- assume vivid astro focus
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2007 assume vivid astro focus XVIII, Deitch Projects, New York, USA, Fall/Winter
a very anxious feeling, John Connelly Presents, New York, USA, Spring
2006 abra vana alucinete fogo, Galeria Triângulo, São Paulo, Brazil
butch queen realness with a twist of pastel color, John Connelly Presents, NY, USA
OPEN CALL, Kunsthalle Wien project space, Vienna, Austria
absorb viral attack fantasy, Hiromi Yoshii, Tokyo, Japan
2005 Off the Wall Series, Indianapolis Museum of Art, Indianapolis, USA
HOMO CRAP #2, Galleria Massimo de Carlo, Milan, Italy
assume vivid astro focus XII: butch queen realness with a twist in pastel colors
(featuring Dick Jewell), Tate Liverpool, Liverpool, UK
2004 assume vivid astro focus XI, Rosa and Carlos de la Cruz Private Collection, Key
Biscayne, FL, USA
Make It With You: A Slow Dance Club (collaboration with Los Super Elegantes), Frieze
Art Fair, London, UK
assume vivid astro focus IX, public art project for Central Park sponsored by The
Public Art Fund, New York, USA
2003 assume vivid astro focus VII, Deitch Projects, New York, USA
2002 assume vivid astro focus V, peres projects, San Francisco
assume vivid astro focus III, Bellwether Gallery, NY, USA
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2007 Space For Your Future, Museum of Contemporary Art, Tokyo; October 20, 2007 –
January 20, 2008
Sympathy for the Devil: Art and Rock and Roll Since 1967, MCA, Chicago, September
29, 2007 – January 27, 2008
Destroy Athens, Athens Biennial (AB Projects), Fall
Impossibly Familiar, Fashion Institute of Technology, Art Gotham, New York, NY
Independent Curators International, New York Studio Events, NY
Cosmologies, James Cohan Gallery, New York, NY, USA
2006 Art on Paper 2006, Weatherspoon Art Museum, Greensboro, NC, USA
Kamp K48, curated by Scott Hug, John Connelly Presents, New York
Constant Disturbance: On Cultural Contamination and Foreign Agents
Centro Cultural Español, Coral gables, FL, curated by Gean Moreno,
March 24 – May, 2006
Faces, bodies and contemporary signs of Ernesto Esposito’s collection, Museo D’Arte
Contemporanea Donna Regina (MADRe), Naples
CITYZOOMS: New York, TBA, Bonn, Germany
Tempest, curated by John Connelly, The Fireplace Project, East Hampton, NY
Contemporary Video Art from Brazil, KW Institute for Contemporary Art, Berlin,
Germany
Tropicália, curated by Carlos Basualdo, Museum of Contemporary Art, Chicago,
October 15, 2005 – January 2, 2006 Barbican, London, UK, February 13 - May 22,
2006, Bronx Museum of the Arts, Bronx, New York, Oct 11, 2006 – Jan 28, 2007
Ninth Tropical Night – Pablo Internacional, Palais de Tokyo, Paris, France
Trial Ballons/Globos Sonda, curated by Yuko Hasegawa, Agustin Pérez Rubio, and
Octavio Zaya, MUSAC, León, Spain
Infinite Painting, curated by Francesco Bonami and Sarah Cosulich Canarutto, Villa
Manin Centre for Contemporary Art, Codroipo, Italy
The Gallery Show, Extra City Center for Contemporary Art, Antwerp, Netherlands
The Garden Party, Deitch Projects, New York, USA
SuPERM Salon/Superhole Weekend Sundown Salon, Los Angeles, USA
Group Show, John Connelly Presents, New York, USA
2005 Baroque and Neo-Baroque, curated by Javier Panera, Salmanca
Contemporary Art Centre, Salamanca, Spain
The Zine UnBound: Kults, Werewolves and Sarcastic Hippies (“K48”, curated by Scott
Hug), Yerba Buena Center for the Arts, San Francisco, USA
Ecstasy: In and About Altered States, curated by Paul Schimmel, The Geffen
Contemporary at MOCA, Los Angeles, USA
Manchmal weiss ich nicht, ob ich etwas wirklich erlebt oder ob ich es in einem Film
geshen habe, Goetz Collection, Munich, Germany
op-ish, Samson Projects, Boston, USA
Draw, Galerie du jour agnes b., Paris, France
Seeing Double: Encounters with Warhol, Andy Warhol Museum of Art, Pittsburg, USA
Growing up Absurd, Kent Institute of Arts and Design (Herbert Read Gallery),
Canterbury, UK
Drone, Vilma Gold, London, UK
