|
|
Jessica Benjamin
Page 1 | 2 | Biography
|
|
|
|
These paintings are from the “American Series”, the concept being to paint a portrait of the United States by painting composite portraits of its residents. Wynton Marsalis used these paintings to illustrate his album “From the Plantation to the Penitentiary”. These paintings were shown at the New York Historical Society in correlation with the debut of the album in March 2007. SEE LINK BELOW
|
|
|
|
|
|
|
Artist Statement:
"My work focuses on how individuals process information in order to form identity. As technological innovations continually make our world seem faster, smaller and more infinite, we are barraged by information and images that are a part of the twenty-first century experience. Like never before, individual lives been stretched to include details previously unconsidered with immediate access to global events and interests. The images that accompany this information are delivered in a myriad of new ways, such as the Internet and satellite television. How do these images help form our identity and effect our perceptions?
My recent work explores these ideas by examining how we process this information and its source. My paintings often use materials from news sources that I then alter and paint to create familiar images placed out of context. By using media related images, my work also explores how contemporary technologies and concerns can be interpreted in paint. What I hope to find is a place where the subject and paint resonates unveiling new ways to express timeless truths. "
|
|
MORE OF JESSICA BENJAMIN'S WORK CAN BE SEEN AT: www.jessicabenjaminstudio.com
SEE LINK BELOW
|
|
Benjamin's influences include Eduard Manet, Francisco Goya, and Diego Velazques. She also finds inspiration in Joan Mitchell, William DeKooning and Larry Rivers. She is known for her drawing ability as well as her use of color and expressive brushwork. Like many of her favorite artists, she is interested in how a painting is capable of creating an instaneous mood and feeling as pronounced as the reality of the subject.
|
|
|
|
|
|
|
Design © re-title.com - Terms And Conditions - Artists - Exhibitors - Archive - Contact re-title.com
|