Simone Leigh
Page 1 | 2 | 3 | Biography | Information & News
|
Born: Chicago, Illinois to Jamaican parents
Lives: Brooklyn, New York
|
|
|
EDUCATION BA in Art, Earlham College, Richmond IN 1990
RESIDENCIES/INTERNSHIPS/GRANTS 2009 Art Matters Foundation grant 2009 New York Foundation of the Arts fellowship in Sculpture 2008 Artist In Residence, Hunter College, Art Department 2007 Lower Manhattan Cultural Council Workspace residency 2007 Astraea Foundation Visual Arts grant 2007 Robert Blackburn Printmaking Workshop, Elizabeth Foundation For The Arts 2006 Artist In Residence, Henry Street Settlement, New York, NY 2005 Wheeler Foundation grant 2004 Artist in Residence, Greenwich House Pottery, New York, NY 2001 Kiln God fellowship, Watershed Center for the Ceramic Arts, Watershed, ME 2000 Haystack Mountain School of Crafts, Deer Isle, ME 1988 National Museum of African Art Smithsonian Institution, Washington, DC
|
SOLO AND TWO PERSON EXHIBITIONS 2009 "the Gods Must Be Crazy", SculptureCenter, In Practice, Summer 2009, Queens, NY, curated by Sarina Basta "Queen Bee", The Project Room, G Fine Art, Washington, DC 2008 "Scratching the Surface, Vol. 1", L'appartement22, Rabat, Morocco, curated by Gabi Ngcobo and Mwenya Kabwe Rush Arts Gallery Project Space, New York, NY 2007 "Done By the Forces of Nature", CUNY, New York NY, curated by Roberto Visani 2005 Momenta Art Gallery, Brooklyn, NY
|
2009 30 Seconds Off An Inch, The Studio Museum In Harlem, curated by Naomi Beckwith The Pleasure of Hating, Lisa Cooley Gallery, New York NY, curated by David Hunt AIM 29, Bronx Museum, Bronx, NY, curated by Micaela Giovannotti In Practice, Sculpture Center, Queens, NY Locus, MCLA Gallery 51, North Adams, MA curated by Lauren Wolk Pulse, Taller Boricua, New York NY, curated by Curated by Fernando Salicrup and Christine Licata
2008 Scratching the Surface, Vol. 1, AVA gallery, Cape Town, South Africa, , curated by Gabi Ngcobo and Mwenya Kabwe of manje manje projects The B-Sides, ALJIRA, Newark, NJ, curated by Edwin Ramoran The Future As Disruption, The Kitchen, New York, NY, curated by Rashida Bumbray and Matthew Lyons Scratching the Surface Vol. 1, AVA gallery, Cape Town, South Africa, curated by Gabi Ngcobo Intransit, Moti Hasson gallery, New York, NY, curated by Omar Chaoud-Lopez Ethnographies of The Future, Rotunda Gallery, NY, curated by Sara Reisman 2007 Material Culture, Longwood Art gallery at Hostos, Bronx, NY, curated by Juanita Lanzo The Red Badge of Courage, Newark Council for the Arts, Newark, NJ, curated by Omar Lopez-Chahoud Visual Jury, Fine Art Work Center, Provincetown, MA Defensive Mechanisms (INTERSECTIONS) Henry Street Settlement, Abrons Art Center, New York, NY, curated by Martin Dust Figures of Thinking: Convergences in Contemporary Cultures, curated by Vicky Clark and Sandhini Poddar, various venues including The Chicago Cultural Center, Chicago, IL, Richard E. Peeler Art Center, De Pauw University, Greencastle, IN Western Gallery, Western Washington University, Bellingham, WA, The Mc Dounough Museum of Art, Youngstown, OH, Tufts University Gallery, Medford MA and the Joel and Lila Harnett Museum of Art, Univeristy of Richmond, Richmond, VA, (with catalog) 2006 Wild Girls, EXIT ART, J, curated by Jodi