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Jodi Hays
Page 1 | 2 | Biography
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installation, each 115" x 53", graphite on paper
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I employ the visual language of ceremony to celebrate the everyday. My studio practice is one unified program expressed through varied mediums (painting, drawing, sculpture).
I am interested in how the objects or images can stand outside of and document a moment--like how a photograph or a bouquet circumscribe an event or a memory. The objects are metaphors for desire and longing--in between moments are captured and can never be experienced again (forever missed, outside).
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detail, Self Portrait, Within Limits
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detail, Self Portrait, After Eva Hesse
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detail, Self Portrait, Under Protest
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Self Portrait, Satisfied (almost)
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I use systems (specific mediums) to question how convention informs identity. Drawing is indexical, particularly referencing and tracing back to the physical space of the artist. My drawings are about investment within a limitations or constraints - less being more.
I take photographic self-portraits. Using the photograph as a source, I draw my image largerthan life. I monumentalize moments and I deem them special occasions. The moment (statement) passes, but the drawing is permanent. Drawing is a "stick to your ribs" medium; it has staying power. Statements (whether spoken, painted, thought, given or drawn) are fickle and grand - deflated or elevated, changing but demonstrative.
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Statements, On Occasion:
Self Portrait Under Protest Self Portrait , Satisfied (almost) Self Portrait After Eva Hesse Self Portrait Within Limits Self Portrait As Badass
each 115" x 52.5", graphite on paper with grommets and sewing pins, 2005-2007
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detail, Self Portrait, Under Protest
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There is satisfaction in the process of drawing - an accounting of events that I might have forgotten otherwise. The drawing becomes a reminder, like a souvenir penny, stamped with the place and date of my trip.
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