Colour My World, Riflemaker Gallery, London, UK
2004 Divided by Lightning, Deitch Projects, New York, USA
Revenge of Romance, Temporary Contemporary, London, UK
Nocturnal Emissions, Groninger Museum, Groninger, Netherlands
The Stars of Track and Field are Beautiful People, Changing Role Gallery, Naples, Italy
Byproducts of Work, Contemporary Art Gallery, Vancouver, Canada
If You Believe Hard Enough…, Rocket Projects, Miami, USA
assume vivid astro focus VII, Whitney Biennial, Whitney Museum of American Art, New
York, USA
Carnaval, Centro Cultural do Banco do Brasil, Rio de Janeiro, Brazil
Works on Paper, Southfirst, New York, USA
Cave Canem, John Connelly Presents, New York, USA
Such Things I do Just to Make Myself More Attractive to You, peres projects, Los
Angeles, USA
The 6th Annual Altoids Curiously Strong Collection, Consolidated Works, Seattle, USA
2003 Hovering, Peres Projects, Los Angeles, USA
Fast Forward (Media Art from the Goetz Collection), ZKM, Karlsruhe, Germany
Study, Taka Ishii Gallery, Tokyo, Japan
Today’s Man, John Connelly Presents, New York, USA, Hiromi Yoshii Gallery, Tokyo,
Japan
Corporate Profit vs. Labor Costs, D’Amelio Terras, New York, USA
K48_Teenage Rebel: The Bedroom Show" curated by Scott Hug, galerie du jour/agnes
b., Paris, France
Impakt Festival, curated by Arjon Dunnewind, Utrecht, Netherlands
Karaoke Death Machine, Daniel Reich, New York, USA
Videodrome, curated by Nicolas Trembley, Cosmic Galerie, Paris, France
Life/Like, curated by Oliver Kamm, Apartment 5BE, New York, USA
2002 Emerging Artists, curated by Simon Watson, Rhona Hoffmann Gallery, Chicago, USA
K48_Teenage Rebel: The Bedroom Show, curated by Scott Hug, John Connelly
Presents, New York, USA
Georges: Abstraction/Surface, curated by Nicolas Trembley, Centre Georges
Pompidou, Paris, France
Coleções 3, curated by Néssia Pope, Galeria Luisa Strina, São Paulo, Brazil
High Desert Test Sites, curated by Andrea Zittel, Andy Stillpass and John Connelly,
Joshua Tree
Vidéo Topiques, curated by Lydia Yee, Musée d'Art Moderne et Contemporain,
Strasbourg, France
Videodrome II, curated by Anne Ellegood, Dan Cameron, Anne Barlow and Johanna
Burton, Zenith Media Lounge, New Museum of Contemporary Art, New York, USA
Room for a Revolution, curated by Kristen VanDeventer and Lisa Williamson, Deluxe
Gallery, Chicago, USA
End of the Rainbow, Bellwether, New York, USA
222: 2002: Stardust: Assume Vivid Astro Focus and Kalaman, curated by Anton
Kern, Apex Art, New York
Unknown Pleasures, curated by Daniel Reich, Daniel Reich, New York, USA
Bathroom Group Show, curated by Daniel Reich, Daniel Reich, New York
Face Value, curated by Lauren Ross, White Columns, New York, USA
2001 Miss World 1972, curated by Daniel Reich, Daniel Reich, New York, December
Alpha Flight, curated by John Connelly, John Connelly Presents, New York, USA
Deslocamentos do Eu: O Auto-Retrato Digital e Pré-Digital na Arte Brasileira, 1976-
2001, curated by Tadeu Chiarelli, Itaú Cultural Campinas, Campinas, Brazil
São Paulo Turística, curated by Ricardo Resende, Museum de Arte Moderna
Higienópolis, São Paulo, Brazil
Biting Style and Spitting Image, curated by Diane Chamber and Denise Delgado, Bass
Museum of Art, Miami, USA, June 15 - July 1, 2001
2000 To Be Continued, curated by Rebecca Smith and Matt Keegan, Bellwether, Art In
General and Parlour Projects, New York, USA
1998 Recent Works from Project Antárctica Artes com a Folha’s Artists, Casa Triângulo, São
Paulo, Brazil
City Cannibal, curated by Daniela Bousso, Paço das Artes, São Paulo, Brazil
1996 Excesso, curated by Daniela Bousso, Paço das Artes, São Paulo, Brazil
Antárctica Artes com a Folha, Pavilhão Manoel da Nóbraga, São Paulo, Brazil
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2006 Cotter, Holland, “Butch Queen Realness With A Twist In Pastel Colors”, New York
Times, July 21, 2006
Bonami, Francesco and Sarah Cosulich Canarutto, Infinite Painting, Villa Manin,
Codroipo, Italy, 2006, p. 32.
