West Space presents Advance/Retreat: three experiments in transdisciplinary collaboration

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7 Nov 2008 to 29 Nov 2008
Hours :Wednesday to Friday 12-6pm, Saturday 12-5pm
Opening: Thursday 6 November 6 - 8pm
West Space
1st Floor
15 - 19 Anthony Street
3000
Melbourne
Australia
Australasia
p: 61 3 9328 8712
m:
f: 61 3 9328 8715
w: www.westspace.org.au











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Artists in this exhibition: Mark Richardson, Stephen Garrett, Susie Elliott, Simon Disler, Helen Martin, Gina Marich, Tom Rigby, Masato Takasaka, Brad Haylock, Bianca Hester, Symon McVilly, Brian Scales, Inverted Topology, Warren Taylor, Suzie Attiwill



Advance/Retreat: three experiments in transdisciplinary collaboration

7 November – 29 November 2008, opening Thursday 6 November, 6 – 8pm
Artist Talk Thursday 27 November

Curated by Brad Haylock and Mark Richardson;
featuring three multidisciplinary teams assembled by Suzie Attiwill, Brad Haylock and Mark Richardson

Gallery 1: Mark Richardson, Stephen Garret, Susie Elliott, Simon Disler, Helen Martin, Gina Marich & Tom Rigby
Gallery 2: Brad Haylock, Bianca Hester, Symon McVilly & guests
Gallery 3: Suzie Attiwill, Brian Scales, Inverted Topology & Warren Taylor



Advance/Retreat comprises three experiments in transdisciplinary collaboration. The project is concerned with limits or boundaries, broadly understood and variously interpreted — as, for example, between disciplines, between art and design, between theory and practice, between analogue and digital methods, between process and product.

Advance/Retreat offers a relatively rare opportunity, namely the possibility of non-prescriptive and non-commercial collaborations between artists and designers. This exhibition brings together three groups of participants from diverse backgrounds, each responding to one of the three galleries of West Space.

A particular emphasis is placed upon the documentation of and reflection upon the collaborative process. The accompanying publication is more than a catalogue of the work on show, but is instead a document of the collective intentions and interests of the three groups, and of those processes, possibilities and tensions unique to collaborative practice that are otherwise frequently veiled.