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ami clarke
Page 1 | 2 | Biography
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Undercurrent – sound work – Driven, Fieldgate gallery, 2007.
6 Speakers. Minimac at one end of the room, running logic express. 6 channel fire wire sound box. Repetitive loop of 40 mins of 7 tracks set at random intervals with random silence between tracks.
Tracks were randomly selected to begin at either end of the room, and each track ran the length of the room. Room approx 42m.
7 hip-hop tracks were selected for their heavy bass quality; including P. Diddy, Snoop Dog, Ying Yang, and 50 Cent.
With assistance from sound engineer Tom Gillieron.
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Untitled (meta-strip) 2007
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Untitled (meta-strip) 2007. Dims (small, shown here) – approx 32.5 x 84.5, 32.5 x 26cm. Dims (large, shown here) – approx height 2.8m – exact width 32.5cm (composite image to show intended band of pattern wrapping interior of room.) Modular system – 6.5cm x 9cm tiles. Faux black marble acrylic Faux black wood grain acrylic Faux reflective acrylic Faux metal stud acrylic
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Untitled (meta-strip) 2007
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Anti-clockwise - sound work 2007
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Anti-clockwise – sound-work.
Duration of audio recording 7 minutes. To be played as a repetitive loop for duration of work.
Set-up: Minimac, running logic express, 8 channel fire wire sound box, 8 speakers, cables.
The speakers are set up around a centrally located area. This would preferably be in a room below ground-level. The recorded audio travels around the room via the speakers, at a similar speed to the water turning, as it goes down the plug-hole.
The work plays with both perceptions of place and location, using the commonly believed myth of water turning differently depending on which side of the equator you stand.
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Lady Legs Volta
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