SOIL: New Member's Show & The Pugilist - 6 June 2012 to 30 June 2012

Current Exhibition


6 June 2012 to 30 June 2012
Hours: noon-5pm Wednesday-Saturday
SOIL Artist -run Gallery
112 3rd Avenue South
WA 98104
Seattle, WA
Washington
North America
T: +1 (206) 264-8061
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W: www.soilart.org











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Artists in this exhibition: Seth Damm, Paul Komada, Amanda Manitach, Serrah Russell, Allyce Wood, Margaret Meehan


New Members Show -2012
Seth Damm, Paul Komada, Amanda Manitach, Serrah Russell, and Allyce Wood

The New Members Show will feature work by five of SOIL's newest additions: Seth Damm, Paul Komada, Amanda Manitach, Serrah Russell, and Allyce Wood. This diverse group of artists will exhibit surveys of their current work in mediums such as video, textiles, sculpture, collage, and painting.


IMAGES L - R from top

Seth Damm, "Continuous Strand", cotton rope with hand dying and spray paint
Damm's series "Neon Zinn" takes the raw materials of rope and Howard Zinn quotes to create beautiful, frayed, tangled jewelry.

Amanda Manitach, 'Wise virgins eating blue rocks (the ecstasy of Rudolf Schwarzkogler)' video, 2012
Manitach Investigates and reacts to the 12th century French liturgical drama about three wise virgins who make themselves immune to men by eating blue rocks and an except from Rudolf Schwarzkogler's 1965 performance "Wedding" which shares similar symbols.

Serrah Russell, collage, 2012
Russell's work is currently dealing with identification by means of appropriation as she draws attention to the ambiguous resting place between remembrance and abandon

Paul Komada, 'In the Trench', watercolor on paper,14"x19.5", 2012 Komada’s recently made watercolors could be described as Indeterminate Geometric Abstractions. Transparent and opaque shapes dissolve and fuse together at once.

Allyce Wood 'Worth Two (constructed refuge)' hand cut plastic, paint pen, wood, 5'x5'x3', 2012 Wood deconstructs the phrase 'A Bird in the Hand is worth Two in the Bush', applying its symbols to societal constructs through structural sculpture.


'The Pugilist'
Margaret Meehan

With images of Victoriana, pugilism, medical anomalies and barren landscapes, Margaret Meehan's work proposes a choreographed fight outside the circled square. Her photographs, drawings and sculpture based installations let innocence collide with the monstrous, evoking race, gender, and empathy for otherness.





Thom Heileson