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Mark Wiener
Page 1 | 2 | Biography
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Barcodes & Gesture pools
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New York based artist Mark Wiener has exhibited in Los Angeles, London, Paris, Milan and Tokyo, and regularly in solo and group exhibitions in New York City. His work appears in private collections in the UK, Berlin, France, China, Japan, Australia, Canada and the US.
Mark Wiener was invited in 2006 to exhibit his works at the Mont Blanc flagship store on 57th Street and Madison , as well as invited to participate in the Felissimo Design House “Tribute 21” program, and celebrities in having his work reproduced on a limited edition ceramic plate, sold for the benefit of UNESCO. He has also received several commissions from the World Federation of United Nations
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Photo by John Jinks
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Associations to create first day covers and limited edition lithographs to accompany issues of UN Postage Stamps, and was awarded the Croix de Croix de Chevalier de'orde Belgo Hispanique under the patronage of Queen Fabiola of Belgium.
Mark Wiener’s connection to the gallery world began on 57th street 41 years ago, when age 14, he called on the finest galleries, canvases in hand, and unrolled his work.
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New Strokes
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New Strokes II
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Barcodes Dyptic
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He went to study painting and photography at the Philadelphia College of Art. Since then, he has gained considerable recognition as a photographer, illustrator and fine artist, with his work appearing in periodical such as the Wall Street Journal, Esquire, New York Magazine and Paris Match, as well as noteworthy books including "Family of Children," (Grosset and Dunlap), and "The Art of Mickey Mouse" (Hyperon), and many others in the US and abroad. Currently, he publishes and serves as editor-in-chief of the online magazine Resolve40.com, which offers readers a lifestyle view of the art community.
Statement “barcodes...
The brush touches the canvas.
A gesture with body and brush, becomes a stroke.
The stroke leaves a mark on the canvas.
You respond, and that response is the gesture
that started with a touch.
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In 1945, Marsh painted the beach at Coney Island. His narrative line, running through the piles of people, touched the culture of his New York. In 2006 the narrative line of our urban landscape is graffiti, and it touches our language as well. From these lines, these movements, past and present, my new strokes and colors were born.
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Barcode Series Icon
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Note: On March 13, 2006 I mounted Barcodes and other self-portraits an exhibition with the intention of telling my story, about the abstract world of barcodes in gestures. In looking a round, I found I had also created a wonderful a gallery of phrases all talking about color.
With this I am always amazed at the process and its outcome... This is what makes the visual adventure so rewarding.
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