Elisabeth Condon
Page 1 | 2 | Biography
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Born: Los Angeles, California
Lives: Brooklyn, New York / Tampa, Florida
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MFA, School of the Art Institute of Chicago
BFA, Otis Art Institute of Parsons School of Design
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2008
Museum of Contemporary Art, Jacksonville, FL (Works on Paper)
Dorsch Gallery, Miami, FL
Bleu Acier, Tampa, FL
2006
Dorsch Gallery, Miami, FL
2004
The Musings of a Wanderer, Stock 20, Taichung, Taiwan, R.O.C.
2001
The Last Judgment, Hallway Project, PS.122, New York, NY
1999
Constellations, Galerie du Tableau, Marseille, France
1998
Jeffrey Coploff Fine Art, New York, NY
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2008
Two person show, Lenore Gray Gallery, Providence, RI
Beyond Picturopolis, with Michelle Weinberg and Neil Bender, Art Center/South Miami, FL
2007
Dean Dass, Elisabeth Condon, Bruce Willhelm, ada Gallery, Richmond, VA
Pillow Talk, Ruth Bachofner Gallery, Los Angeles, CA
Picturopolis, with Michelle Weinberg and Neil Bender, DACRA, Miami, FL
2006
Art on Paper, Weatherspoon Art Museum, Greensboro, NC
Fantastic Routes, The Lab Gallery, New York/Galeria Galou, Brooklyn, NY
Garden Paradise, Arsenal Gallery at Central Park, New York, NY
Transparent/Opaque, Leubsdorf Gallery at Hunter College, New York, NY
Dragon Veins, Museum of Contemporary Art, University of South Florida
2005
Being There, BIAC Art Space, Beijing, China
The Right Place at the Right Time, Dorsch Gallery, Miami, FL
Paperworks, Peter Fingestin Gallery, Pace University, New York, NY
Backing into Landscape, http://www.thetatechelsea.com
What is Drawing? Stock 20, Taichung, Taiwan, R.O.C.
2004
Group show, Dorsch Gallery, Miami, FL
draw_drawing, London Biennale 2004, Gallery 32, London, UK
Infinite Fill, BEIGE at Foxy Production, New York, NY
Bad Touch v.6, Beaker Gallery, Tampa, FL
Elisabeth Condon/Todd Schroeder, superior (an art space), Cleveland, OH
Visual Mnemonics, Edge Zones at the World Arts Building, Miami, FL
I’ll do anything, with Hasan Elahi, PS. 122 Hallway Space, New York, NY
2003
Retrospectives, Gallery 312, Chicago, IL
Drawings SF/NY/LA, San Luis Obispo Center for the Arts, San Luis Obispo, CA
99$ Recession Show, Cynthia Broan Gallery, New York, NY
2002
Undercurrent/Overview 6, Tampa Museum of Art, Tampa, FL
One, Superior (an art space), Cleveland, OH
AIR Biennial, Ewing Gallery, University of Tennessee, Knoxville
2001
Inner Child, Islip Art Museum, Islip, NY
21st Suffragettes, Sideshow, Brooklyn, NY
Fact, Fiction,Fantasy (two-person), Lenore Gray Gallery, Providence, RI
Smile, HEREArt, New York, NY
Cross-Pollination, Holland Tunnel, Brooklyn, NY; Los Angeles Aboretum, LA
Table, Southville Centre, Bristol, UK
2000
Living Doll, Work Space, New York, NY
The Figure: Another Side of Modernism (The Human Figure in Painting from 1950 to the Present), Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY
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Condon, Elisabeth. At This Moment, realform projects: Threshholding, http://thresholding.blogspot.com/, 10/15/06
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2007
Yaddo, Saratoga Springs, NY
Individual Artist Grant, Hillsborough Country, FL
Creative Capital Workshop, sponsored by Florida Division of Cultural Affairs, Tallahassee, FL
2005
Red Gate Artist Residency, Beijing, China
Stock 20 International Artist Residency, Taichung, Taiwan
Artist Enhancement Grant, State of Florida, Division of Cultural Affairs
2004
Stock 20 International Artists Residency, Taichung, Taiwan
2001
Special Opportunity Stipend, New York Foundation for the Arts, Upper Catskill Community Council for the Arts
1999
Triangle France, Marseille, France
1997
Shave International Artist’s Workshop, Somerset, United Kingdom
1994
Vermont Studio School Residency Program, Johnson, VT
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COLLABORATIVE PROJECTS
2001
Collaborative Fusion, 450 Broadway Gallery, New York, NY (with Adelheid Mers and 15 other artists)
2000
Collaborative Drawing Collage, Barnard Feminist Art & Art History Conference, New York, NY (with Adelheid Mers and conference participants)
Interactive Drawing Collage, Hokin Gallery, Columbia College, Chicago, IL
(with Adelheid Mers and Columbia College students)
1999
Interactive Drawing, Site Simpatico, New York, NY
1999
Interactive Drawing belt a space in between, London, UK
CURATORIAL PROJECTS
2006
Dragon Veins, Contemporary Art Museum, University of South Florida (co-curated with Mernet Larsen)
2003
Figures of Invention, Work Space, New York, NY
2000
Figures of Invention, Foreman Gallery, Anderson Center for the Arts, Hartwick College, Oneonta, NY
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2006
Hoffman, Rachel, Elisabeth Condon, Dorsch Gallery (review), M - The New York Art World, December
D. Dominick Lombardi, Doing Miami, Again, http://www.culturecatch.com/art, 12/16/06 and
http://www.NYArtsmagazine.com, 12/31/06, Art Fairs International, February 2007, D'Art Magazine, Winter 2006 Issue
Weinberg, Michelle. Critics Picks, The SunPost Art Basel Issue, 12/07/06 p. 57
Editorial, On Collecting: 10 Works We Like for Under $2,500, http://www.artinfo.com, 11/08/06
Barrenechea, Victor. A Visual Smorgasbord at Dorsch Gallery (review), Biscayne Boulevard Times, 11/06/06
Voeller, Megan. Treat Yourself, Creative Loafing, 10/10/06
Voeller, Megan. In A Different Vein, East meets West in a thought-provoking show at USFCAM, The Daily Planet, 03.01.06
Chase, Amy, the Gallery: Elisabeth Condon, http://www.apartmenttherapy.com, February 16, 2006
2006
Bennett, Lennie, East-West connectors: An exhibit at USF's Contemporary Art Museum explores the artistic bridges between two cultures' painting traditions. St. Petersburg Times, January 22, 2006
Robak, Olga, Art flows through the 'Veins', The Oracle, University of South Florida, January 19, 2006
2005
Gibson, David, Beating the Doldrums, ArticleProjects.com, (8/13/2005)
“Fabulism,” a lecture by Tom Jorgensen, art critic and editor, Kunstavisen, Denmark; Christoffersen Art, Copenhagen (www.christoffersenart.dk)
2004
Tranberg, Dan, “Two artists: one serious, one fun, both dynamic,” Cleveland Plain Dealer, 6/08/04
Weinberg, Michelle, “Triple Threat,” Miami New Times, 5/06/04
2001
Harrison, Helen A., Art Review of ‘Inner Child,’ New York Times, 10/14/01
2000
Catalogue, the Figure: Another Side of Modernism, the Human Figure in Painting from 1950 to the Present, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center
Johnson, Ken, “Weekend Art Guide,” New York Times, Friday, 7/07/00
1998
Photo credit, Occupational Hazard, Critical Writing on Recent British Art, McCorquodale, Duncan;Siderfin, Naomi, and Stallabrass, Julian, Editors. Black Dog Publishing Ltd., UK.
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