OPENING RECEPTION: TUESDAY 18 NOV., 7PM SOME TRUE STORIES: RESEARCHES IN THE FIELD OF FLEXIBLE TRUTH
Keller Easterling, Rustam Mehta, Thom Moran, Mustapha Jundi, Ashima Chitre, Gaby Brainard, Jacob Reidel, Carol Ruiz, Santiago Delherro and Mwangi Gathinji
Nov 18 2008 - Dec 23 2008 Tuesday - Saturday 11am-6pm
Change rarely follows sanctioned plot lines. Rather it often pivots around hoax, hyperbole and stray details. These phantom turning points are not easily taxonomized or moralized within orthodox political logics. We expect the right story-an epic binary tale of enemies and innocents, when it is often the wrong story-a little epidemic of rumor and duplicity-that rules the world.
Still, the fact that most pigs are wearing lipstick expands an activist repertoire!
Some True Stories is thrilled that two can play at this game. The research collected here considers a dissensus that is less self-congratulatory and less automatically oppositional but potentially more effective (and sneakier). Unlikely or outlying political evidence, with its fickle or underexplored logics, excites feelings of resourcefulness and ingenuity. Here is a large field of mongrel events and category leftovers-butterflies that are not pinned to the board because they do not reinforce expectations.
Architecture and urbanism contribute many wrong stories to the mix as they move headlong into the world, propagating forms of polity faster than proper political channels can legislate them. If the world spins around the actions of discrepant characters, architects, as classic facilitators of power, have long had a seat at the table.
Some True Stories happily swims in these dirty waters with all the other shills, butlers and go-betweens, looking for new points of leverage within the fictions and persuasions that we already have running through our fingers.
Hoax is design. The collection expels utopian prescriptions in favor of agility, ricochet and cultural contagion. It is attracted to spatial entrepreneurialism, unreasonable innovation, impure ethical struggles and obdurate problems that continually resist intelligence. We hope to spread rumors that the world has changed and to operate with all the guises and none of the disadvantages of truth.
- Keller Easterling
Some True Stories is presented thanks to the generous support of Yale School of Architecture and New York State Council on the Arts.
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Koolhaas HouseLife is an exceptional experience of a full immersion in the daily life of one of the masterpieces of contemporary architecture of recent years: The House in Bordeaux, designed in 1998 by Rem Koolhaas / OMA. Unlike most movies about architecture, this feature focuses less on explaining the building, its structure and its virtuosity than on letting the viewer enter into the invisible bubble of the daily intimacy of an architectural icon.
Like any house, the House in Bordeaux is a place of plurality with all its chaos, its wear and tear, and its changes. The work of Ila Bêka and Louise Lemoîne offers us a portrait of the real and changing vitality of one of those monuments that we believe are immortal. This is realized through the stories and daily chores of Guadalupe Acedo, the home's caretaker and housekeeper, and the other people who look after the building. Following and interacting with Guadalupe, blooms an unusual and unpredictable look at the spaces and structure of the building. Koolhaas HouseLife is a real-life experiment that presents a new way of looking at architecture and broadens the field of its representation.