Zaya, Octavio, Trial Balloons, MUSAC, León, Spain, 2006, p. 9.
Hastreiter, Kim, “Booty Call,” Paper, June/July 2006
“It’s all in the Blend,” Blend, issue 13, June 2006.
“Handle with Care,” Nylon, March 2006
Moreno, Gean, Constant Disturbance: On Cultural Contamination and Foreign Agents,
Centro Cultural Espanol, Coral Gables, Florida, 2006, p. 30-31.
Nairne, Sandy and Sarah Howgate, The Portrait Now. National Portrait Gallery, London,
2006, p.38.
“Gallery - Contemporary Art,” Lufthansa Magazine, March 2006, p.86
Meyers, Julian, “Ecstasy Review,” Frieze, January/February 2006, p.145
Paterson, Carrie, “Group Shows: Ecstasy,” Flash Art, January/February 2006
Perrée, Rob, “Kunst als Muziek,” Kunstbeeld, n.12, January 2006, p. 20 – 23
Davis, Erik, “Ecstasy: In and About Altered States,” ArtForum, January 2006
2005 Grosenick, Uta. Art Now: Vol. 2, 2005, p.36-39.
Domschke, Gisela, “Art, Media, and Video Art in Brazil,” ARCO Contemporary Art
n.38, Winter 2005, p. 7 – 11
“Ecstasy,” Tema Celeste, November - December 2005
Campbell, Christopher, “Miami Confidential,” New York Times Style, Winter 2005, p.
108
Souri, Kim, “Know+Tell,” Details, November 2005, p. 44
Kimmelman, Michael, “A Mind Bending Head Trip (All Legal),” The New York Times,
November 4, 2005
Drohojowska-Philip, Hunter, “The Art Trip,” Artnet.com, Fall 2005
Meyers, Terry, “High Society,” ArtReview, October 2005, p. 29
Knight, Christopher, “Take a Mind Excursion,” Los Angeles Times, October 11, 2005
Finkel, Jori. “Dancing on a Ceiling (with Tom Cruise),” New York Times, October 9,
2005, p. 36, 38
Muchnic, Suzanne, “Mind-bending Visions,” Los Angeles Times, October 2. 2005
Smith, Roberta, “Tune In, Turn On, Dig Art,” New York Times, September 11, 2005
Moreno, Shonquis, “Garden of Earthly Delights,” Frame, September/October 2005,
p.88-89
Schimmel, Paul, Ecstasy: In and About Altered States, MOCA, Los Angeles, CA, 2005,
p.54-57.
Smith, Terry, “Biennales: In the Conditions of Contemporaneity,” Art & Australia,
Autumn 2005, p.406 – 415
White, Ian, “It’s a Film Club, and Everyone’s Invited,” ArtReview, vol. LVI, August
2005, p.46 – 47
Connelly, John, “assume vivid astro focus,” Vogue Hommes, Spring/Summer 2005,
p.114 – 117
Leventis, Andreas, “Emerging Artists: Man or Multitude? The bootlegged beauty of
assume vivid astro focus,” Modern Painters, April 2005, p. 48 – 49
Cattelan, Maurizio. “Holding Court: Assume Vivid Astro Focus and Cory Arcangel,”
Tokion, March/April 2005, p.56 – 57
“Inner Cities”, ArtReview, March 2005, p.60 – 63
Reginato, James, “Sky High”, W, vol. 34 issue 3, March 2005, p.42
Grayson, Kathy and Jeffrey Deitch. “Assume Vivid Astro Vocus,” Live Through This,
2005, p. 94-97
2004 Van Der Zijpp, Sue-an, “Nocturnal Emissions:Assume Vivid Astro Focus,”
Groninger Museum Magazine, November 21, 2004, p.8
Valdez, Sarah, “Club Psychedelia: Last Night An Artist Saved My Life,”
PaperMag, November 2004, p. 62 – 63
“The Magnificient Seven: What to look for at the Frieze Art Fair 2004,” Art Review,
October 2004, Ed. International, p.35
LaFreniere, Steve, “My Pop,” ArtForum, October 2004, p. 247
Herzog, Eve, “Hot List: The New Artist to Know,” Harper’s Bazaar, September 2004, p.