Hanel, , Sarah Ryhanen, and Juana Gallo Henry Street Settlement, Abrons Art Center, New York, NY, AIR exhibition Brooklyn Divas, Corridor Gallery, Brooklyn, New York 2005 “From the Studio: Wish You Were Here…” curated by Franklin Sirmans, Co-dependent: Artists, Artist/Curators, & Curators Select Artists @ The Living Room, Miami, FL Remnants and Relics: Reinterpretations in African American Art, Jamaica Center for Arts and Learning, Queens, NY (with catalog) curated by Heng-Gil Han Divine Body, The Cathedral of St. John the Divine and LeRoy Neiman Gallery, Columbia University, New York, NY, curated by Bruce W. Ferguson and Milena Honigsberg James E Lewis Museum of Art, Morgan State University, Baltimore, MD (in conjunction with NCECA) Watershed Kiln Gods, Gallery 1448, Baltimore, MD (in conjunction with NCECA conference) (with catalog) 2004 Art Downtown: Connecting Collections, for the Deutsche Bank, New York, NY Steuben Gallery, Pratt Institute, Brooklyn, NY Baltimore Clayworks, Baltimore MD 2003 Skylight gallery, Bedford Styvesant Restoration Corporation, Brooklyn, NY and The Nathan Cummings Foundation, New York, NY 2002 The Center for African American Art and NOEL gallery, Charlotte, North Carolina 2001 “SMIRK, Women, Art and Humor”, Firehouse Gallery, Hempstead, NY, curated by Debra Wacks (with catalog)
|
The New York Times, Art In Review, "The Future As Disruption", August 1, 2008 Artforum, Critic's Picks, The Future As Disruption, July 2008, Colby Chamberlain New York Summer Group Shows, Artinfo.com, July 2008, Claire Barliant Rhizome News:Futures Exchange, Rhizome.com, July 2008, Ed Halter "The Aritst's Kitchen, Recycled and Curated", The New York Times, Penelope Green, June 14, 2007 Simone Leigh/Rebel Soul, TRACE Magazine, Issue #66, Yolanda Sangweni, October 2006, The Thinkers, ANGLE, A Journal of Arts and Culture, Issue 29, 2006 By Douglas Max Utter "Wild Girls," Flavorpill, issue 327, September 12, 2006, link to review "Women Gone Wild, The Next Generation of Provocative Female Artists," New York Blade, Rafael Risemberg, July 31, 2006 New York 1 News interview with Stephanie Simon at Wild Girls exhibit aired on June 23, 2006 http://www.ny1.com/ny1/NY1ToGo/Story/index.jsp?stid=120&aid=60481 Heyoka Magazine (online), Volume 4, May 2006 http://heyokamagazine.com/HEYOKA.4.SimoneLiegh.htm They Called Her Hottentot: The Art, Science and Fiction of Sarah Baartman, anthology edited by Deborah Willis-Kennedy and Carla Williams, February 2006 “Goings On About Town: Art,” The New Yorker, January 17, 2005 “Dateline Brooklyn” ARTnet Magazine, Stephen Maine, (2005) www.artnet.com/magazine/reviews/maine/maine2-4-12.asp “In the Realm of the senses: Lisa DiLillo and Simone Leigh,” Flavorpill, issue 241, January 6, 2005 “Brooklyn Artist Who Prefers To Show Others’ Work” The New York Times, Penelope Green, 2.8, 2004 “The Miseducation of Simone Leigh” One World Magazine, Joy Garnett, winter 2001, Issue 13 “Freedom of Exclusion: The Rise of the Female Spirit in Contemporary Art” L.P Streifeld, NYArts Magazine, December 2001 “Some Laughing Matters, Women’s Art exhibit: More than funny, girl” Steve Parks, Newsday, 3/30/2001 “Bawdy Burlesque, Raucous Ribaldry” Deborah Frizzell, NYArts Magazine, April 2001
|
|
|
|
|
|
|
|
|