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Victoria Miro  presents Wangechi Mutu - Nguva na Nyoka || Eric Fischl - Art Fair paintings

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14 Oct 2014 to 19 Dec 2014
Tuesday - Saturday 10.00am - 6.00pm
Victoria Miro Gallery
16 Wharf Road
N1 7RW
London
United Kingdom
Europe
T: +44 (0) 20 7336 8109
F: +44 (0) 20 7251 5596
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Wangechi Mutu, Beneath lies the Power, 2014
Collage painting on vinyl
212.1 x 156.2 cm, 83 1/2 x 61 1/2 in
12


Artists in this exhibition: Wangechi Mutu


Wangechi Mutu
Nguva na Nyoka

14 October - 19 December 2014
Victoria Miro Gallery I
16 Wharf Road, London N1 7RW

Victoria Miro is delighted to present the gallery's second exhibition by Wangechi Mutu, widely known for her elaborate collages that explore and subvert cultural preconceptions of the female body and the feminine.

Mutu's practice has been described as engaging in her own unique form of myth-making. This exhibition, Nguva na Nyoka (meaning "Sirens and Serpents" in Kiswahili) presents Mutu's latest body of collage, video and sculptural works. Drawing on such diverse references as East African coastal mythologies (particularly of nguvas, or water women), gender and racial politics, Western popular culture, Eastern and ancient beliefs and autobiography, in her works Mutu proposes worlds within worlds, populated by powerful hybridised female figures.

Mutu's latest collage-paintings are defined by a shift away from her much-documented use of Mylar as a substrate to a use of vinyl and linoleum as the basis for the works, allowing for a more densely textured and sculptural ground.  Painterly techniques are employed alongside Mutu's signature construction of images comprised of deftly cut-out and collaged forms. In addition, Mutu's visual language is further enriched in these works by her use of unexpected materials such as tea, batik fabrics, synthetic hair, Kenyan soil, feathers, and sand, amongst other media - many of which are imbued with their own cultural significations.

The  interweaving  of  fact  with  fiction  and  an  extension  of  the  possibilities  for  yet  another  group  of  symbolic  female characterisations that co-exist in various cultures as another understanding (or constructing) of femaleness underpins this new body  of  work.  The  exhibition  will  also  feature  a  video,  entitled  Nguva,  a  multi-tiered  performance  featuring  the  mesmeric eponymous role: a mysterious acquatic character who emerges from the sea onto land and wanders, restless, vicious and curious.


Eric Fischl
Art Fair paintings

14 October - 19 December 2014
Victoria Miro Gallery II
16 Wharf Road, London N1 7RW

Victoria Miro is pleased to announce the gallery's first exhibition with the prominent US artist Eric Fischl.

Eric Fischl made his reputation in the 1980s with large-scale figurative oil paintings depicting ambiguous, erotically charged scenarios set in the American suburbs. Since that time his practice has developed, although his focus remains on representations of the human figure, depicted singly, as in his sculptural work and watercolours, or in complex groupings, as in this new body of paintings. This series takes as its subject the contemporary art market. The paintings depict art fairs and gallery openings, and feature intricate compositions where people and artworks are layered in sophisticated arrangements of form and colour. Fischl has always been a keen observer of the relationships between people, and between people and their surroundings. These paintings demonstrate the artist's acute observation of body language and the small details that reflect social relationships, particularly in the heady environment of the art fair, with its charged atmosphere of money and taste, financial and cultural capital.

Art fairs are notoriously busy, and these paintings give a sense of the energy and bustle as visitors move amongst the stands, apparently giving as much attention to each other - and to their mobile phones - as to the artworks on display. In these images, rather than acting as a backdrop to the human activity, the artworks function as characters in the scene, silent witnesses to the drama unfolding around them. Fischl has described this effect:

"The space in these paintings is collapsed, cluttered, irrational and aggressive. Those depicted in the scenes seem oblivious to the mania of their condition…. What I've discovered as I moved into this work is the essentially abstract nature of the art fair spaces. They are nearly cubistic in their flatness and their jarring collaged constructions. You see a booth and through it another and through it another, each booth showing works that have their own, often contrasting, spatial illusions. For a painter, it is a rich environment to try and capture. Layers of consciousness on top of layers of cross-purposes. I am falling in love with it. Not because it is the proper place for art but because it is such a rich environment to make art about".

These works have been informed by the development of the contemporary art world over recent decades, as a previously more insular, scholarly culture has transformed into a more market-driven scene appealing to a new class of international plutocrats. Fischl's fair scenes are populated by an array of types that appear recognisable but potentially also ambiguous and fluid in their identity: artists, collectors, gallerists, curators and hangers-on.

In keeping with Fischl's usual working practice, the starting point for the series are photographs, in this case predominantly taken by the artist himself at art fairs including Art Basel Miami Beach and the Southampton Art Fair and at openings of gallery exhibitions in New York. Fischl uploads images to Photoshop, where he collages them until he constructs an image that he wants to translate into a painting. As the series has grown so has the complexity of the resonances of the images, individually and in relation to each other.  The paintings are a sharp social satire as much as they are a loving tribute to the world the artist knows best: the international art scene.


Press Contacts:
Kathy Stephenson | Victoria Miro
kathy@victoria-miro.com | +44 (0)20 7549 0422


Victoria Miro Gallery






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