Andrew Chan

Biography

An Australian by birth, I moved to Hong Kong in 1993 to work as an architect and artist. I moved to New York in 1999 to attend New York University, where I received an MA in Studio Art in 2001. I received a Pollock Krasner Foundation grant and a grant from the New York Foundation for the Arts, both of which enabled me to pursue art on a full-time basis after graduation. My artwork has been reviewed in The New York Times, The Asian Wall Street Journal, Asian Art News and profiled on CNN's “Inside Asia.”
Ground Zero (detail)
Mall oasis (detail)
Lucky Strike
“Ground Zero”,
Is a 127cm(h) x 150cm(l), Pen & Ink drawing completed in 2006.
This is based on my love/hate relationship with shopping malls, big box retailers such as Wal-mart and our rampant consumerism. The title re fers to the controversy over the redevelopment of the World Trade Center site.

“Mall Oasis”
Is a 72.5cm(h) x 127cm(l) Pen & Ink drawing completed in 2006
This is a commentary on our shopping mall culture and how, as William Severini Kowinski wrote in The Malling of America, we are chain-storing, buying and “retail therapizing” ourselves to death.

Philosophy

The subject matter of my paintings, drawings and sculptures ranges from
commentary on rampant consumerism to our fascination with food and
eating. The use of an active line is important to me. I see color as another line –a thicker or thinner line. The edgy line works well for me in conveying my interest in entropy and its consequent cycle of construction and destruction. This could be an object, a city, the body politic or physical space. In my paintings or drawings, line is a means by which the organic and the inorganic merge to create representations—in some cases, bordering on caricatures—of people and objects. In my three-dimensional pieces, my line work and use of color still distinguish the work while adding a new element—literally, space and time. These elements work in unison to tell a story that is both complex and compelling.
Lucky Strike is a papier-mache battleship. Its dimensions are 330cm(l)x70cm(w)x90cm.

"In case of emergency please give exact change." is a paper mache vending machine.
Its dimensions are 35cm(l)x80cm(h)x45cm(w)

In terms of process, my pieces are not straightforward representations of the objects that inspired them. The objects for sale in the vending machine include gas masks and condoms; and the battleship is not a work of precision engineering but imprecise, nonlinear and irreverent.
In case of emergency please give exact change
104 Sullivan St. #30
New York
10012
New York, NY
NY
New York
North America

t: 1 646 613 0294
m: 1 347 423 6165
f:
w: http://andrewchanart.com



Web Links
Andrew Chan | Official Website
Saatchi Gallery | London
Artists Space | New York
TIME Magazine | Asia
White Columns Gallery | New York
M.Y. Art Prospects | New York