generation. Painting was only recently declared 'dead' and no longer 'valid' but it still thrives today.

If we look at the recent history of painting we can see that it was off the map at Documenta X, no longer a topic for consideration. Yet the painter's eye survived and appeared in the form of non-physical new media and photography. When the physicality of painting re-appeared in the mid nineties it was dominated by the figurative.

Was painting actually returning to a conservative figuration? Should its surface depict a recognisable representation of the world? The answer to that question could be as a negative opposition - abstract painting. We saw Mary Heilmann 'become someone' and Tomma Abts win the Turner Prize. Saatchi discovered 'Abstract America', and other institutions put up 'Conversations on Abstract Painting'. It would be silly to say that the institutional agendas are dictating the perception of art, but one cannot deny that this clearly illustrates that the reception and endless discussion about painting being dead, or even conservative is wrong, quite the contrary. Painting is still in a state of flux and encouragingly ever changing.

These observations and questions on painting are represented in this exhibition as a state of interplay between abstraction and figuration. The four artists here are showing a small section of what can be considered as expanded painting.

Auf der Spitze des Eisbergs, a selection of works by a generation of artists who work with paint today.

Michiel Ceulers studied his MA in Painting at KASK, 2007-08, and his BA in Fine Art at KASK, 2004-06. He has recently accepted his place at the two-year course at the Rijksacademie, in Amsterdam. The artist solo presentation-opened Rod Barton Gallery in March this year and he has exhibited widely in Ghent, Antwerp and Brussels. Later this year Ceulers will also be presenting a solo exhibition at his represented gallery Maes & Matthys Gallery in Antwerp.

Bas van den Hurk, the newest member to the gallery is an international Dutch painter working with paint and the found object. He has exhibited extensively in various group exhibitions in Europe, North America and Japan; most noticeably he recently participated in an exhibition at the Museo de Arte Contemporaneo, Oaxaca, Mexico. His first London solo exhibition is planned to be at the gallery in 2010.

Daniel Pasteiner graduated from the Royal College of Art, MA Sculpture in 2007. July this year sees Pasteiner open his first major solo exhibition at the A-Foundation in Liverpool. Last year he had two solo exhibitions; 'Twilight in the Anti-World' at Suzie Q Projects, Bob Van Orsouw, Zurich, and 'Paintings of Colour' at Rod Barton Invites, London.

James Ryan graduated Royal College of Art, MA Painting 2007. 'Paintings', his debut solo show in London opened last month at Studio 1.1 in Shoreditch. 'Parallax', was at the Corn Exchange Gallery, Edinburgh in 2008 and he has been in a number of group shows include Light Pollution at Rod Barton Invites, London and New Contemporaries, London, Manchester, Walsall, 2007. In 2010, we will see his first solo presentation at the gallery.


Image:
Bas van den Hurk
Untitled, 2007
Oil on cloth and necklaces, 40 x 40 cm
Courtesy of the artist and Rod Barton Gallery


ROD BARTON
One Paget Street
London EC1V 7PA
+44 (0) 7989437214


 
 
 
Tanja Pol Galerie, Munich
 
 
Tasha Amini, Untitled, 2009

 
TASHA AMINI
WORRY BEADS
 
25 June to 5 September 2009
 
Tanja Pol Galerie is pleased to present Tasha Amini's first solo show in Germany.

Amini often uses found images as a starting point for her paintings, realised in a palette of predominantly faint greens and greys, dark pink and purple, but also using strong black and white contrasts.

The paintings of women (Dora Maar with cigarette or surrounded by tulips, Joni Mitchell playing the piano, Joan Baez) are not strict portraits or homages. Compositional elements and details such as ribbons, stripes, or flowers undermine the directness of the painting's sources. The originals are either compelling as photographs in their own right or come from Amini's archive, and so have a psychological anchor. The process of turning the images into paintings draws out their complexity and mystery.

The title of the show, WORRY BEADS, stresses the melancholic aspect of some of the works and of the women's biographies, but at the same time conveys the notion of meditation and resulting comfort.
 
Tasha Amini, born 1970, lives and works in London.
Selected exhibitions: Paintings, D'Amelio Terras, New York 2008. Excellent Women, Kate MacGarry, London, 2008, East International (selectors Matthew Higgs and Marc Camille Chaimowicz) Norwich, 2007, Sunset in Athens II, Vamiali's Athens, 2006.
 
Please note that the gallery is open only by appointment during august.
 

Image:
Tasha Amini
Untitled, 2009
oil on canvas
76 x 61 cm / 30 x 24 inches


Tanja Pol Galerie
Ludwigstrasse 7
80539 Munich
Germany
+49 89 18946486


 
Marc Jancou Contemporary, New York
 
 
Ross Chisholm, Henrietta, Countess of Warwick Without Her Children. Replaced. 1787", 2009
 

ROSS CHISHOLM
 
18 June to 31 July 2009

Marc Jancou Contemporary is pleased to announce the opening of Fin by Ross Chisholm. This is the artist's first solo show in New York.

Ross Chisholm deconstructs traditional notions of portraiture by meticulously painting figures from found photographs and art reproductions, and then interrupting them with visual breaks in the form of geometric abstractions, loose brushwork, and thick dabs of paint. Using found, 35 mm slides of English families on holiday, and historical paintings from the 18th and 19th centuries as source material, Chisholm distorts and isolates the figures until a fixed sense of time and place is rendered ambiguous. The strange worlds that emerge fracture the representational nature of painting, further questioning the way in which memory and nostalgia are represented.