275
Corbetta, Caroline, “Temporary Name,” Vogue Uomo, July/August 2004, p. 46
Prisco, Joanna, “Spin Me Around,” Surface, Surplus: Art, The Disco Luxe Issue, n. 48,
p. 178
LaVallee, Andrew, “Young Artists Get Personal with Politics in Group Show,”
NY Arts, July 13, 2004
Wolf, Matt, “Majority ‘Whip’,” Flash Art, July/September 2004, p. 63
Korotkin, Joyce B., “The Neo-Baroque Era,” Tema Celeste, June/August 2004, issue
104, p. 38 - 45
Bankowsky, Jack, “Many Happy Returns, This Is Today,” ArtForum, May 2004
“American Pie,” Frieze, issue 83, p. 65
Jane Grossman, Anna, “Who?” The New York Observer, April 19, 2004
Scott, Andrea K, “Free Parking,” TimeOut, April 15 – 22, 2004
Sundell, Margaret, “The today show: The Whitney sums up the state of contemporary
art in the best biennial in years,” Time Out March 25 – April 1, 2004
Weyland, Jocko, “American Splendor,” TimeOut, March 4 – 11, 2004
Schjeldahl, Peter, “What’s New,” New Yorker, March 22, 2004, p. 100
Kimmelman, Michael, “Touching All Bases,” New York Times, March 12, 2004
Cotter, Holland, “Duck! It’s Whitney Biennial Season Again,” New York Times, March 7,
2004
Rosenberg, Karen, “Biennial Favorites”, New York Magazine, March 1, 2004
2003 Cobb, Chris, “assume vivid astro focus”, Flash Art, January/February 2003, p. 112
Cotter, Holland, “Paul P.,” New York Times, July 18, 2003, p. E33
Eleey, Peter, “K48-3: Teenage Rebel – The Bedroom Show,” Frieze, April, 2003, p. 104
Garret, Craig. “Teenage Rebel at John Connelly Presents,” Flash Art, March/April 2003,
p. 51
Kimmelman, Michael, “Now Playing,” New York Times, July 18, 2003, p. E33
Laster, Paul, “K48-3: Teenage Rebel – The Bedroom Show”, Time Out, January 2 – 9,
2003, p. 59
Lee, Carol, “The Scope Art Fair at Dylan Hotel,” Paper March, 2003
Levin, Kim, “assume vivid astro focus,” Village Voice, July, 2003
Raymond, Jon, “Assume Vivid Astro Focus,” Artforum, July, 2003
Robinson, Walter, “Weekend Update: Scope Art Fair”, artnet.com, March, 2003
Robinson, Walter, “Weekend Update,” artnet.com, July 2003
Rosenberg, Karen, “Outside and In,” Village Voice, January 15 – 21, 2003, p. 69
Smith, Roberta, “A Bread-Crumb Trail to the Spirit of the Times,” New York Times,
January 13, 2003
Smith, Roberta, “A Grand Finale of Group Show Fireworks,” New York Times, July 18,
2003, p. E31
2002 Arruda, Fernanda, 222-2002: Stardust, Exhibition Brochure, June, 2002
Bollen, Chris, “Two for Tee,” V Magazine, March/April, 2002
Cotter, Holland, “Assume Vivid Astro Focus,” New York Times, June 21, 2002, p. E37
Johnson, Ken, “Face Value,” New York Times, February 22, 2002, p. E42
LaFreniere, Stev, “Top Ten,” Artforum, May 2002, p. 47
Powhida, William, “Bubblegum Disco in Space,” artnet.com, July 24, 2002
Yee, Lydia, Musique/Video, Exhibition Catalog, November, 2002, p. 174
“Critic’s Picks: 222-2002,” Time Out, June 20 – 27, 2002, p. 62
High Desert Test Sites, exhibition catalog, November, 2002, p. 18
2001 Chiarelli, Tadeu. “O Auto-Retrato na (da) Arte Contemporânea”, Deslocamentos do Eu:
O Auto-Retrato Digital e Pre-Digital na Arte Brasileira, 1976-2001, exhibition catalog,
July, 2001
Cotter, Holland, “Miss World 1972,” New York Times, December 28, 2001, p. E44
Philips, Richard, “Top Ten,” Artforum, November, 2001
Scott, Andrea, “Goings on About Town: Alpha Flight,” New Yorker, December 17,
2001, p. 18
Awards
2007 Recipient of The Public Art Fund’s In The Public Realm Grant
2002 Recipient of the Rema Hort Mann Foundation Grant for Emerging Artists
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