Pedro Velez
Page 1 | 2 | Biography
|
|
Puertorican-Jew, wall collage, 2006-07
|
|
Artist, curator and writer, whose work adopts a multi-disciplinary approach, incorporating collage, painting, sculpture, photography, posters and web-based projects. He challenges the context and intent of art making and curatorial decisions.
|
|
|
from Godfuck series
|
|
|
detail (ink, postcard, acrylic on Benetton banner)
|
|
Fake Show #6, 1999
|
|
|
|
|
|
|
|
|
"The most intellectually engaging piece is debts, a collage that includes a photo of naval cadets, a nun teaching a class of adolescent girls and a Madonna. In this case, the title steers the content of the piece to contemplation of the burden of received wisdom. The primacy of institutions weighs heavy, but the open, willing faces of the boys and girls do not reveal any sense of burden. The gender segregation is in keeping with the alienation between men and women in Vélez’ other work. One is left to wonder what form debt will take and what price will be demanded." from review by Kevin Bouchard at Art Lies
|
\
New York, NY
New York
North America
T: 0
F: 0
M: 0
|
Web Links
|
|
|