Ross Chisholm (b. 1977) is based in London and studied at Goldsmiths College and Brighton University in the UK.. Solo exhibitions include IBID Projects, London and Grieder Contemporary, Zurich, on occasion of which a catalogue was published. Group exhibitions include Galerie Akinci, Amsterdam; Engholm Engelhorn Galerie, Vienna; Marc Jancou Contemporary, New York; Galerie Rudiger Schottle, Munich; and Bloomberg Space, London.
 
 
Image:
Ross Chisholm
Henrietta, Countess of Warwick Without Her Children. Replaced. 1787", 2009
Oil on linen
Courtesy of Marc Jancou Contemporary
 
 
Marc Jancou Contemporary
Great Jones Alley
New York, NY 10012
+1 212 473 2100


 
 
 
DCKT Contemporary, New York
 
 
Claire Sherman: Weeds II, 2008 
 
 
CLAIRE SHERMAN
MARIA E. PIŅERES

26 June 2009 to 22 Aug 2009

DCKT Contemporary is pleased to present two solo exhibitions:
new paintings by CLAIRE SHERMAN and new needlepoint works by MARIA E. PIŅERES.

CLAIRE SHERMAN's paintings address tragedy, romanticism and ambivalence through landscape. Philosophical writings on the sublime and existentialism influence her recent paintings depicting scenes of vast open spaces, cliffs, ravines, rapids and other ominous topography. The choice of landscape is deliberately idiosyncratic; the scenes can be anywhere or anything: tropical, arctic, lunar, or mundane. However, despite the hopeful curiosity this variety implies, emptiness pervades each environment. SHERMAN's approach is bold and painterly with large sweeping brushstrokes, from thin to overly thick areas of paint, as her images waver between abstraction and representation.

SHERMAN lives and works in Chicago. Her work is included in the Margulies Collection (Miami) and the Nerman Museum of Contemporary Art (Overland, KS). Recent solo exhibitions include Kavi Gupta Gallery (Chicago) and Hof & Huyser (Amsterdam). She was included in the group exhibition Future Tense: Reshaping the Landscape at the Neuberger Museum of Art (Purchase, NY) in 2008. SHERMAN has been selected as a recipient of The Marie Walsh Sharpe Art Foundation Space Program for 2009-10.

MARIA E. PIŅERES's needlepoint works place the nude figure in an optical duel with decorative arts. Tantalizing black and white nudes are juxtaposed with the sharp bright colors borrowed and built upon from wallpaper patterns of the glamorous Art Deco era, questioning positive and negative space. The black, white and grey figures emphasize both the nostalgic value of erotic nudes of early men's "physique" periodicals and "girlie" magazines.

PIŅERES lives and works in Los Angeles. Recent solo exhibitions include Walter Maciel Gallery (Los Angeles). She was included in the group exhibitions Pricked: Extreme Embroidery at the Museum of Arts & Design (New York) and Celebrity at the Scottsdale Museum of Contemporary Art (Scottsdale, AZ).


Image:
Claire Sherman
Weeds II, 2008
oil on canvas
72 x 60in
Courtesy of DCKT Contemporary, New York


DCKT Contemporary
195 Bowery, ground floor
New York, NY 10002
+1 212 741 9955


 
 
 
GO NORTH, Beacon NY
 
 
Jonathan Allen
 
 
Jonathan Allen
"Terminal Daydream"


July 11 - July 26, 2009

Reception: Saturday, July 11, 6 - 9 PM, preceded by a reading from writers Chris O Cook, Greg Fuchs, Joe Millar, Chris Ross & Lauren Russell at 5 PM in the gallery.

GONORTH is very pleased to present a solo exhibition of work by Jonathan Allen entitled "Terminal Daydream". This is Allen's first solo show with the gallery.

Jonathan Allen's collages and paintings combine pop imagery, abstraction and propaganda to reflect the contradictions of our current cultural and political climate. His various media-oil/acrylic, pen and ink, pencil, and newspaper and magazine cuttings-sometimes coalesce in formal harmony, though more often they serve to diagram the breakdowns triggered by irreconcilable clashes in perspective. If culture is a language of forces operating in mixed agreement-desire, ethics, history, money, power-then the unlikely fusions in Allen's work represent a resonant voice in the conversation of who we are now. That Allen achieves this without sacrificing either aesthetic pleasure or contextual intelligibility is a credit to his resourcefulness and care, allowing for a dense and eccentric vision that lays bare our culture's often jagged and convoluted messages.

Jonathan Allen holds a BA in visual arts and art history from Columbia University. As well as being a recipient of the Pollock-Krasner Foundation grant, Allen was chosen for the Lower Manhattan Cultural Council's Swing Space residency program, as well as The Bronx Museum of Art's Artist in the Marketplace program, and has exhibited at numerous galleries in New York, including Caren Golden Fine Art, Oliver Kamm/5BE, PS122 and Exit Art. His work recently entered the Microsoft Art Collection and in 2009 was exhibited at Wonderland Art Space, Copenhagen.. He lives and works in Brooklyn and Queens.

Gallery hours: 12 - 6 PM Saturday and Sunday, and by appointment. 

Image:
Jonathan Allen
Away we go
Paint & paper on paper
22 x 30 inches
2009 
Courtesy of the artist


GO NORTH
469 Main Street
Beacon NY 12508



 
 
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