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Julia Schwadron
Page 1 | 2 | Biography
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My interests lie in the complicated way that we process images. My paintings are derived from a combination of references, photographs or other paintings. Some are made by looking at specific objects. These paintings are not meant to force the viewer to think through specific narratives, but rather to inspire a kind of recalling, remembering, or déjà vu. My most recent series of paintings is titled: What's left over Where we end up is where we started Traces
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"Bouquet (face)"-44in x 64in, watercolor on paper
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"Long Bouquet"-92in x 30in, watercolor on paper
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"What's left over..."-90in x 54in, oil on linen
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All the paintings in the "What's left over..." series are oil on linen, white paint on a black ground, and evoke the photographic negative, a photogram, or an x-ray. However, unlike any of these comparisons, the paintings are made by hand, in direct response to an object itself, in this case, a bouquet of dead flowers.
Each painting in the series measures 54” x 90”, enforcing a relation to a human scale. The white paint on the black surface is transparent in parts, and the brushstrokes are present as evidence of potential life left inside what is already dead.
There are also a series of watercolors on black paper that, using the same subject and relatively the same process, play with another subtle variation in the way that the paint sinks into the surface.
My project ideas include further experimentation with the way an image comes together, or falls apart. I am creating drawings using a silverpoint technique, creating a scenario in which the drawing continues to “draw” itself once I’m finished because of the natural oxidation process of the material.
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To the right, is a painting made from looking at various images of sunsets, phenomena that only remain for a certain amount of time. The medium, charcoal pencil on raw canvas, is an example of a method that is in response to the impermanence of the subject...that it might be possible for the charcoal to blow away. On the other hand, the physical pressure on the surface of the canvas and time that it takes to create the image are part of a way to make an image that will remain.
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Sunsets-72in x 72in, charcoal pencil on raw canvas
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