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Ana Cardoso

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modules 2011
modules 2011
RC: 12:14:23
I was more interested in knowing about your relationship to the internet and the videogame generation
ana cardoso: 12:14:27
I was liking it
RC: 12:15:03
how do you relate to the image civilization we are living in today
ana cardoso: 12:15:43
I find it schizophrenic
RC: 12:15:46
I know you make a kind of image sampling
RC: 12:15:55
but is that random?
ana cardoso: 12:16:19
no and yes
RC: 12:16:40
what is the motor of your rhizome?
ana cardoso: 12:16:58
it isn't because there are choices like the signifier of each image
ana cardoso: 12:17:08
motor-desire
RC: 12:17:50
what is the impulse of your rhizome? only desire?
ana cardoso: 12:19:28
only?!!
ana cardoso: 12:22:39
it is to edit images that relate, in an utopian timeline
x (lines) 2011
x (lines) 2011
RC: 12:22:44
motor = impulse = desire, i.e. , I'm assuming that when you say desire you are/we are talking about the same thing as motor, but of what, desire of what?
ana cardoso: 12:24:42
desire of maintaining those images in a limb
ana cardoso: 12:25:14
images in coma
RC: 12:25:18
without falling in an unnecessary narrative, right?
ana cardoso: 12:25:37
avoiding a classical narrative
RC: 12:26:00
altering time and space rules
RC: 12:26:20
what makes sense today
RC: 12:26:42
more than ever
ana cardoso: 12:27:05
painting is flat time
ana cardoso: 12:27:40
but that is the ideal of romance, of writing, of narrative
RC: 12:28:31
but your paintings seem to belong all to different time periods
RC: 12:28:34
...
RC: 12:28:53
from the futuristic
RC: 12:29:06
to
RC: 12:29:08
I don't know
RC: 12:29:55
and timeline
ana cardoso: 12:30:09
yes because they relate to and quote history
RC: 12:30:10
really isn't a timeless term
ana cardoso: 12:31:32
can you explain?
New York, NY
New York
North America

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ana cardoso
Múrias Centeno Gallery
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